Touken Ranbu Warriors NSWITCH [DEMO] [HANDS-ON] | Bishounen Sword Boys VS History Revisionists

Well, that was kinda unexpected, i genuinely though that editorial-ramble earlier this month would be the last time i talk about Touken Ranbu Warriors, but a week before release they also put out a demo on the European (and i guess other territories) eShop, so let’s give it a try.

And say some words. I do mean “some”; because there’s actually very little to say, and actually the bigger news is that the game is also coming to PC in the west, as a Steam release (since the DMM platform isn’t available outside of Japan), with a demo also available for that version. And that version will run in 60 fps, unlike the 30 fps locked Switch release.

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Fate EXTELLA: Link PS4 [REVIEW] | #musoumay

3 years after putting out Fate Extella: The Umbral Star, Marvelous followed up with the sequel, Fate EXTELLA: Link.

And yes, it’s a sequel, taking place after the “true/actual ending” of The Umbral Star, where the protagonist and “child Altera” are suddendly approached by attack programs, only to be saved by a new Servant of the Saber class, identifiying itself as Charlemagne.

He then explains that within SE.RA.PH a new threat has arisen, with a self-dubbed “Conquering Emperor” that’s bent on controlling all the digital created world by a mind control/brain wash process he dubs “Oraclization”. The protagonist, with his/her Servants Nero Claudius and Tamamo are then helped further by this new ally, as Charlemagne gifts them a new flying fortress where to organize the counter-offensive and figure out how to stop the plans of this mysterious “Emperor”.

And no, it’s not Caligula. Gotta specify that, it’s Fate we’re talking about, that could have been a honestly sensible guess.

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Fate EXTELLA: The Umbral Star PS4 [REVIEW] #musoumay

Ah yes, the Fate musous. Yes, Plural.

One that took surprisingly long, despite being one of the more requested crossovers with the formula, according to many japanese surveys results.

And oddly wasn’t snapped up by Tecmo Koei, but by Marvelous, which is both a good and a bad thing, for reasons we’re gonna get into later. But regardless, it’s nice to be reminded that these kind of games aren’t actually a patented formula…. at least i don’t think anymore, but still, this game is another proof that you can attempt a similar formula and Koei won’t sue off the back of their old, very vague patent.

I mean, they did make a “sequel” after this, so i’d think it’s safe to say that at least you can make “musou-likes”, if you so desire. And if the company that owns Senran Kagura can have more than a crack at it, you know the “low budget” excuse doesn’t quite hold as you’d expect and/or hope.

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Ninja Of The Magnificence (1988) [REVIEW] | Monk VS The Ninja Slavers

Also known as American Ninja: The Magnificent, would it really be a 80’s ninja movie from the depths of Godfrey Ho’ “ninja mines” if i didn’t have at least one alternative title? And didn’t have a guy named “Elton Chow” in it?

Yes, this is the 100 % new ninja movie review i promised, and i hope you’re still hungry for Filmark/IFD Film and Arts brand of ninjaxploitation shit, because there’s more, there’s always more.

This one though it’s arguably one of the better known of the bunch, thanks to it being more widely distributed and also happening to be one of the more fun of these “cut-n-paste” cinematic meatloaf servings, as it features Brad Jones’ beloved obscure actor Pierre Kirby, taking the mantle of the ninja protagonist that otherwise was mostly worn by a very reluctant Richard Harrison.

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Berserk and The Band Of The Hawk PS4 [REVIEW] #musoumay

Even if i reviewed (or re-reviewed, since i did already cover this one in 2017 on my older Italian blog) this one before of Miura’s passing, i would have told a tale of sadness, woe and disappointment.

But i won’t deny that with Kentaro Miura spiralling out of this mortail coil just over a year ago… there’s an extra serving of melancholy to the subject, which it’s ironically fitting in its own way.

As you would expect, there was some expectations at the time, even more since Koei Tecmo teased it and made a big deal about one this being one of more bloody and violent Warriors games ever…. and in hindsight it’s very telling, as they also did this lip service for Warriors Of Troy. Oh boy.

That aside, you would expect the Berserk musou to be pretty bloody and gory regardless, and it definitely delivered on that, can’t take it away from the game. I can though laugh at the fuckin localized english title they went with for this game, Berserk’s main character has a name, and a pretty not-generic one, you know?

He’s called Gatsu/Guts, just so you know.

Though that it’s not completely random, as the game starts from the Golden Age arc and covers up to the Hawk of the Millennium Empire Arc, with them boarding the ship after fighting Ganisha serving as the closing chapter.

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[EXPRESSO] Doctor Strange in The Multiverse Madness (2022) | Mystics From NY

FIY: I’m one of those that didn’t watch Wandavision before heading into this for many reasons (including not really caring nor intending to pay or use Disney +), and i was right in assuming that i didn’t need to… as they give you just enough info to follow the plot of this movie without spoiling that show or anything. It’s a perfected science of its own at this point.

THAT out of the way, i was honestly looking forward to this one, having liked a lot the first Dr. Strange movie, and having Sam Raimi on board as director for the sequel did please me indeed.

The plot sees Dr. Strange deal further with the concept of the multiverse, as a girl with the power to travel to different parallel universes appears in NY being followed by an eldritch monster, sent by Wanda The Scarlet Witch to kidnap the girl. Helped by his fellow mystics and the new girl, Strange will have to find a way to stop Wanda while traversing various realities in the multiverse…

While it starts a bit ho-hum, it does “gear up” and delivers on the expected package of magic, mystical brawls, multiverse jumping (used for what could or could be not “cameos”, let’s just put it like that), wizard duels, and i’m glad Raimi was allowed – to the extent a Marvel movie will find comfortable – to lean more on the horror elements and how he likes to handle them, which helps this entry in standing out a bit more.

Overall, Dr Strange In The Multiverse Of Madness, does deliver on the title, it’s pretty fun, and it thankfully not bloated as some other Marvel movies in terms of runtime.

Nothing “great”, but i quite liked it.

Mileage might and will vary, as usual.

Musou May + an updated rant on Tecmo Koei’s horrible monetization practices

While i would have loved to splooge and do a full fledged Warriors retrospective, i simply can’t at the moment due to time lacking for such an endeavour, so we’ll have a musou game review each Sunday in May, starting from the 8th, which will alter the bi-daily posting routine we entered since February a little.

I wish i could do more, but i already know will not be able to get, play and review the upcoming Touken Ranbu Warriors before May itself ends, for one (as to why, basically because they are going with a digital only release in European territories, more below=. Though i can update my previous rants on Tecmo Koei’s monetization practices and content culling, as the Switch eShop page for that game went up recently and showed us that Tecmo Koei’s will simply NOT stop inventing new ways to “nickle and dime” hundreds of moolah from you for very little effort.

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Ninja The Protector (1986) [REVIEW] | Obscurity Via Boredom

Suddendly, another ninja rewrite appears in his colored jumpsuit, because i like the challenge of rewriting these, and it does become harder as these movies over time do indeed start bleeding into each other, even more as there are literal dozens upon dozens of these made by – or at least credited to – Godfrey Ho or Joseph Lai, which were very prolific during the 80s.

But this time it’s gonna be followed by a brand new ninja movie review.

Might even NOT be a Ho ninja-pasted affair.

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Spy X Family (2022) [ANIME FIRST IMPRESSIONS]

I didn’t plan to do another “first impressions” piece on a recent anime release, especially since the original manga by Tatsuya Endo (whom you might be already familiar with, as he previously worked on fan-favourite TISTA) sky-rocketed in popularity after debutting on Shonen Jump in 2019, and especially last year as it received wider releases globally.

A relatively new series on Jump with an original premise that doesn’t fall in the “battle manga” genre, but instead goes for a spy theme was bound to turn heads and be popular, and eventually get an anime series. So here we are, and while this series doesn’t need my “push” to become popular or anything (as it’s also streaming in most countries on Crunchyroll, which is obviously marketing the hell out of it) it’s one of the few shows i’ve decided to actually follow as they air this season (alongside Ya Boy Kongming!, of course), so might as well say something about it.

Once again, i’m considering the first 3 episodes as a basis to draw these first impressions from.

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[EXPRESSO] The Northman (2022) | VIKINGS, RAISE THE SHIELD WALL

Robert Eggers is back, this time not going for a psychological horror-thriller, but a way more straightforward tale of revenge, based on the legend of scandinavian prince Amleth (upon which Shakespear himself based his tragedy), here a young boy welcoming his father back, only to killed by his uncle for the throne and spouse. Amleth escapes, woving bloody vengeance.

Years pass, and as he wanders the lands as a berserker unit, he heards the name of his uncle and then concocts a plan to reach the isolated island where he scurried back some time ago, and exact his long held life-time wov made to his brutally murdered father.

And indeed brutal is the keyword here, as this movie really warrants the title of a “brutal viking epic”, as it depicts this nordic barbaric world inhabited by cruel men more akin to beasts, where pillage and murder exist on daily bases, villages hold ritual sacrifices (even human if need be) to appease their gods, mystical rites are held, witches reveal visions of inescapable fate, etc.

It’s that kind of barbarian middle ages, and The Northman sure as hell doesn’t shy away from showing raids, people being burned alive in houses (and a lot more graphic stuff), and it’s fittingly inhabited by refreshingly unapologetical, unflinchingly brutal characters that all perfectly fit in this world, as even what in other movie would be “the hero” it’s arguably even more despicable than the “villain”.

A lot of style (with Eggers’ touch easily recognizable in some weird psychedelic sequences), great characters, amazing atmosphere, superb cast and a captivating, graphic vengeance tale that enraptures from beginning to end.

It’s just hard to look away, even when a guy it’s getting an unrequested Skeletor-style “nosejob”.

To quote Nathan Explosion yet again: “Brutal”. In all the right ways.