Princess Connect RE: Dive iOS [EXPRESSO] | Idle Moe Mediocrity

Now that “Priconne” has gone global, let’s give it a look.

Ok, story. You start in the usual “media res battle you lose”, then wake up as your generic male fantasy anime protagonist, now amnesiac but apparently a prince-knight known by everyone else in the world, so alongside your girl retainer and various battle princesses you go on a quest to scale Sol Tower and get a wish granted.

At least it’s not an isekai (?).

Combat is automated with interaction restricted to activate special skills when charged up… that’s it. There’s no complicated system to power up characters, so it’s not confusing but it’s also lacking any real depth, it just a matter of upgrading enough the characters and choosing the party composition, especially the latter i can see being important when you’re in deep with the harder levels.

Not that i will be reaching that point, but still, i don’t consider “the game really playing itself” a plus, even in a game like this where gameplay is vestigial to the “idle waifu collecting” activities.

One filled with lots of just….incredibly generic fantasy anime moe designs. There are some exceptions like the Alpaca Princess, but not many interesting or good designs. This is to make the rarer characters more desirable and con you into buying premium currency for the gacha.

While the F2P elements aren’t abrasive, the game is relatively generous in giving out gems/crystals and doesn’t gate features with insane grinding… it’s manipulative generousity, there’s always a catch.

The games uses clips from the anime series (which look good), production values are high, it’s harmless, inoffensive, but i just find Priconne to be very disposable and uninteresting, if i didn’t force myself to do some decent progress before writing this review i would have dropped it on day 2.


Yeti: The Giant Of The 20th Centhury (1977) [REVIEW] | Italo Disco King Of The Kong

It’s still january, it’s still cold as hell (proper Dante Alighieri hell), so it’s time to shovel up and unearth a yeti movie from the motherland, with the forgotten Yeti: Il Gigante Del 20° Secolo from director Gianfranco Parolini (credited as Frank Kramer), often called just “Yeti”, “Big Foot” (yeah, that helps a lot, thanks) or with a direct – and accurate – translation of the title in english, as Yeti: The Giant Of The 20th Centhury,

Italian-canadian kaiju yeti-xploitation, can’t go wrong with that!

Yeah, digging this gem out to also celebrate the new trailer for Godzilla VS King Kong !

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Eels For Meals

At episode 3, i can confirm Yuru Camp Season 2 is great, might even be better than the first one, uber comfy, supercute, so much it will heal your filthy soul. Bliss, comfy bliss.

Watch out for the sudden, detailed and unexpected eel “murder” sequence (not pictured here) before being served.

Oh, yes, also, Cells At Work BLACK anime tackled erection and gonorrhea, as you do.

Can’t wait for the new episode of EX-ARM and what new shades of utter incompetence will bring, i’m sure the full fight scene against the robo-maid (shown both in the episode preview and in the PV of the series, you know, that video that literally publicized the anime series by saying “brace yourself, other sci-fi anime series, here we come!”) will manage to be even worse than expected.

I hope i can bring you some new reviews in the coming week, we’ll see.

So, that EX-ARM anime wasn’t a practical joke

And yet you still wanted to make an EX-ARM anime.

I will have a review of this turd when the series finishes, but this first episode it’s so unbelievably bad it doesn’t matter if the story improves or gets worse as it goes along, with this embarassing animation it’s all for naught. I would like to apologize to the Berserk 2016 anime, this is even worse, it’s unbelievable. But also the logical outcome to have a studio that never did nor understands animation… do anime.

And no, that horrendous screenshot seen above it’s not a one-off, in the first episode alone there are like 3 occasions where a horridly made 3D CG anime character is framed alongside a clearly 2D animated character. To say nothing of the horrible, uncanny way they movie (with the jaw unhinging like a creepy ventriloquist doll), making Polygon Pictures produced anime series look like Redline.

How the hell did these people manage to have this signed up as a Crunchyroll Original i can’t even fathom. The manga isn’t that bad to deserve an adaptation so abysmal.

And yes, the manga also had better animation.

Avalanche Sharks (2014) [REVIEW] | In The Wake of the Sharkenado

Another re-review to ease down the january blues, with more “winter” shark movies.

Today is Avalanche Sharks, because everything can happen if no one says no during scripting and production, and to be fair, this exist because Sharkenado just release to a surprise sensational success, so SyFy greenlit a sequel and basically asked what kind of bullshit shark movie the internet wanted to see, eventually announcing this one as a “sequel” (again, i think someone gotta remind these companies what the word means, i think they genuinely forgot) to Sand Sharks, under the working title of “Sharkalance”. Which was changed because it was obviously gonna be.

It’s NOT an Asylum joint, but a Canadian production by Odissey Media (and other companies), and i kinda wish they did, at least i could have heard better the crap dialogue and awful exposition, and maybe the actors would have been a touch better, alongside the production values.

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Mammoth (2006) [REVIEW] | Meteor Mayhem

Time to unfrost a b-movie from the mid-2000’s i’ve known about for years, as friends told me of this movie where a mammoth runs around a house without being seen. Yeah, i’m pretty sure they didn’t actually watch the movie and just parroted something they red online, because, as it incredible as that would have been (and kinda fit anyway with the tone), no, a mammoth doesn’t stalk people like a slasher villain and moves around a normal household without wrecking it.

Although, with how many cheap horror flicks about dinosaurs, extinct or mythical animals are there, that movie could actually exist. I couldn’t find anything that fits the exact profile, but you never know.

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Ice Sharks (2016) [REVIEW] | Ammonia Sharks

This is actually a re-review, i covered Ice Sharks during 2019’s “shark month/week/whatever” but it was on the original, italian version of Wise Cafe, so it’s technically new and i want to give you a lil’ something while i try to juggle and write about 4 different anime series, none ending in late january.

And if anything, might as well do this now than in summer, there will be other shark movies to talk about when the time comes. Also because there are not many “Ice type” shark movies, thankfully this sub-trend never took much hold, so much i can’t think of many others like this, aside from Avalanche Sharks and 2012’s Snow Shark.

Then again, Ice Sharks is one of the more recent one, and alone should have tanked this niche-within-a-niche for good, and not necessarily because it’s the “worst one”.

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[EXPRESSO] Fox n Forests NNSWDDL | Wink Wink Nudge Nudge E.T. Atari Cartridges

One of the older “good children of Kickstarter”, a retro-styled 2D platformer made by nostalgic gaming enthusiast for the nostalgia crowd that loves 16-bit style platformers for the Super Nintendo and Sega Mega Drive/Genesis.

And before you ask, yes, there are “Metroidvania” elements, Kinda. As in you’ll have to revisit levels when you get an upgrade allowing you to reach new paths and collect more of the items necessary to unlock the other batch of levels. The music does remind one of Castlevania, though, like a lot.

You play as Rick the Fox, tasked by the ancient talking tree to recover sacred bark and repel the mysterious “Fifth Season”. You’re given a bow with sword for close combat, but the main gimmick of Fox n Forests is the ability to change the season in the level to affect the level design: freezing rivers in winter to walk on the icy surfaces, changing to autumnmakes vines grow, creating extra platforms, and so on.

It’s a good game held back by how on-point it recreates the 16-bit platformer experience, despite otherwise finding good compromises to mesh old and new sensibilities, like retain checkpoints but having you fork over cash to activate them. The main problem is having the fodder (and sometimes stronger) enemies respawning ad infinitum, making exploration more difficult and grating than needed, in a game that wants you to explore (and revisit) the few big levels available as throughly as possible. And it’s pointless since enemies always drop coins, not the more useful health items.

Also, most boss battles are downright obtuse and become piss easy once you realize what you were supposed to do, and the videogame references… the less said the better.

I really wanted to like this more, but it’s still slighly above just being “decent”.

Heya Camp/Room Camp (2020) [REVIEW] Stamp Camp

Quite likely devised as a stop-gag to hold fans of the series over until the second season, Heya Camp/Room Camp is basically more Yuru Camp…. without the camping, and conceived as a short anime series, as in 12 episodes, but 3 minutes episodes.

The animation is curated by C-Station with most of the same staff, it looks and feels exactly like the first season, but given how short it is, you could easily consider it Yuru Camp Season 1.5.

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Yuru Camp/Laid Back Camp (2018) (Series + OVA) [REVIEW] Chillax Deluxe

Since it “only” took 3 years to see another season of Yuru Camp, i feel a bit compelled to cover the first season, as it is one of the my favorite slice of life series of all time.

I frigging love Yuru Camp, so i’m here to spead the gospel and critique the series, complete with the 3 OVAs. Yeah, since there are only three, i feel there’s no point tackling them in another post.

I will cover the Heya Camp spin-off as its own thing, though! But also, i will confess i’m not in the mood nor i have the time to cover the live-action series (with a second one coming) as well, sorry.

But first things first. So, what is Yuru Camp (localized as Laid-Back Camp)?

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