[EXPRESSO] Knives Out: Glass Onion (2022) | Greece Getaway

Managed to catch this one in theathers during its premiere week, before it arrives on Netflix, as i planned to since i also saw the first movie in theathers.

This follow up arrives with some delay, as you could guess since the movie it’s set during full COVID-19 pandemic swing, not that it matters much outside of the intro part, which has world famous detective Benoit Blanc receiving the mysterious invitation (via a puzzle-operated special box delivered to him) to a secluded private island in Greece, where tech mogul is holding a private getaway with some of his old friends, inviting them to solve the mystery… of his own murder.

And before you go on a tangent, this was in the trailer and actually isn’t the big crux of the plot, at all, which indeed continues the type of comedy mistery affair that subverts or surprises the viewer by working with the classic elements of the murder mystery, the expectations it brings, while bringing in a new set of horrible people as potential suspects when the murders start happening, keeping the theme of “eating the rich and eat em hard” while delivering plenty of twists, reveals, laughs and damn satisfying bombast too, in some part.

There’s very little way to discuss the movie in any more detail without giving away or hinting at what actually happens in it, but i will say that this time Benoit Blanc it’s “proper” gay now.

Does it matter? Not really, as Bautista it’s playing a nerd streamer.

Now that i have distracted you, i can say that indeed Glass Onion it’s a pretty good follow up to the first movie, not a redo, but a new chapter/story, and i’m quite glad there will be more mysteries for Benoit Blanc to solve in the future.

[EXPRESSO] The Cuphead Show (Season Three) 2022 | Devilicious

I’m gonna be brutal and make it extra clear (in case you didn’t read the reviews of the two previous season/slices/cours): i’m kinda glad this is the end and i hope there’s not more of this to come.

Unsurprisingly so, the whole cliffhanger with Mugman dragged to literal hell by the Devil and Cuphead finding a way to rescue his brother is immediatly dealt with in the first episode, though at least it’s a longer opener to better make the Devil… basically Squidward. Even more than before.

After that we’re back to the usual episodic fair, but there are still some notable moments that also elicit some legit laughs even for the older audiences, and guess what, once again it’s due to the Devil being such a big pile of luciferian ham.

Just in time for some delightfully long christmas themed shenanigans, with a 30 minutes Devil-centric Christmas special that also happens to be the best episode, hands down.

Actually, to be fair, this season does involve the Devil more into the various episodes, might as well since his presence stopped being special, and he still the best character by far (alongside Porkrind and King Dice, of course).

As much i really forced myself through all of The Cuphead Show more for completition sake after season one, i can’t deny this show can still whip up some intriguing visuals and show off some nice editing and composition, alongside some decent jokes, not too bad for something that it’s aimed at kids and just isn’t interested in the amazing opportunity brought by its license…. to do anything that resembles the Cuphead “inspiration materials” aside from the looks.

It’s a Netflix style adaptation of a popular franchise/brand alright, but keeping all THAT in mind… it’s alright, it’s inoffensive. It sure is content.

[EXPRESSO] Diabolik 2: Ginko Attacks! (2022) | Color Cinecomic Photoplay

After the Diabolik revival movie of 2021 was surprisingly succesfull, we now have the sequel, Ginko Attacks, with inspector Ginko pressing its dogged hunt for master criminal Diabolik, managing to find its hidden lair, and eventually collaborating with a betrayed Eva Kant.

Though Diabolik himself was recast, here being played by Giacomo Gianniotti instead of Luca Marinelli from the 2019 movie.

As of why, Gianniotti does look almost identical to Diabolik as depicted in the original comics, but it’s a bad trade-off as Marinelli was by FAR a better actor, and a better Diabolik.

He doesn’t even feel like the same character either, but then again almost no character in Ginko Attacks has a semblance of personality, just existing as barren narrative gears.

Cumbersome pacing (for a 2 hours and 20 minutes movie) doesn’t help, nor does having Monica Bellucci in the cast.

Dialogues are pretty awful too, and tipify the whole problem with the movie, as it feels excessively faithful to the source material, making one wonder if they lifted the text verbatim from the comics, without ever considering how (or if) they would work in an actual film, or to actually update the literal decades old material for modern cinema standards.

So it’s no wonder the plot it’s also bad, utterly predictable from the get go regardless, with the twists/reveals actually making thing worse, because the entire narrative relies on almost every “character” being way too fuckin stupid to predict what the audience did hours ago.

Though it’s hard to get angry because it’s such an alienating, empty experience, with some style backed…by absolutely zero substance, and it’s very disappointing since the first movie was flawed, yes, but also WAY better.

So i’m not exactly looking forward to the third one already in the works.

Awful. Disappointingly awful.

[EXPRESSO] The Menù (2022) | A Meal To Remember

Went in blind and i can say this is a delightful surprise of a release, i mean, a black comedy horror thriller about haute cuisine with a stellar cast in it? Of course i’m in.

The premise of The Menù sees a dozen of influential, wealthy or otherwise high society people get invited to an exclusive dinner party on a remote island by worlwide famous and extravagant chef (played by Ralph Fiennes), eager to see what this year’s menù has in store for them.

Among them there a couple that will be enthralled not only the incredibly elaborated, inventive and maniacally detailed meals, but also by the many shocking events that make the already weird dinner go even more south.

And not always in ways you’d expect.

No, thankfully this one doesn’t go through the fairly overtrodden, predictable “cannibalism route”, not that it would have made quite sense to see Ralph Fiennes asks its dinner guests if they ever eaten “an egyptian FeAsT”, it’s not that kind of movie, it’s indeed a dark comedy horror that presents a robust mix of familiar elements, like the sympathetic villain that planned an elaborate revenge scheme that also steer into cult territory (not in the sense of waiting decades for critics to revaluate it, but the literal one), and also a touch of The Most Dangerous Game to it.

I’m not gonna go in further details to avoid spoiling the whole movie, but i will say it’s also fairly funny in his rampant pisstaking of haute cuisine and its pecularities, from the chef/ringmaster/performer/divinity, the kind of peculiar yet expected clientele it attracts, the behaviours and expectations they come with, while retaining wit through the mostly symphatic gaggle of people that maybe didn’t deserve it that badly.

A pretty robust, strong serving indeed, recommended.

[EXPRESSO] Black Panther: Wakanda Forever (2022) | Vibranium Wars

For the record: i did enjoy the first Black Panther movie quite a lot when i saw it in theathers.

But i also saw how flippant is the quality of the MCU theathrical offerings, so expectations are as low as they have been for years. Especially with the passing of Chadwick Boseman, which is also honored and diegetically considered, as the death of T’Challa leaves Wakanda open to other nations trying to rob them of the Vibranium, forcing the reigning queen, the princess Shuri ( sister of the late T’Challa) and the remaining warrior women to fight for their land as Namor (i guess a different one from the Aquaman lore, despite the identical name) the king of a secret underwater-dwelling meso-american tribe rises up to force Wakanda into war.

After they take their sweet time, let’s be blunt, this one it’s almost 3 hours long, and boy you’ll feel it. It’s not even correct to say the movie it’s unnecessarily long, but it does take its time to set up various subplots and elaborate on the themes of legacy, inheritance and will that connect the Phase 4 Marvel movies together, as the characters deal with the emotional baggage left to them, which it’s fine but it feels like them ruminating/depending on the first movie to make you care this time too.

It’s the same issue plenty of these new Marvel movie have, and Wakanda Forever it’s no exception, arguably a little worse, which is a shame since the plot has some promise but never feels properly coherent, the cast it’s great, the villain is quite decent, but i found myself not really that invested in the new characters, the new kingdom and the new struggles Wakanda and its warriors face.

It’s a decent but unimpressive (and kinda bloated) sequel.

[EXPRESSO] One Piece Film Red (2022) | Idol Live Stream

Managed to catch a subbed preview screening in cinemas here, and actually catched another esclusive screening for the tie-in anime episodes meant to complement One Piece Film Red.

Not that you really need to see those going into the new One Piece movie, you don’t.

As the marketing and title (logo included) strongly implied, it’s a movie that involves series fan favourite Shanks, indirectly, as it’s about the pirate crew reaching a mysterious island where the first live event of the world’s most popular singer, Uta, will take place.

The Straw Hats come to party, Luffy it’s revealed not only being a childhood friend of Uta, but girl herself being the daughter of Shanks, one of the Four Emperors Of The Sea, which attracts other pirates – as well as the Marines – on the island of music, Elegia.

And despite the obvious fact this is also a vehicle for rising j-pop singer Ado, whom provides all the soundtracks (giving Kohei Tanaka some well deserved rest)… it’s also a surpringly good script, with Uta being a very good original character, some intriguing surprises that also justify in terms of narrative the many musical pieces, which are also very intriguing visually and incredibly well animated, while the songs themselves are quite catchy.

Definitely a more original and interesting script than the all-stars extravaganza of 2019’s Stampede (while it’s also the first film appearance for many relatively newer characters like Katakuri), and a fitting return for Goro Taniguchi (Code Geass, Gun X Sword, Planetes) to the series, decades after his One Piece Ganzack’s OVA by Production IG.

Sure, it leverages Shanks’ legacy/importance in the series to rope in fans, but it does not overrely on nostalgia alone, at all, making Film Red a surprisingly strong (and varied) entry in One Piece’s filmography.

Resident Evil: The Series (2022) [REVIEW] Teens & Weskers

Oh boy. This one.

So good a couple of months after its release Netflix cancelled the series all together.

Exactly like it did for its Cowboy Bebop’s live action series, but i doubt this will be the last time we see this treatment, as Netflix is committed to bring more live action crap into its folds, especially by picking a “random” videogame or anime/manga license.

But that discussion will have to wait for when the One Piece live-action series (also by Netflix and also handled by the same production team behind the aforementioned live-action Cowboy Bebop), for this is a Resident Evil affair, and the series already had its own spotted history of adaptations.

I was gonna review this thing anyway, but cancelling any further seasons it’s definitely a move that appeals to my vulturine tendencies, and also means i hopefully won’t have to talk about it again at a later date. Hopefully, who the hell knows with Netflix nowadays, since not even instant super mega hits that are well received by most people like The Sandman (adapted from Neil Gaiman’s book of the same name)… aren’t guaranteed a second season, as the very people making it explained.

Continua a leggere “Resident Evil: The Series (2022) [REVIEW] Teens & Weskers”

Dead Island: Definitive Edition PS4 [REVIEW] #deadislandretrospective

I started playing this mid-summer for kicks, but what do you know, in early september Dead Island 2 actually resurfaced after 8 years of radio silence, multiple developers change, and it’s coming out… in February 2023. Odd date, but i guess Deep Silver isn’t keen on waiting for a timely summer release, after the game overlong stay in development hell, so much that Techland spun another zombie series after basically being denied work on any Dead Island game after Riptide.

Perfect time for a retrospective of the series as a whole, so let’s start from the original Dead Island, in its Definitive Edition form (which on PS4 and X-Box One came packaged as a collection with the direct sequel Riptide and the spin-off Dead Island: Retro Revenge included).

We’re reviewing this version also because i’ve played Dead Island on PS3 when it was new… and this was indeed one of those games that could have used some enhancing and overhauling, etc.

I guess some history won’t go amiss, but if you happened to… not exist in 2012, you missed one of the most perfect example of misleading, bullshit hype trailers ever made, as originally we were fed a non-gameplay trailer that went for shock value (depicting a dead zombie child, among other things), trying to make you believe the game would treat the topic with some seriousness… only to find out Deep Silver were just being the deceitful liars they are, as we had a game where you combine shit to make fire-laden blades and battery-powered electrical pikes, with a slow-mo effect for when you decapite the plentiful undeads, or crush their rotten brains under your foot.

Continua a leggere “Dead Island: Definitive Edition PS4 [REVIEW] #deadislandretrospective”

[EXPRESSO] The Cuphead Show (Season Two) (2022) | Cup Me Twice

Since i didn’t proper disliked the first season (see the previous review, if you would like), yeah, whatever, i watched all the Shaman King’s Netflix adaptation, i can watch this, while i wait for the complete physical release of the game to come into existence.

Continuing up from the first season’s cliffhanger, we have Cuphead and Mugman thrown into jail after they were basically set-off by the charming con-maister Chalice to enter the cookie factory on the hush, and then.. they escape/get out of it in the first episode. So much for that.

Yeah, a strong, over-arching narrative wasn’t the forte of the first season, but despite hinting at the focus being on the character of Miss Chalice, introduced right at the end of the previous season, hanging around with the boys… even that gets resolved quickly, so any kind of plot is thrown out of the window for episodic adventures.

Mundane, episodic, adventures.

Yep, if this sounds familiar, it’s because i ultimately i have the same feelings (and criticisms) about this second season as i did for the first one: short episodes that look good but lack any real substance or interesting stories, while not being outright bad or offensive, and once again it’s clear the target audience isn’t adult fans of the videogame, animation buffs, but just… kids.

I did bother with this second season to see if it was better in any significant way, but honestly it would have been worse if the Devil (and with him a semblance of story, fun and wit) didn’t eventually come back for a couple of episodes, but thankfully he does.

But again, it don’t matter anyway, since Netflix ordered 36 episodes overall, there’s a cliffhanger, so it’s pretty much a given we’ll see a third season/slice/part.

Yay? Maybe? Whatever, later!

[One Piece Film Retrospective] #14: One Piece Stampede (2019)

Oddly a movie title that could have also worked for Chopper’s Kingdom on The Land Of Strange Animals, since that actually has bull-like animals going into stampedes, while walnuts are disappointingly missing from the 14th One Piece film, One Piece Stampede, which doesn’t really have a “wild west” theme of sorts, despite its title, but delivers with a smorgasboard of characters from the series.

Fitting as its main raison d’etre was to celebrate the animated series 20th anniversary.

And indeed in retrospect its become even more clear the main goal of One Piece Stampede was to bring together an all-stars ensemble of One Piece character, especially the ones rising in popularity and that make their film debut here, like Trafalgar Law, Kidd, Boa Hancock or some oldies-but-goldies, like Smoker and Tashigi. Yep, in case you forgot or didn’t read the review of Episode Of Alabasta… they were actually absent from that one, absurd as it sounds.

Continua a leggere “[One Piece Film Retrospective] #14: One Piece Stampede (2019)”