[EXPRESSO] The Long Walk (2025) | March Royale

Based on a Stephen King novel of the same name, The Long Walk is set in an alternative 70s America, where a totalitarian fascist rule (following some unclarified economic crisis) helds the titular “Long Walk”, where fifty young teen boys enter to represent their state and they have to walk while keeping a certain pace, and where any kind of action that involves stopping gives them a penalty, with a squadron ensure that after three strikes the runner will be shot dead, this all televised (“to inspire” economic and production growth in the nation, allegedly) and with no clear goal besides thinning the contestants to one, a single winner which will receive a big money prize and to have one wish fulfilled.

On its face, this it seems like a very late adaptation of an older King story (as this was indeed written way back in 1979) made to capture the resurgent interest in battle royales as a widespread and easily recognized concept – even outside of cinema -… and while the premise of King’s novel was indeed prescient, it still feels like its own thing since it doesn’t try to emulate the modern battle royale formula.

It has the themes, surely, but it forgoes any of the exaggerated theathrics by focusing almost exclusively to the titular “long walk”, the deadly youth marathon allegedly meant to be “inspiring”, which also conveniently works as a public execution exercise, a way to manifacture consent and to send a message to any possible young insurgents.

While not overly long itself, the direction does manage to keep the narrative focus, make you feel the insane and exhaustingly pointless death march that seems to never end, but also not bore the viewer thanks to great performances and very well rounded, engrossing teen characters.

Quite riveting.

[EXPRESSO] The Running Man (2025) | Twitch Rage

In this era of remakes and reboot, this is one that makes some sense, especially since the older film adaptation of the Stephen King novel (originally published under the “ Richard Bachman” pseudonym) was a fun 80s slice of “Golden Age Schwarzenegger” beefcake action, more heady than the actor usual fare, but not much so, as its revels in being the very kind of thing its supposedly satirizes, with by the plot’s premise of a far future dystopia where a fascist state pacifies the masses via a reality tv bloodsport, The Running Man.

Here indesiderables and anyone that doesn’t obey is labeled a criminal and terrorist, pitted against a gaggle of chasing units, with the task of surviving as long as they can, while there is a “snitches get riches” for civilians reporting – or killing yo’ ass, with a billion dollars prize money for “runner” surviving against all odds and hunting units sent after them, all live on national television.

This version has the protagonist being an enraged father that has been blacklisted from most workplaces for trying to have justice and unionization, signing up for the Running Man show so he can rack up money needed to cure his daughter, and maybe even give his family a better life outside the slums.

It’s a more faithful adaptation of the story, and honestly it’s just a far better film, actually timely in this moment where the dystopian sci-fi futures are pretty much undistinguishable from reality, flying cars aside, with what were once charicatures being plausible, while still delivering lots of bombastic blockbuster action, stylish use of “oldies” for the soundtrack and embodiying the current – and apt- sentiment of “fuck you all, let it burn”, with an ending that might feel like a cop out but isn’t necessarily such.