Pinocchi-O-Rama #1: A Tree Of Palme/Palme No Ki (2002)

While it’s not completely unknown, i’d say A Tree Of Palme it’s quite obscure, definitely forgotten, overlooked and rarely discussed, despite being created, written and directed by respected anime veteran Takashi Nakamura, who also previously worked as a key animator for Nausicaa And The Valley Of The Wind, joined the acclaimed anime anthology of Robot Carnival in 1987, and just the next year would be animation director for a little movie called AKIRA.

It was also laboriosly made over the span of 6 years, and you can just tell by the cinematography that indeed A Tree Of Palme was treated as a big project that Nakamura wanted to cultivate as well as possible without compromises to his vision.

The story concerns the titular Palme, a puppet created by a man for his sickly wife, and upon her death the puppet becomes paralyzed by sorrow, until he accidentally stumbles upon a misterious woman (whom Palme mistakes for the man’s dead wife, Xian) being pursued, and she entrusts the puppet to deliver a certain special item to a sacred place called Tama.

Continua a leggere “Pinocchi-O-Rama #1: A Tree Of Palme/Palme No Ki (2002)”

Pinocchi-O-Rama: the 2022 “Pinocchio frenzy” and celebrating the 140th Anniversary of Collodi’s classic

No review today, sorry, but we’re doing something a bit special.

If you remember, last year was surprisingly full of Pinocchio adaptations, from the resurfacing of Guillermo Del Toro’s project, that cheap russian retelling/reworking with the infamous Paulie Shorie english dub (called Pinocchio – A True Story, FIY), and Disney continuining with their crusade of shitty live-action remakes of their classic animated films.

And italian audiences were also treated with a live-action Pinocchio movie in 2019, directed by acclaimed italian director Matteo Garrone (Dogman, The Tale Of Tales), and starring beloved italian actor Roberto Benigni, which already was world famous for playing the titular character in the 2002 Pinocchio movie.

If you’re like me, as in italian and pretty much hailing from Tuscany, living nearby Florence, hence more than familiar with the original book by Luigi Collodi, you’d be wondering why now, as it seemed random to see a resurgence of Pinocchio adaptations out of the blue. I mean, the book was already in the public domain in the U.S. since 1940, so i wondered if there was some anniversary relating some of the more famous adaptations…. but nothing that made sense.

As in, the original book was first published (in full, after it was published in a weekly children’s magazine starting 1881, then stopped and eventually resumed with the second part) in 1883, so the following year would mark the 140th anniversary, notable but not the kind of number that publisher choose to publicize some new edition of a popular book.

Doesn’t have quite that ring, but somehow 2022 was the “Year Of Pinocchio” regardless, so irked by this i’m gonna do “sumethin about it” and actually spotlight a noteworthy or overlooked Pinocchio adaptation or “heavily inspired by ” work each month of 2023, with special reviews, starting with a post/review at the very end of January.

There will be no precise release windows for each piece, just each a month for the entirety of 2023.

12 Days Of Dino Dicember #24: The Last Dinosaur (1977)

What, no japanese rubber monstersaurus this time? Of course no, you silly billys.

I left this one for last, because it’s not just a japanese giant monster movie.

It’s a Japanese AND American coproduction, and it’s actually just one of the many movies to come out of the Rankin Bass and Tsuburaya Productions collaboration, including The Ivory Ape and The Bermuda Depths, just to cite the adventure/monster movie stuff or adiacent ones.

But this time you might already had an inkling of familiarity with the giant t-rex body suit shown in the poster, especially if you were already familiar with another piece of Tsuburaya Productions’ prolific output, as boy it does look like the evil t-rex mastermind from Attack Of The Super Monsters, and hence from the anime-live action series Dinosaur War Izenborg.

Continua a leggere “12 Days Of Dino Dicember #24: The Last Dinosaur (1977)”

12 Days Of Dino Dicember #22: Tyranno’s Claw (1994)

Time for something very obscure and very fun, with some history behind it, too, because when i think old monster movies from Korea, my mind goes immediatly to good old Pulgasari/Bulgasari.

And guess what, i’m gonna give myself a pat on the back, and you might too, since in 1994 the director of D-War: Dragon Wars and Yonggary (the 1999 movie, itself a remake of 1967’s Yongary, Monster From The Deep), Shim Hyung-rae, caught wind of the international dinosaur-mania, so he concocted one of the most peculiar and strange kaiju films ever committed to celluloid, Tyranno’s Claw, far from the obvious Jurassic Park mockbuster the year of release might suggest.

Even though there IS a “goat scene” …. this is something else indeed.

Continua a leggere “12 Days Of Dino Dicember #22: Tyranno’s Claw (1994)”

12 Days Of Dino Dicember #17: Dinosaurus! (1960)

Among the many dinosaurs films ailing from the 50 and ownards, Dinosaurus! comes to mind as a classic cheesefest full of b-movies cliches, incredibly outdated values and characters that would fly only in that decade, sometimes for other reasons besides being offensive.

Never mind it being from the ’60s, or the fact that Steve McQueen was intended to play the lead character (after his success as the lead teen in 1958’s The Blob, also produced by Jack Harris, and also directed by Irvin Yeaworth), but opted out to star in The Magnificent Seven, never mind, because this is such a cornucopia of old timey laughable b-movie trash that it was eventually featured on Rifftrax. It was just a match made in cheap dinosaur heaven.

Such a perfect film to lampoon and ridicule that i’m surprised it took them until 2018, and now it’s fully free on their Youtube channel, so you have no excuse now.

But for us, we’re gonna try and review it in his “riff-less” original release, it’s the season of giving after all, so let us partake in some fermented dinosaur cheese of yore.

Continua a leggere “12 Days Of Dino Dicember #17: Dinosaurus! (1960)”

12 Days Of Dino Dicember #13: The Velocipastor (2018)

After teasing it in mentions before, it’s time to properly sit down and confess your sins to The Velocipastor. After all, “he’s a man of claw”, as boasted by the tagline poster.

This sounds like they came up with the title first and made the movie based on that, but it doesn’t even matter anyone, this isn’t even a valid joke anymore to make at these movies, i’m aware of that.

We’re past that, and so were already when The Velocipastor released through the power of internet curiosity for the new “bad movie of the week” sensation able to make people talk about it by the virtue of the title and a trailer that encapsulated the modern breed of poverty produced movies that wanted to be so bad it’s good because they knew an actual audience for it existed, and online film buffs willing to “surprise” themselves upon discovering the next worst thing ever to actually exist.

This isn’t a dig at the movie itself, it’s just that this modern strain of shit movies filmed with no budgets are made by and for audiences that are in on the joke, or actively search for them, so it’s a completely different situation from when people made crap like Video Violence in their backyards, slapped it on a VHS store shelf in America during the mid 80s, and nobody at large talked about them until decades later, because almost nobody knew these kind of films even existed.

Continua a leggere “12 Days Of Dino Dicember #13: The Velocipastor (2018)”

Krampus Origins (2018) [REVIEW] | WW Krampus

I guess i really should review a Krampus movie that’s actually about the Krampus creature this year, and i’m fairly sure i didn’t watch this already under a different title, so it’ll do…fine, i hope.

During World War I, a group of American soldiers storm a German bunker, finding there a mysterious book that can summon the ancient evil of the Christmas Devil, the Krampus.

The men are killed in action, and the book is sent to the commanding officer’s widow, whom has just taken up the role of teacher at a Catholic orphanage. One of the orphans there gets a hold of the book and accidentally summons the Krampus, forcing them, the teacher, nuns and priest to face it.

Continua a leggere “Krampus Origins (2018) [REVIEW] | WW Krampus”

Pokemon Scarlet/Violet NSWITCH [REVIEW] | Out Of The Pokéoven

My first review of a new Pokemon mainline title here, yay!

Felt like i had to since i didn’t do so for Legends: Arceus or the Diamond/Pearl remake (as i previously explained), and we do need to talk about this one. Sternly, too.

I only wanna preface i won’t be considering the competitive aspect or balance there of as i honestly never cared too much for that even decades ago, less so today, meaning i can’t and won’t be giving a throughout evisceration of the meta, so to speak.

Fair warned be thee.

The first titles of Pokemon 9th generation, Scarlet/Violet take place in the Paldea region, heavily inspired by the Iberian peninsula, so if you felt the spanish and portoguese vibes from the trailers, you were correct. The story starts off with you reaching the school’s annual Treasure Hunt event in time to encounter your rival/friend (aka the pokemon rival equivalent of Son Goku from Dragon Ball), but interestingly (and as advertised) this lead to three story routes you can follow, which also include the regular old fashioned fights against Gym Leaders for badges leading to fight that region’s Elite Four equivalent and then the Champion.

The other ones involve a region-wide quest for mystics herbs protected by giant Pokemons, and the storyline that pits against an antagonistic team of trainers, in this case rebellious students that form a gang called Team Star, spread in various bases with a respective Leader ruling it.

Continua a leggere “Pokemon Scarlet/Violet NSWITCH [REVIEW] | Out Of The Pokéoven”

Review of Pokemon Scarlet/Violet delayed by a couple of days + the “Dino Dicember” priority rule

So yeah, it took me more time to get around and finish the game, so i need to finalize the review, revise it and shit, so it will be posted on the 23th, instead of… today.

I considered postponing it even further, like next year, but since the 12 Days Of Dino Dicember are a-coming again and i’m not skipping on them, i’m not going to.

Oh, also, because of that some planned reviews of movies that coincidentally release in the same period here (like The Fablemans) will come out in January after the “dino stuff”.

That’s it, that the post.

Bye!

[EXPRESSO] Avatar: The Way Of The Water (2022) | Catboys Galore

In a way, i was looking forward to see this in theathers, as in i wanted to get this thing done and dealt with as soon as possible, so i could move on to far more interesting releases.

And watching the movie confirmed exactly what i feared/expected: another constipated public dump by James Cameron (of James Cameron fame) about space “non-native americans” tribal catboys that have to defend their land from the evil humans that want their planet and resources.

Set 10 years after the event of the first movie, Way Of Water introduces Jake’s family and their struggle to escape from an old enemy (returning into a Navi’ body), by leaving the jungles of Pandora and seek refuge into one of the water-dwelling tribes of Navi’.

Still a lot of vapid neo-age tribalistic mumbo jumbo bullshit designed to look pretty but with an artstyle derived from a mid 2000s “alien landscape wallpaper” search, be technically impressive but devoid of any substance that couldn’t be found into a 90’s kid movie about climate change, the character are mostly paper thin, by design too.

We gotta make room for all the other excesses that could have been cut from the movie, but let’s never explain some incredible shit that might actually need it, all made worse by an incredibly bloated and unwarranted runtime (for this theatrical cut) that goes BEYOND the 3 hours mark.

Still, despite all these issues, i gotta admit some of the new stuff it’s pretty cool (like the new robots/mechs), the movie delivers on the spectacle, there’s a lot of action, Cameron still knows how to direct some really fuckin cool action-combat scenes, and there’s enough to make it entertaining on a basic level, even if it IS cinematic constipation.

Not looking forward to the third one.