[EXPRESSO] Full Metal Alchemist The Final Chapter: The Final Alchemy/The Last Transmutation (2022) | Finally Finality Forever

Well, that was quicker than i expected, as part 2 of the finale for the live-action FMA movie trilogy is now available worldwide on Netflix.

For those of you unaware, yep, they made 3 of these things, and btw, SPOILERS beware, because this adapts the final part of the manga, picking up exactly where Scar The Avenger ended, with Envy, Edward and Ling getting swallowed up inside Gluttony… after we’re introduced to Izumi and her husband meeting Hohenheim, father of the Elric brothers.

Then we’re up to the frozen fort of Briggs, meeting Olivia Armstrong, and the whole conspiracy behind the Homunculus, Van Hohenheim and the foundation of Amestris is revealed.

As with the previous movies, there are some changes and cuts to the plot (including some axed characters), , but – as said before – it’s fairly faithful all thing considered, and as one would expect it’s the longer one, almost clocking at 2 hours and a half.

Though i wish it was a bit longer, as in some istances they kinda overdo it and you get the feel that you somehow missed some scenes, as the editor just assumes the audience to already know exactly what was supposed to happen, while rushing, abridging the shit out or outright cutting sequences that were reasonably expected to be included.

Even more odd as this issue could have mostly resolved with 10/15 extra minutes, it’s the final movie of this trilogy and it’s already pretty long, but still, nothing that seriously harms the experience, same for the somewhat inconsistent quality of the cheapish CG for the Homunculus.

Overall, The Last Transmutation it’s on par with the previous FMA live-action movies in terms of quality, it’s decent and mostly faithful, regardless of any “need” for these to exist in the first place.

[EXPRESSO] Full Metal Alchemist: The Final Chapter – The Avenger Scar (2022) | Alexander “Ahoge Cum Head Tumor” Armstrong

As you might be aware, more live-action Full Metal Alchemist films were on to way to make it a trilogy, actually a two parter, announced last year to celebrate the manga’s 20th anniversary, directed by Fumihiko Sori (Ping Pong, Vexille) and both already released theathrically this year in Japan.

Now we’re getting the first part of this “Final Chapter”, The Avenger Scar, internationally via Netflix, so let’s talk about it, i did review the first FMA live action film back in 2017.

It follow directly from when the 2016’s FMA movie left, and – as the title lays out – it’s about a nameless serial killer that is roaming about Central City offing State Alchemists, dubbed “Scar” due to his “X” shaped headwound.

The brothers encounter Scar but suffer defeat and have to escape, while the intrigues surrounding the military and the Homunculus unfold..

Like the previous movie, you’ll ask yourself why bother making live-actions like these, for the obvious reasons, which include some character designs clearly never meant for real people.

I wasn’t ready to see live-action Alexander Armstrong, nor could i ever be. Jesus.

If you can get over the many absurdities that come from the “anime/manga to live-action” transition, you’ll find a decent, fairly faithful adaptation of this part of the series, with some changes to the plot that basically relocate some events earlier or later and some fairly necessary concessions that had to be made anyway to have a 2 hours film.

It’s not the bad adaptation you think it is, nor it does the material quite the justice it deserves, but it’s a decent retelling, acting it’s ok, and it does what it sets out to do.

With some questionable effects at times, but at least it’s definitely better than the Bleach live action movie.

[One Piece Film Retrospective] #14: One Piece Stampede (2019)

Oddly a movie title that could have also worked for Chopper’s Kingdom on The Land Of Strange Animals, since that actually has bull-like animals going into stampedes, while walnuts are disappointingly missing from the 14th One Piece film, One Piece Stampede, which doesn’t really have a “wild west” theme of sorts, despite its title, but delivers with a smorgasboard of characters from the series.

Fitting as its main raison d’etre was to celebrate the animated series 20th anniversary.

And indeed in retrospect its become even more clear the main goal of One Piece Stampede was to bring together an all-stars ensemble of One Piece character, especially the ones rising in popularity and that make their film debut here, like Trafalgar Law, Kidd, Boa Hancock or some oldies-but-goldies, like Smoker and Tashigi. Yep, in case you forgot or didn’t read the review of Episode Of Alabasta… they were actually absent from that one, absurd as it sounds.

Continua a leggere “[One Piece Film Retrospective] #14: One Piece Stampede (2019)”

[One Piece Film Retrospective] #10: Strong World (2009)

First teased during the screenings of Episode Of Chopper, Strong World was immediately treated as a big deal, not only as was the tenth film for the series, but it was also made to celebrate the 10th anniversary of the TV anime, and for the occasion Eiichiro Oda himself wrote the script, instead of just providing character designs and approving story ideas as he did for the previous movies.

Also, in what would become a trend for future One Piece movies, Strong World features an original villain that was an acquaintance, crewmate or contemporary of Gol D. Roger, and previously was detained in the Impel Down prison complex. That alongside making the Marine (or the World Goverment aligned) characters more prominent – if not integral – to the story at hand.

The villain here is the pirate Shiki, dubbed “The Golden Lion” due to his mane, a legendary pirate from the Golden Era that escaped from Impel Down by cutting off his legs, and had basically vanished from existence, only to show up 20 years later in order to take revenge on the entirety of East Blue, and force the Goverment into surrender by using genetically enhanced animals, engaged into a constant battle for survival over the islands (the titular “Strong World”) that fly thanks to Shiki’s Devil Fruit ability.

Continua a leggere “[One Piece Film Retrospective] #10: Strong World (2009)”

A quick ramble about the Klonoa Phantom Reverie Series collection

Klonoa has been one of my favourite series since a decade or plus ago i discovered it… as a teen by playing the second game, Klonoa 2: Lunatea’s Veil, on the old “fat” PS2 model. Yep, this isn’t a childhood fascination, i just loved the frigging series since i stumbled upon it, so thanks to some handy “gift money” i pre-ordered this new collection… one that Namco Bandai just kinda put out there without much marketing and fanfare, aside from revealing it in a Nintendo Direct.

I got the PS4 version for performance’s sake, and because i wanted something good to keep on the shelf – alphabetically -before Knack, so let’s just give a quick overview of this collection after spending a couple hours or so with it.

Continua a leggere “A quick ramble about the Klonoa Phantom Reverie Series collection”

[EXPRESSO] Tutankhamun: The Last Exhibition (2022) | Here Comes The Centhury Boy

Docufilm time!

This one is an italian production directed by Ernesto Pagano, with some narration by Manuel Agnelli in the original italian release, and by Iggy Pop in the english/international one.

The documentary goes into the early discovery of the tomb of pharaoh Tutankhamun in 1922 by english aristocrat Howard Carver, talking about the impact on western popular culture the discovery had (including popularizing the “pharaoh’s curse” in various medias) and showing the preparations made for a London based exhibition that started in 2019 to put on the display the many treasures and relics found inside.

All with commentaries by various “talking heads” from the egyptian, italian and british side of things.

It’s not a bad documentary, necessarily, but it’s one that feels like it has to appeal to everyone, so it doesn’t quite committ to a certain direction nor goes into any detail. For example, in a docufilm about Tutankhamun you don’t learn much that wasn’t already common knowledge, you’d think they took the opportunity to actually go further and try to depict who this young pharaoh was a person (more than in a couple of passing lines, anyway), his lineage, the historical background he lived in…

Heck, i would have preferred some more footage of the exhibition itself (since due to COVID pandemic the tour stopped and Egypt decided not to move the artifacts out of the Giza museum), but nope, we have a cool narrating voice trying to fashion some kind of fictionalized “epic” scenes… only to then move to scenes of people slowly misuring, cataloguing and inspecting the artifacts.

It’s not “offensive” nor a complete bore, and it’s short, just 80 minutes long, but that exacerbates the feel this was made just to have something out celebrating the 100th anniversary of “King Tut”’s tomb being discovered.

Liberation Day Break

YEAH BOIIIIIIIII!

You know what day it is: it’s that day when we post that image from Porco Rosso.

And since here in Italy it’s a proper festivity, i’m gonna take a small break instead of reviewing a nazisploitation flick to mock the punchable bastards, fuck em forever.

Also, it comes with the added benefit of you not having to read about Holocaust II: The Revenge (almost ironically an italian production, yeah), i don’t ever need to make these up, of course if Titanic 2 exists, anything goes regardless.

Really not feeling it when The Northman it’s out in theathers now here, so expect an EXPRESSO review of that out on Tuesday.

Jump Force PS4 [REVIEW- FUNERAL] | To The Digital Graveyard With You!

One might wonder why review Jump Force now, as it got “internet spanked” quite enough when it came out in 2019. Aside the fact i don’t need a reason to do so… Namco Bandai gave me a big one, by announcing they would remove the game from digital storefronts, alongside the 2 season passes, the DLCs characters and content by february 8th 2022, with online functionalities and features shutting down entirely by August 24th 2022, this on all platforms.

Now, i know this would be reason for joy to many, but i’m an archivist at heart, and while i won’t miss the microtransaction laden bullshit, i find it silly that they didn’t even managed to make a complete edition of it with all the content on disc, only the Deluxe Edition on Switch with the Season Pass 1 content baked in the cart.

So years in the future you won’t be able to play the Season Pass 2 characters at all, which isn’t exactly a loss given the game wasn’t good to begin with, but it’s even more soon-to-be legally lost content. The loss of the online functionalities was inevitable, to a point, but the rest not so much.

Continua a leggere “Jump Force PS4 [REVIEW- FUNERAL] | To The Digital Graveyard With You!”

What is Christmas without an Ice Cream Bunny?

Think watching The Star Wars Holiday Special each year it’s not the hipster “christmas tradition” it was before? If so, i will propose something that’s also not new, as it has a cult following, but very very smaller in comparison, since it doesn’t have the Star Wars branding.

Santa and The Ice Cream Bunny.

If this didn’t trigger a PTSD-like reaction, i’m here to share my cursed knowledge upon you, because in a way this fits the Christmas period, and its deranged insanity.

Continua a leggere “What is Christmas without an Ice Cream Bunny?”

[EXPRESSO] Halloween Kills (2021) | TONIGHT!!!

Hindsight it’s a terrific thing, otherwise one wouldn’t be able to say that we’re at a point where 3 different “Halloween 2” exist, this one actually being a follow up to 2018’s Halloween, a direct sequel to the original film that did so well to eventually become the first part of a trilogy by David Gordon Green, with this Halloween Kills being the middle part and Halloween Ends the conclusion.

The 2018’s movie was honestly pretty good and i would have stood as good conclusion to this continuity, but the original Halloween II already proved there’s no final rest in the industry, so i’m not instantly miffed they are making “Part II” again, this series had far worse ideas than that, as most horror fans already know the franchise’s incredibly messy history.

So the plot sees Michael Myers survive the huge fire at the end of the 2018’s movie, and then go back to Haddonfield, Illinois, where everything started, and killing whoever he stumbles upon.

This enrages the locals, haunted for 40 years by Michael’s legacy of terror and finally decide to take the matter into their own hands and end their nightmare once and for all.

I’ll start with the positives: there’s a lot of kills, great gore effects, and it’s pretty entertaining.

…. if you care about anything else, you won’t find it in Halloween Kills, as the plot could make some sense on paper but it’s senseless ridiculous gibberish that pisses all over the good stuff the 2018 movie did, and welcomes all the bullshit it avoided. With the subtlety and meaning of a hammer to the scrotum, nothing at stake, dumb ass characters that should absolutely know better.

One step forward and six backwards, so Halloween Ends will have to work hard to be worse.