Platformation Time Again: The James Pond Collection GenAI Marketing Suicidefest

Never tought i would have to say it, but we have to talk about James Pond.

I guess since retro collections are in now, System 3 decided to resell its old series of Amiga borne platformers, the James Pond games, of which i played a bit of the second one, Operation Robocod, as a PS1 Classic release on the PS3, actually, with this collection including pretty much all versions of all 3 James Pond games, plus the sports spin-off The Aquabats.

They are rereleasing this also a physical release on Switch 2…. but even that being “exclusive” is most likely bullshit as a PEGI rating for a PS5 version has been spotted already.

Look, System 3 already were famous for being cheap since forever, heck remember when they put out on PS4 a SNES game they pretended was cancelled back in the day, for full price (and lied about upcoming free DLCs), with Putty Squad… which they also released basically on launch for the PS4.

These people wanted 40 bucks for Super Fruit Fall on the Wii during its launch, i do remember that, so it checks out, System 3 peddled crap like this for a living since forever, and given what i played of Operation Robocod, i can believe people commenting how this is kinda apt because the James Pond games were indeed trash even back then.

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[EXPRESSO] Jo Jo Bizarre Adventure: Golden Spirit iOS | The Gachalands

Probably comes as no surprise to anybody that Golden Spirit is another pile of gacha shit… but still, i decided to give this one a try.

Mostly because i haven’t played one of these in a while and because it’s Jojo…. and starting off, gameplay it’s not exactly what i figured it would be from the trailers, and by that i mean it was sold as a “ tactical RPG”, which to me means a Tactics style turn based affair, this is actually a real time autobattler where the more pressing issue is positioning the units, so yeah, it’s another idle self playing borefest, the strategic hook of the Rush mechanic meaning very little, and of course the roster is infested with VERY minor characters, so you can gamble for the ones you really want.

Or hope you can unlock them in event story cutscenes…. some of which even when available will wall off content with 14 hours timers, like the Stardust Crusaders one, because the game starts off with Part 5, Golden Wind, the Jo Jo series taking place in Neaples, Italy and following Giorno Giovanna, the son of Dio Brando, as he fights to overthrow the mafia’s mysterious boss.

Hope you already know everything JoJo because the game never really explains shit, despite starting from Part 5….of 9.

While it mostly looks quite decent, it goes the extra mile of not just reusing frames from the anime for the story scenes (alongside recreating them in various styles), fairly common in itself, but sometimes passing those through an IA filter, making them look worse upon any scrutiny, too.

Its so utterly generic that you could have EASILY slapped another anime license/skin unto it… and i’ll just say it looks identical to a bootleg Jujutsu Kaisen mobile game, Jujutsu Malevolent Shrine.

[EXPRESSO] One Night Only (2026) | The Premarital Gex Purge

I was able to see a preview screening for this one, i was curious, as One Night Only has the unique hook of “What if The Purge was about fucking and framed as a quirky rom com?”.

It’s a ni– it’s an elevator pitch that gets you attention, but immediatly you wonder why is this not a dystopian thriller (or horror thriller), as it takes place in an America where they passed a ban on premarital sex, so single people now can copulate only 1 night of the year, with biochips on their arms to enforce compliance.

One guesses it doesn’t apply to non-hetero people, i do guess because we just have the lesbian roommate of the lead girl saying how this is “a thing for the straights”, not that there’s any thought about the terrifying implications of this (or how masturbation factors in), or any of its themes, as the focus is about Allie and Owen, one in search of romanticism during “Fuck Night”, the other having practically broke with her long time girlfriend hours before.

Even if you could ignore ALL OF THAT (and you won’t), the two leads really have little chemistry and you’ll wonder why in this context they didn’t immediatly fuck, not that you’ll care about these two milquetoast characters.

It’s both too heady and nowhere enough, as it wants to be just a casual meet-cute thing, but ultimately is an incredibly regressive, self-righteous, disgusting little film that’s sex-negative, yet wants to be a raunchy sex comedy…. without actually showing any nudity, that you’ll pine for the days of frigging Porky’s.

The movie itself literally says “being an incel is a badge of honor now”, just in case it didn’t already come off as fascist government propaganda selling “The Sex Purge” as a positive thing.

Shark Exorcist 2: Unholy Waters (2024) [REVIEW] | #thesharklist

I make no secret that i veheemently hate Shark Exorcist, i’ve always hated it well before i re-reviewed it for the blog “shark month”, and while i’m not making a “Worst 10 Shark Films” listicle because there’s always something worse i haven’t seen or that just released that would make that obsolete very fast, if i did, i would put Shark Exorcist as the reigning champion of shit.

Not that Donald Farmer was ever a good director, he always made trashy B to Z movies, but this one i believe was maliciously made extra bad by design, but then again having 40 years of experience in trash cinema doesn’t guarantee you’ll retain any know-how, or care to even put on a semblance of any competence you’ve gathered, as it was frankly barely indistiguishable from crap like Jurassic Shark, made obviously by a bunch of kids with a camera and zero experience.

Again, it took some nega-effort to make Mark Polonia look like Spielberg in comparison, but Shark Exorcist was indeed something special, not your everyday homegrown Z-grade shark trash.

So when i learned last year Donald put out a sequel, Shark Exorcist 2: Unholy Waters back in 2024, 10 years after the first one…. i knew i had to cover it, and i’m not gonna let it fester too much in my mind this time, we’re doing this now so we can move on.

Here i’d discuss the plot but we already did the bit on the review of the first Shark Exorcist, which had a premise, an idea of a plot, not really an actual plot besides the first 5 minutes, or any actual structure, just random padding, “plot lines” that go nowhere, even calling it a “narrative gibberish” it’s too kind in hindsight, since it honestly doesn’t even have an ending or a proper resolution…. it just kinda stops, and reaches a runtime of 74 minutes just because of random post-credit padding.

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[EXPRESSO] The Death of Robin Hood (2026) | Anti-Hood

Let’s make it clear, that yes, the timing on this one is horrendous, sure, let’s make a new Robin Hood movie in today climate….. about how Robin Hood was actually a fraud, as in, he was actually a vicious criminal that murdered and stole without caring to “give it back to the poor”, but instead just took for himself. Lest the tribilionaries be offended.

Yes, this revisionist take stems from a 16-17th centhury ballad, A Gest Of Robyn Hode, and actually isn’t a “eat the poor” advocating version, but damn the timing.

This is actually an interesting choice (and arguably more apt than it seems exactly because of it releasing now) that deliberately deromanticizes the myth and reimagines Robin Hood (Hugh Jackman in Logan-mode) as old, aged outlaw moving in the Irish hills and mountains, haunted by his past killing and actions as an exiled criminal, taking refuge in a priory when he gets wounded badly, and there befriending the prioress and other residents of the priory, as he find himself forced to finally come to terms with his actions..

It’s pretty grounded, realistic, gloomy, brutal, and honestly i’d say it’s surprisingly good…. well not that surprising, since its from Michael Sarnoski, director of Pig and A Quiet Place: Day One, but undeniably the narrative moves at its own relatively slow pace and after the first very action heavy part, it becomes mostly a “chamber drama”, and in that regard some characterizations could have used some more screen time.

it’s not for everyone or great, but it’s a fuckton more interesting and worth your time than the last time we got a modern Robin Hood movie, i remember seeing that awful 2018 film simply called Robin Hood that somehow made the Guy Ritchie’s King Arthur look better in comparison.

Netflix’s One Piece (Season 2) Into The Grand Line (2026) [REVIEW] | Baroque Works Begins

As promised, here is my review for the second season of Netflix’s One Piece live action series, which i now fully realize isn’t gonna be a few season thing, as in, it became clear it wasn’t after the first was a success, and the second too, but i guess it took time for me to properly sink in we’re gonna have One Piece live action material… and that i was actually looking forward to it.

If you told me this even just 10 years ago, i would have spat or laughed in your face, but what can i say, the future can be a foreign country as the past, in its own way.

Season One of “Netflix Piece” was indeed the freak surprise of that year for me, i’ve talked about that enough in the old review, so time to move on!

This second season (after a handy recap of Season 1) basically covers the Alabasta/Arabasta arc from the beginning in Rogue Town, and then up to Drum Kingdom…but as with the first season, this live action adaptation does make a notable amount of changes and additions.

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[EXPRESSO] Spider Man: Brand New Day (2026) | Un(Thethered)

I remember quite liking No Way Home, for better or worse, but it has been a while, and it’s not like it matters, i was gonna see this away, i did want to see it.

In a way i feel bad because i think this one is actually trying to be less shackled by the MCU stuff, and it stings because it almost succeeds, as in, it manages to do some good emotional stuff with the character of Peter Parker, as he struggles to reconcile with the fact he still feels fragile and alone, despite being able to become NYC resident hero once again… we’ll because he can do so as everyone forgot about him at the end of No Way Home.

While some ideas like having The Punisher as an ally-ish character to Spidey is nice, and there are some fun action scenes, there’s no denying of the second half being overly long and overburdened by the ties to the “MCU obligations” of having to seed stuff for future films, which also entails the admittely better than usual villain (which i’m not gonna spoil), an entity that goes around possessing people’s minds/body hopping and using them to search for something kept hidden by a governative company specialized in repairing propery damage caused by heroes and villains activities, while Spider Man has to deal with his body undergoing unexpected mutations…

Even putting aside the villain’s plan actually makes no sense if you think about it (and that Spider Man has basically Big Brothered the entirety of NYC), then there’s how the climax is resolved identically as in Thunderbolts, are we at the point of recycling climaxes almost verbatim?

This in contrast with the cast actually giving some of the better performances in these films, so, overall, i’d say it’s decent.

August Augurs, the Fall-Winter schedule and changes in 2027

As a reminder, the blog will go on the usual break on the 16th, and it will resume full activity on September 1st.

As for the remaining august days, all the planned full lenght reviews, though in terms of One Piece content, only the review of Season 2 of the live action Netflix adaptation of One Piece will release as planned, sadly the one for Gigant Battle won’t be ready in time, and i’ve decided not to rush it.

EXPRESSO reviews for Hokum and Spider Man: Brand New Day will arrive soon enough on the blog.

The main big change i wanna announce is, after deliberation (and also because i’m between jobs now) i’ve decided to dedicate myself more about writing down a book about giant monster cinema (and maybe move into video content stuff) in the coming future, so next year the schedule will be more or less done on a “when and if i can” basis, i’ll still make some sort of plan but basically i will allow myself to wing it or scrap things.

This won’t affect much or at all the schedule for September and up to Dicember-early January, as most of the work has already been done or is already on its way to be completed, or already “set in stone” either way.

I’ll still work on the blog and keep updating it, and this doesn’t mean i will sunset older rubric, mainstays like Giant Monster March, The Spooktacular Eight, Musou/Melee May will remain and so on, EXPRESSO either.

Also, i’m gonna address it here before i forget: while i doubt we’ll even see it here in theathers before October (if at all), i won’t be covering Eli Roth’s Ice Cream Man remake in any form, as he’s been using GenAI shit in it, and not for minute details either, plus i learned in the fallout that he’s even more of a piece of shit i’ve though/remembered, and it’s not like we’re gonna miss much anyway, given his track record of “quality” (Thanksgiving was quite fun, admittedly) and the movie reviewing poorly even ignoring Eli Roth himself and the GenAI sequences…. we ain’t gonna miss out on anything of value, let’s be real, i’m surprised he still pretends to be relevant.

EX VITA manga [REVIEW] | Ghost In The Shiny Metal Ass

I’ll admit, there is something sadistic about going back before the Crunchyroll Original anime adaptation of a frankly mediocre GITS rip-off made sure EX-ARM was a name known for all the worst reasons.

Yet, curiously while searching for more used volumes of the EX-ARM manga, i realized there was actually a previous iteration, written and illustrated by Shinya Komi alone this time (so writer HiRock wasn’t involved yet), simply called EX-VITA.

Yeah, eventually (roughly 2-3 years later) they remade EX-VITA as EX-ARM, which ran for Shueisha’s Grand Jump and Shonen Jump from early-2015 till mid-2019, and eventually ended, rereleased then over 14 volumes/tankobons.

I do wanna eventually cover that, but i figured we took a look at EX-VITA first, also to celebrate the new Ghost In The Shell anime launching on Amazon Video… well, yesterday (or today, in some regions)!

It’s gonna be a relatively quick review since this original iteration of the concept ran for just 2 volumes.

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The GTA 6 Magical Mystery Discless Kerfuffle

So, i’ll try and be brief about this, as you might have already be bored of this shit.

GTA 6 just had its release date (the actual one, at this point) confirmed, its preorders opening tomorrow… but it turns out not only its 80 bucks, these are are gonna be just boxes with a voucher/code to redeem the actual game.

Obviously, this has pissed off a lot of the game playing populace (most of the “gamers TM” do like defending the right of corporations to fuck them over more and more, because they’re gamers), rightfully so, even as the industry pushes even more to a complete digital market monopoly, which is kinda soothing, even if it stems from just wanting at least a fuckin disk with the actual game since it costs 80 bucks.

OR DOES IT?

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