[EXPRESSO] The Last Viking (2025) | Brother Pepper

One thing i didn’t quite expected from cinema in the future is to spawn a “Beatles-borne/like” kind of subgenre, and i’m not even talking about the 4 upcoming films about the band by Sam Mendes, or Across The Universe. i’m talking about having the Beatles be the instrumental catalysts of unrelated films, for example Danny Boyle’s 2019 film, Yesterday, where a mediocre singer found himself isekai’d into a world where the Beatles never existed, while he does remember their songs.

Again, it’s a Doofenschirmz situation, it is weird it happened at least twice, this time for the sake of crime comedy, the Norwegian-Danish The Last Viking.

A criminal, Anker, after having paid his 15 years sentence for a bank heist, he comes home, planning to retrieve the loot as he had his autistic brother Mandred hide the money underground in a place they knew… problem is Manfred now believes himself to be John Lennon (among other things), so Anker has to deal with this and try to play along, travelling together to some childhood places of theirs in order to eventually make him remember where he hid the money.

Which might mean having to get the “Beatles” back together.

Obviously this leads Anker to confront his rooted family traumas and his difficult relationship with his brother Manfred, and the movie to tackle the themes of mental health, happiness, perception,, but also – and especially – acceptance of one self, finding solace in our own “madness” in face of a delusional reach for complete, unrealistic “real sanity” , through a lot of surreal bizarre characters, grotesque situations, and plenty of dark comedy.

And i do mean dark comedy, it’s funny and hearthwarming in the end, but even for a Nordic black comedy it can get so bleak to be almost depressing.

[EXPRESSO] 100 Liters Of Gold (2024) | Moonshine Madness

Finland (and Italy since it’s a Finnish-Italian coproduction) time for 100 Liters Of Gold, a comedy by Finnish director Teemu Nikki (Euthanizer, The Blind Man Did Not Want To See The Titanic, Death Is A Problem For The Living, about two sisters, Taina and Pirrko, that run a successful – yet seemingly illegal – brewery renowed for their “sahti”, a traditional kind of Finnish beer (usually done with homemade methods as a secular family activity), and do it extremely well.

Things go south when their third sister orders them 100 liters of sahti for her wedding, as a series of family issues and petty yet almost deadly rivarlies surface, alongside a series of infortunate events and their desire to taste the product lead the two to guzzle down the entire batch for the wedding, then having to scramble and fix the situation in time for the wedding..

It’s a slow burn, off beat comedy about family and alcoholism also big on black comedy and nonsense, since the two middle aged sisters won’t stop out of stealing from the dead (among other things) to get out of their predicament and keep the promise with her soon-to-be-married sister, whom also previously lost a leg in a car accident, making age old dysfunctional family issues bubble up for the event, leading to a surprisingly dramatic resolution.

I think it’s decent movie and far from boring, though it’s also strangely meandering after a point, and it’s not a case of having too little going on, there’s a lot but none it’s really properly explored/developer comedy or drama (ending aside) as it could – and should -, resulting in a duo of protagonists – and by extent the many foul things they do – that’s hard to properly care for, despite the talented lead actresses.