Bleach: Soul Resurreccion/Ignition PS3 [REVIEW] | Hollow Warriors

Yep, going to try and get that “SEO synch energy” going… or so i planned, only to forget, but regardless, it’s still worth pointing out that somehow Bleach is back, with the anime getting new episodes to continue where they stopped years ago, the manga resurrected itself on its 20th anniversay with an one-shot chapter to set up either a new arc or a “Boruto” style follow-up series about Ichigo’s kid, so i guess it’s time to talk about this forgotten Bleach game.

You might argue that this isn’t a “proper” musou but i feel it deserves to be called at least a “musou-like”, and one that nowadays it’s hard to own in any legal sense, as it was released exclusively on PS3 in 2011 and there still remains, most likely due to being an anime licensed videogame, or being co-developed by Racjin and Sony’s Japan Studio.

One that nowadays it’s hard to find and commands some “interesting prices”, FIY.

So yeah, Soul Resurreccion (or Soul Ignition, if you wanna use its japanese title) is the closest thing we have to a “Bleach musou”, and as most avid Shonen Jump readers could guess, it’s mostly based on the Hueco Mundo section in the Arrancar story arc of the Bleach manga-anime, which makes sense since there’s nothing but sand, monsters and bigger monsters in this desert world, so let’s mostly adapt that part of the arc, since it’s very videogamey anyway, with the various encounters against the Espada and then the final confrontation again the big bad Aizen.

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Dead Island Riptide (Definitive Edition) PS4 [REVIEW] | #deadislandretrospective

Aka the “actual” Dead Island 2, as time would eventually tell.

Technically not, but actually yes, since it’s developed by Techland and in terms of story it’s a direct sequel, following up immediatly (after a brief recap) where we left off that unremarkable (to be kind) narrative, which means the group of survivors gets aid by an american Navy ship but it’s immediatly captured by one of the side villains from the previous game, Serpo (guess Betraldo didn’t have the same ring to it), intenting of using their immune blood to concoct a cure and a weaponized bio weapon, or something. Doesn’t matter much, as you shipwreck into a nearby island in the archipelago, where the zombie epidemic has also spread after the incident in Banoi, and learn that they plan to nuke the entire island in order to contain the zombie plague.

Yeah, the story it’s about as crappy and easy to completely not give a shit about, with the obvious twists seen coming miles and miles away, but i’d argue it’s actually, objectively worse since there is barely a plot in Riptide, like, at all, aside from the beginning and ending, where a side character in the first game becomes the main antagonist… barely, so you can say this game does recycle too much from the first, even in this regard.

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[EXPRESSO] Knives Out: Glass Onion (2022) | Greece Getaway

Managed to catch this one in theathers during its premiere week, before it arrives on Netflix, as i planned to since i also saw the first movie in theathers.

This follow up arrives with some delay, as you could guess since the movie it’s set during full COVID-19 pandemic swing, not that it matters much outside of the intro part, which has world famous detective Benoit Blanc receiving the mysterious invitation (via a puzzle-operated special box delivered to him) to a secluded private island in Greece, where tech mogul is holding a private getaway with some of his old friends, inviting them to solve the mystery… of his own murder.

And before you go on a tangent, this was in the trailer and actually isn’t the big crux of the plot, at all, which indeed continues the type of comedy mistery affair that subverts or surprises the viewer by working with the classic elements of the murder mystery, the expectations it brings, while bringing in a new set of horrible people as potential suspects when the murders start happening, keeping the theme of “eating the rich and eat em hard” while delivering plenty of twists, reveals, laughs and damn satisfying bombast too, in some part.

There’s very little way to discuss the movie in any more detail without giving away or hinting at what actually happens in it, but i will say that this time Benoit Blanc it’s “proper” gay now.

Does it matter? Not really, as Bautista it’s playing a nerd streamer.

Now that i have distracted you, i can say that indeed Glass Onion it’s a pretty good follow up to the first movie, not a redo, but a new chapter/story, and i’m quite glad there will be more mysteries for Benoit Blanc to solve in the future.

[EXPRESSO] The Cuphead Show (Season Three) 2022 | Devilicious

I’m gonna be brutal and make it extra clear (in case you didn’t read the reviews of the two previous season/slices/cours): i’m kinda glad this is the end and i hope there’s not more of this to come.

Unsurprisingly so, the whole cliffhanger with Mugman dragged to literal hell by the Devil and Cuphead finding a way to rescue his brother is immediatly dealt with in the first episode, though at least it’s a longer opener to better make the Devil… basically Squidward. Even more than before.

After that we’re back to the usual episodic fair, but there are still some notable moments that also elicit some legit laughs even for the older audiences, and guess what, once again it’s due to the Devil being such a big pile of luciferian ham.

Just in time for some delightfully long christmas themed shenanigans, with a 30 minutes Devil-centric Christmas special that also happens to be the best episode, hands down.

Actually, to be fair, this season does involve the Devil more into the various episodes, might as well since his presence stopped being special, and he still the best character by far (alongside Porkrind and King Dice, of course).

As much i really forced myself through all of The Cuphead Show more for completition sake after season one, i can’t deny this show can still whip up some intriguing visuals and show off some nice editing and composition, alongside some decent jokes, not too bad for something that it’s aimed at kids and just isn’t interested in the amazing opportunity brought by its license…. to do anything that resembles the Cuphead “inspiration materials” aside from the looks.

It’s a Netflix style adaptation of a popular franchise/brand alright, but keeping all THAT in mind… it’s alright, it’s inoffensive. It sure is content.

Vampire Holmes (2015) [REVIEW] | Everlasting Love

YES, i’ve heard of this by doing a research on the worst voted/rated shows on AnimeList.

I could have talked about NAMI (no, not that one, not that Nami either, most likely not even your thrid guess), so you decide if you lucked out or not in this occasion.

I’ve held off on covering it because it’s so goddamn obscure and has such infamous reputation… that even finding english fansubs for it was a notable task.

And it figures the only english subbed version i could find around it’s from a group labelling themselves as “BetterThanNothing”, i’m sure even they eventually did so moved by piety, as nobody even wanted to bother making it more available. It’s a rare case of people finding an anime so shit that they don’t even spread awareness by shit-talking it, they figured it was more deserving of wallowing in the dark, unspoken and unheard of, still more valuable than trying to actively focusing a spotlight on it, even if just to trash it for easy views on Youtube and socials.

Can’t say that it was a bad stance to take, in hindsight, this is no Chargeman Ken.

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Resident Evil: The Series (2022) [REVIEW] Teens & Weskers

Oh boy. This one.

So good a couple of months after its release Netflix cancelled the series all together.

Exactly like it did for its Cowboy Bebop’s live action series, but i doubt this will be the last time we see this treatment, as Netflix is committed to bring more live action crap into its folds, especially by picking a “random” videogame or anime/manga license.

But that discussion will have to wait for when the One Piece live-action series (also by Netflix and also handled by the same production team behind the aforementioned live-action Cowboy Bebop), for this is a Resident Evil affair, and the series already had its own spotted history of adaptations.

I was gonna review this thing anyway, but cancelling any further seasons it’s definitely a move that appeals to my vulturine tendencies, and also means i hopefully won’t have to talk about it again at a later date. Hopefully, who the hell knows with Netflix nowadays, since not even instant super mega hits that are well received by most people like The Sandman (adapted from Neil Gaiman’s book of the same name)… aren’t guaranteed a second season, as the very people making it explained.

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The (New) Super Mario Animated Movie Trailer Reaction Post For Blogs

I was about to just don’t bother, but since Nintendo decided this warranted a specific 15 minutes Direct to show the first actual teaser trailer for its Illumination produced animated Super Mario movie… whatever, have another pointless hot take, since this thing it’s gonna make gagagorillions of money either way.

I’ll be brief and start with some actual criticism.

As in, the movie looks pretty okay overall judging from what the trailer showed, Illumination isn’t the choice of animation studio i would have preferred, at all, but i get why a company like Nintendo would, especially as they already had ties with other french companies like Ubisoft in terms of collaborations between various IPs.

But honestly it’s look alright, could be fun.

In terms of the english voice acting, i don’t have the same amount of vitriol to spout, mostly because i live in Italy, and like in most european contries, we’re gonna get a localized dub that’s often better than the original, because… it will involve actual voice actors, and not just random ass Hollywood actors that are popular but are some voice actors in the sense that i am one because i can speaketh da english.

Heck, the french dub already sounds better, quite good.

So no real surprise to hear Chris Pratt not even bothering to do a “naw yark” accent, but as expected Jack Black is great as Bowser, and Keegan Micheal Key sounds good as Toad, so yeah, Mario doesn’t sound like Mario as it’s just Chris Pratt talking, but who knows, this dog’s breakfast of a voice cast could work.

We’ll see next year, as it’s slated for a worlwide release April 7 2023.

In the meantime, you could actually watch the original Mario anime movie, 1986’s Super Mario: The Great Mission to Save Princess Peach!, as it received a 4K HD fan restoration that you can find online, even on Youtube.

Just sayin’.

The Spooktacular Eight Return & starting a Dead Island Retrospective

Yeah i know this is the older logo and art.

Since that thing i improvised last October did okay… let’s try to make it a yearly tradition, why not?

8 selected horror reviews sparkled through the whole month, in a pick-n-mix fashion!

Also, starting from October onwards, each month i will have a full lenght, in-depth review for each installment of the Dead Island franchise, with the retrospective culminating on the release of Dead Island 2 in February 2023.

Yeah, since this time we actually have real gameplay footage, Deep Silver isn’t waiting for a topical release date anymore for its zombie game, and wants this out before the unthinkable happens and they’re forced to restart the project from scratch for the 4th time or something.

Or before Goat Simulator takes further piss of that old E3 trailer with Pigeon John’s The Bomb playing to the sprinting dead.

The ONLY game i won’t be reviewing it’s the smarthphone spin-off Dead Island Survivors, because aside an old EXPRESSO review made in italian years ago (which i’m not unearthing or reusing in any way), i don’t have much written thoughts on it, as i didn’t play it that much when it released, and the game shut down in July 2020, so…

It wasn’t bad either, it was a top down action rpg with tower defense elements, free-to-play with all the shingle that it entails, but it was basically akin to Orcs Must Die, so it’s kind of a shame i can’t revisit it anymore.

That’s free-to-play smartphone games for you.

[EXPRESSO] The Cuphead Show (Season Two) (2022) | Cup Me Twice

Since i didn’t proper disliked the first season (see the previous review, if you would like), yeah, whatever, i watched all the Shaman King’s Netflix adaptation, i can watch this, while i wait for the complete physical release of the game to come into existence.

Continuing up from the first season’s cliffhanger, we have Cuphead and Mugman thrown into jail after they were basically set-off by the charming con-maister Chalice to enter the cookie factory on the hush, and then.. they escape/get out of it in the first episode. So much for that.

Yeah, a strong, over-arching narrative wasn’t the forte of the first season, but despite hinting at the focus being on the character of Miss Chalice, introduced right at the end of the previous season, hanging around with the boys… even that gets resolved quickly, so any kind of plot is thrown out of the window for episodic adventures.

Mundane, episodic, adventures.

Yep, if this sounds familiar, it’s because i ultimately i have the same feelings (and criticisms) about this second season as i did for the first one: short episodes that look good but lack any real substance or interesting stories, while not being outright bad or offensive, and once again it’s clear the target audience isn’t adult fans of the videogame, animation buffs, but just… kids.

I did bother with this second season to see if it was better in any significant way, but honestly it would have been worse if the Devil (and with him a semblance of story, fun and wit) didn’t eventually come back for a couple of episodes, but thankfully he does.

But again, it don’t matter anyway, since Netflix ordered 36 episodes overall, there’s a cliffhanger, so it’s pretty much a given we’ll see a third season/slice/part.

Yay? Maybe? Whatever, later!

[EXPRESSO] Full Metal Alchemist: The Final Chapter – The Avenger Scar (2022) | Alexander “Ahoge Cum Head Tumor” Armstrong

As you might be aware, more live-action Full Metal Alchemist films were on to way to make it a trilogy, actually a two parter, announced last year to celebrate the manga’s 20th anniversary, directed by Fumihiko Sori (Ping Pong, Vexille) and both already released theathrically this year in Japan.

Now we’re getting the first part of this “Final Chapter”, The Avenger Scar, internationally via Netflix, so let’s talk about it, i did review the first FMA live action film back in 2017.

It follow directly from when the 2016’s FMA movie left, and – as the title lays out – it’s about a nameless serial killer that is roaming about Central City offing State Alchemists, dubbed “Scar” due to his “X” shaped headwound.

The brothers encounter Scar but suffer defeat and have to escape, while the intrigues surrounding the military and the Homunculus unfold..

Like the previous movie, you’ll ask yourself why bother making live-actions like these, for the obvious reasons, which include some character designs clearly never meant for real people.

I wasn’t ready to see live-action Alexander Armstrong, nor could i ever be. Jesus.

If you can get over the many absurdities that come from the “anime/manga to live-action” transition, you’ll find a decent, fairly faithful adaptation of this part of the series, with some changes to the plot that basically relocate some events earlier or later and some fairly necessary concessions that had to be made anyway to have a 2 hours film.

It’s not the bad adaptation you think it is, nor it does the material quite the justice it deserves, but it’s a decent retelling, acting it’s ok, and it does what it sets out to do.

With some questionable effects at times, but at least it’s definitely better than the Bleach live action movie.