The Spooktacular Eight #37: Leptirica (1973)

I’d say we digged a bit deeper than usual this time around, unless you daily dine your eyes on hyper-obscure 70s Yugoslavian vampire films….which you don’t.

Then again most likely you couldn’t, because outside of the Balkans, this movie had been literally uknown for years, and would have still been if it wasn’t for the internet, because if it wasn’t for some people finding, subtitling and sharing it around since 2012, i won’t be even here able to be talking about such an obscure piece of media never meant to leave its country of origin.

Always something peculiar when the movie was made under a nation that doesn’t exist anymore, and when i can claim to actually review a “serbian film”.

Loosely based on a 1880 story called “After Ninety Years” by Milovan Glisic, Leptirica‘s story revolves around the 19th century Serbian village of “Zaroshje” that is plagued by the vampire “Sava Savanovic” who has been systematically killing anyone who takes charge of the flour mill (situated in the woods outside the village). After four millers have been killed the council elders become desperate as food is rapidly running out and the community can’t really survive without the mill.

Meanwhile on the other side of the village a poor young man, Strahinja, is in love with Radojka, the daughter of the local landowner Zivan. After asking Zivan for his daughters hand in marriage and been refused on the grounds of his poverty, Strahinja decides to leave the village, but on the way he is met by members of the village council, who persuade him to take the job of the village miller.

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4 Volumes Into Gachiakuta [FIRST IMPRESSIONS]

This isn’t a review (i’m working on something like that, though), and i’m fairly sure i’m late to the party, but since i’m not watching the anime, yet i have decided to give the Gachiakuta manga a try, since i did like the look, the theme, i’m a bit of a trash boy myself (i do review a lot of trash, by choice) and apparently editors/publisher are REALLY pushing it to be the next big shonen series that becomes huge (on terms of other popular series having ended in recent years)…… let’s do a “vibe check”.

Again, it’s a bit early for a proper review, but it is a modern shonen, 4 volumes i think it’s a fair enough chunk to base these impressions on, i could have stopped at volume 3, but i decided to give the series a bit more leeway.

And yes, i’m a bit late to the party, but who cares.

(as a side note, one of the variants for the Italian release of the first volume had a literal “trashbox”, that’s cute)

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[EXPRESSO] Primetime (2026) | Pederast Ratings

I’ll be honest, the most i know about To Catch A Predator is just having heard about the program and its controversy back then, and having seen it parodied many times (even on Robot Chicken and fuckin Squidbillies) while never watching the actual show.

Keep this in mind.

Then again, this is sold as more or less fictionalized retelling of how in 2006 journalist Chris Hansen devised a new format, To Catch A Predator, where he both fed into the newfound hunger for “reality tv” by the population, and mounted essentially a sting operation, as he and his team (via hidden cameras, actors and computer experts) lure out sexual predators into a trap scenario, with Chris onfronting the “predator” inside while the police is on the ready outside.

The hypersensationalistic format proves popular enough that NBC moves the program to the “primetime” slot, making it compete in popularity with frigging ABC’s Lost, and so Hansen gets more and more incensed to keep the ball rolling, to try and keep interest in the format and rating alive and well, to continue his moral crusade and escalate it further and further…

Pattinson is playing a hyper narcistic sleazy human monster, in a way not too different from Jake Gyllenhall’s reporter character in Nightcrawler, and the movie focuses also heavily on a young actor that gets hired to play one of the “bait teens”, confronting the many, MANY questionable aspects of the format, etc.

It’s not too original, it’s another tale of how power corrupts, how the media machine feed into the voyeurism of “reality tv”, exploititing sensitive issues for the sake of summary mob justice, though it doesn’t hit too hard in the days of the Epstein list (plus the ending could have been better), but its still good, pretty solid stuff.

[EXPRESSO] Jo Jo Bizarre Adventure: Golden Spirit iOS | The Gachalands

Probably comes as no surprise to anybody that Golden Spirit is another pile of gacha shit… but still, i decided to give this one a try.

Mostly because i haven’t played one of these in a while and because it’s Jojo…. and starting off, gameplay it’s not exactly what i figured it would be from the trailers, and by that i mean it was sold as a “ tactical RPG”, which to me means a Tactics style turn based affair, this is actually a real time autobattler where the more pressing issue is positioning the units, so yeah, it’s another idle self playing borefest, the strategic hook of the Rush mechanic meaning very little, and of course the roster is infested with VERY minor characters, so you can gamble for the ones you really want.

Or hope you can unlock them in event story cutscenes…. some of which even when available will wall off content with 14 hours timers, like the Stardust Crusaders one, because the game starts off with Part 5, Golden Wind, the Jo Jo series taking place in Neaples, Italy and following Giorno Giovanna, the son of Dio Brando, as he fights to overthrow the mafia’s mysterious boss.

Hope you already know everything JoJo because the game never really explains shit, despite starting from Part 5….of 9.

While it mostly looks quite decent, it goes the extra mile of not just reusing frames from the anime for the story scenes (alongside recreating them in various styles), fairly common in itself, but sometimes passing those through an IA filter, making them look worse upon any scrutiny, too.

Its so utterly generic that you could have EASILY slapped another anime license/skin unto it… and i’ll just say it looks identical to a bootleg Jujutsu Kaisen mobile game, Jujutsu Malevolent Shrine.

Netflix’s One Piece (Season 2) Into The Grand Line (2026) [REVIEW] | Baroque Works Begins

As promised, here is my review for the second season of Netflix’s One Piece live action series, which i now fully realize isn’t gonna be a few season thing, as in, it became clear it wasn’t after the first was a success, and the second too, but i guess it took time for me to properly sink in we’re gonna have One Piece live action material… and that i was actually looking forward to it.

If you told me this even just 10 years ago, i would have spat or laughed in your face, but what can i say, the future can be a foreign country as the past, in its own way.

Season One of “Netflix Piece” was indeed the freak surprise of that year for me, i’ve talked about that enough in the old review, so time to move on!

This second season (after a handy recap of Season 1) basically covers the Alabasta/Arabasta arc from the beginning in Rogue Town, and then up to Drum Kingdom…but as with the first season, this live action adaptation does make a notable amount of changes and additions.

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One Piece Day (?) Throwaway Musings

Yes, apparently One Piece Day just happened to be scheduled on August 10th last year, officially this year gonna be on the 22-23 Of August, and so it might seem pretty early to discuss things that in 2 weeks might not even matter or instead be addressed, but since on the 16th the blog goes on hiatus as usual, and i usually reserve/consider August as One Piece Month, i will be rambling a bit anyway.

about One Piece in general. what else?

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Bad CGI Sharks (2019) [REVIEW] | #thesharklist

With a title like that, you know you’re either in for something that will serve as a perfect snapshot of the era, or you’re gonna eat some rotten bait, punished for willingly walking into an ACME trap.

I do like how to the point it is, like, you already know how crap these modern shark movies are, we’re gonna come clean and maybe lower your expectations even further to the point you may actually like our film, if it can actually somehow rise above being another self-deprecating joke stretched to feature lenght runtime?

This one was also surprisingly elusive since it never streamed on something available here, and out of pure stubborness i ended up importing the US DVD release, i guess Wild Eye Releasing has an exclusive deal of sorts just with Mark Polonia.

That said, this is in a way the “bad shark movie to end all shark movies”, despite some issues we’ll go over, after we go over the plot, because Bad CGI Sharks actually has one.

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Great White Death (1981) [REVIEW] | #thesharklist

The frenzy was immediate, the clones numerous and fast, sometimes bothering to swap the shark for some other animals, waterbound or not.

But the mid-70s were also the period for exploitation cinema blooming into grindhouse theathers and drive-ins, and among them there was also the “Mondo movie” craze… well, it was that trend of exploitation still surviving almost 2 decades after the 1962 film Mondo Cane (an italian idiom translating roughly to “Doggone World/The World’s Gone To The Dogs”).

While the cannibal craze was indeed at its peak, with good ol’ Cannibal Holocaust releasing just 1 year prior, director and producer Jean-Patrick Lebel figured you could mix the “killer shark” and “shockumentary” subgenre in one, so the world was given Great White Death.

And you know it’s gonna be a good one when they have not one but two different title “sequences” that still use the same title.

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A Murcielago anime in this economy, Steel Ball Run actual release schedule, the new GITS anime, Tanya Degurechaff is back, AOT 3 and the Mini Summer Of EDF delay

So, Murcielago is a manga about a super serial killer woman with 715 homicides to her name, Komori (she the titular “bat”, since “murcielago” means exactly that, but in Spanish) gets her death penalty halted due to the city being overrun with crime, and Komori gets into assisting the Japanese police in tackling other murderers and criminals that the regular police force fails to catch, helped by the expert driver Hinako and the daughter of a yakuza boss

Komori is also a super lesbian and she basically tries to get into the pants of the many extrabosomed female characters, and even without her there’s a lot of nudity just shy of scissoring because i don’t think you could get away with that on Shonen Gangan. not quite.

It’s delectable action yuri exploitation trash, i love it, i’ve been following and buying the volumes for the past years, but given there’s so much premarital selbian gex and hyperviolence, i never really expected it to get an anime adaptation, heck, it’s ridiculous how much difficult is to see new horror anime exist, which is why i’m not really expecting a Franken Fran adaptation or something.

Yet, a few days ago a teaser trailer for the Murcièlago anime just popped up, and yes, my birthday was earlier this year, but whatever, it may be on time for that since is slated for a generic “2027 release” and i guess will stream on HIDIVE in US territories, we don’t have that here..

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[EXPRESSO] Milky Subway: The Galactic Limited Express Subway – The Movie (2026) | Cyborg Deliquents Of Gold

It warms my heart to see how the author of the astondishingly excellent 2022 ONA Milky Highway has now a movie streaming on Netflix, Milky Subway: The Galactic Express Gateway… which is actually a film recut-compilation, i somehow missed (or fogot) that Yohei Kamiyama made a sequel series, Milky Subway, that aired on Youtube and television.

I really don’t know how i could have missed that, but i’m making amends now by reviewing this recut that compiles the 12 short episodes into a 47 minute film, that also introduces a couple new side characters (at least so sayeth the articles and the Wikipedia page).

The premises follow Makina and Chiharu, arrested for the events of Milky Highway, and now joined by four other young delinquents, all sentenced to do community service by cleaning an old rundown space express train, but when they all set foot on the vehicle, it goes off by itself, so the group has to collaborate in order to find a way to stop the train, and along the way deal with other weird malfunctions….

It’s a compact story that actually has enough going on, and it uses the time to develop not only the returning duo from Milky Highway, but also the new deliquent youths, making for some really good charaterization and dynamics, also due to the dialogue going for a more realistic style than most anime.

THAT aside, the retro scifi aesthetic is perfect, the character designs are amazing, animation is beyond impressive, it’s unbelievable how this is a self produced work (manned by a VERY young author, too) that in less than a hour puts stuff from experienced studios to shame.

I really wanna see more of these characters, of this world, so give the series and this compilation film some love, will ya?