Touken Ranbu Warriors NSWITCH [DEMO] [HANDS-ON] | Bishounen Sword Boys VS History Revisionists

Well, that was kinda unexpected, i genuinely though that editorial-ramble earlier this month would be the last time i talk about Touken Ranbu Warriors, but a week before release they also put out a demo on the European (and i guess other territories) eShop, so let’s give it a try.

And say some words. I do mean “some”; because there’s actually very little to say, and actually the bigger news is that the game is also coming to PC in the west, as a Steam release (since the DMM platform isn’t available outside of Japan), with a demo also available for that version. And that version will run in 60 fps, unlike the 30 fps locked Switch release.

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Berserk and The Band Of The Hawk PS4 [REVIEW] #musoumay

Even if i reviewed (or re-reviewed, since i did already cover this one in 2017 on my older Italian blog) this one before of Miura’s passing, i would have told a tale of sadness, woe and disappointment.

But i won’t deny that with Kentaro Miura spiralling out of this mortail coil just over a year ago… there’s an extra serving of melancholy to the subject, which it’s ironically fitting in its own way.

As you would expect, there was some expectations at the time, even more since Koei Tecmo teased it and made a big deal about one this being one of more bloody and violent Warriors games ever…. and in hindsight it’s very telling, as they also did this lip service for Warriors Of Troy. Oh boy.

That aside, you would expect the Berserk musou to be pretty bloody and gory regardless, and it definitely delivered on that, can’t take it away from the game. I can though laugh at the fuckin localized english title they went with for this game, Berserk’s main character has a name, and a pretty not-generic one, you know?

He’s called Gatsu/Guts, just so you know.

Though that it’s not completely random, as the game starts from the Golden Age arc and covers up to the Hawk of the Millennium Empire Arc, with them boarding the ship after fighting Ganisha serving as the closing chapter.

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[EXPRESSO] Doctor Strange in The Multiverse Madness (2022) | Mystics From NY

FIY: I’m one of those that didn’t watch Wandavision before heading into this for many reasons (including not really caring nor intending to pay or use Disney +), and i was right in assuming that i didn’t need to… as they give you just enough info to follow the plot of this movie without spoiling that show or anything. It’s a perfected science of its own at this point.

THAT out of the way, i was honestly looking forward to this one, having liked a lot the first Dr. Strange movie, and having Sam Raimi on board as director for the sequel did please me indeed.

The plot sees Dr. Strange deal further with the concept of the multiverse, as a girl with the power to travel to different parallel universes appears in NY being followed by an eldritch monster, sent by Wanda The Scarlet Witch to kidnap the girl. Helped by his fellow mystics and the new girl, Strange will have to find a way to stop Wanda while traversing various realities in the multiverse…

While it starts a bit ho-hum, it does “gear up” and delivers on the expected package of magic, mystical brawls, multiverse jumping (used for what could or could be not “cameos”, let’s just put it like that), wizard duels, and i’m glad Raimi was allowed – to the extent a Marvel movie will find comfortable – to lean more on the horror elements and how he likes to handle them, which helps this entry in standing out a bit more.

Overall, Dr Strange In The Multiverse Of Madness, does deliver on the title, it’s pretty fun, and it thankfully not bloated as some other Marvel movies in terms of runtime.

Nothing “great”, but i quite liked it.

Mileage might and will vary, as usual.

Musou May + an updated rant on Tecmo Koei’s horrible monetization practices

While i would have loved to splooge and do a full fledged Warriors retrospective, i simply can’t at the moment due to time lacking for such an endeavour, so we’ll have a musou game review each Sunday in May, starting from the 8th, which will alter the bi-daily posting routine we entered since February a little.

I wish i could do more, but i already know will not be able to get, play and review the upcoming Touken Ranbu Warriors before May itself ends, for one (as to why, basically because they are going with a digital only release in European territories, more below=. Though i can update my previous rants on Tecmo Koei’s monetization practices and content culling, as the Switch eShop page for that game went up recently and showed us that Tecmo Koei’s will simply NOT stop inventing new ways to “nickle and dime” hundreds of moolah from you for very little effort.

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[EXPRESSO] Pacific Rim: The Black (Season Two) (2022) | Kaiju Kult

Well, look’s who back, a series that i honestly even forgot existed, but they did announced this second (and final) season, guess that branding helped.

So yeah, while i didn’t hate the first season, Pacific Rim The Black was kinda the perfect example of “Netflix anime”, as in, it looks like anime, it’s produced by an anime company and japanese directors, but you could tell it’s written by non-japanese staff.

Which isn’t necessarily an issue, but you just can tell right away and it creates this slight disconnect, and due to that once again it’s hard to say for whom exactly this is made for exactly, given it’s still made in okayish but still janky 3D CG (and the specific “3D CG anime jank” of Polygon Pictures output), which is kinda offputting for most of the self-proclaimed “anime enthusiasts”.

But on the flipside, it’s not that bad, it’s honestly alright, it’s entertaining enough and this one picks from the point where the first season started having some interesting worldbuilding and character development, and manages to make the plot have some purpose (though it kinda has to, since this is the final season), introducing a death cult of Kaiju worshippers.

It’s an actual improvement over the first season, the writing it’s still nothing impressive, but it’s better, though despite being just another 7 episodes, i did wonder if it was ever supposed to be longer, as some resolutions and events happen very quickly, almost abruptly so.

Again, it’s alright, but as the idea of anime series based on Pacific Rim makes a lot of sense if you think about it, it kinda let you wish it had better animation and a slightly longer lenght.

Still, for a spin-off “western-ish anime” series that didn’t need to exist in the first place… it’s decent.

Beaster Day: Here Comes Peter Cottonhell AKA The Beaster Bunny (2014) [REVIEW] | Behind, The Rabbit

We’re not doing Night Of The Lepus, i’m not feeling like talking about that again, and frankly i don’t have anything else to say about that movie, only that while not good, nor that intriguing and throughly laughable… in time i had a new found appreciation for it, after witnessing shit like Beaster Day: Here Comes Peter Cottonhell, also known as “The Beaster Bunny”.

I’ve reviewed this one before for the older italian blog, but it feels like it was aeons ago, i was more naive, i didn’t yet dive proper into the trashy abyss of the homegrown, DIY no budget cinema waters, where often you wonder why the direct didn’t direct a porno instead that week.

So here we have the counter-example, the mirror image of the Polonia Bros output, as in John Baccus mostly makes cheap “porno spoofs” of whatever random movie series or not, giving us stuff like “Playmate Of The Apes”, “Kinky Kong” or the surprisingly recent “Mad Maxine: Frisky Road”, while occasionally making horror stuff without “erotic” in the title, like “Frankenthug”, or “Bloodz VS Wolvez”, just shy at writing these in leet.

This is one of such occasions, where most of the effort is put into the pun-reference to Rankin/Bass’ Here Comes Peter Cottontail (of which this is extensively a parody, but i wouldn’t really known), and the puppet of the “beaster bunny” itself.

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Teenage Mutant Ninja Turtles: Mutants In Manhattan PS4 [REVIEW] | Not Very Neat

Since i did mention the game in my impressions on the Babylon’s Fall demo, and there’s a huge compilation of Teenage Mutant Ninja Turtles games (most of the ones done by Konami) being released soon, i’d figured why not, let’s talk about this disappointing as heck turtle excretion, which pretty much killed any potential for more videogames based on beloved nostalgic cartoon series by Platinum Games, after their shortish but really good take on Transformers (the older ones, known as “Generation 1”, or “G-1”) with Transformers Devastation.

I mean, at least this one can still be found around in physical form, unlike other Turtles game, for example the TMNT: Out Of The Shadows one (don’t expect a review of that).

Or the similarly crappy Legend Of Korra game Platinum Games also developed, also deslisted after Activision didn’t wanna renew the license for, BUT i happen to have bought the PS3 version and i still have it, so that i might review, in order to proper understand how Platinum as a studio it’s capable of both incredible height and shitty lows that spoil the studio’s reputation, still.

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[EXPRESSO] The Bubble (2022) | Comedy Out Of Time

Decided to dip my toes once again into the Netflix new releases, still not much luck.

The Bubble it’s honestly kinda sad as it has a nice idea, being a comedy happening on the set of the new movie in the fictional “Cliff Beasts” B-movie series, completely taking place in the hotel where the cast it’s quarantined in until the movie it’s finished.

The first problem is that The Bubble it’s a satirical comedy that not only loses all its edge as it dwells on the expected themes and almost comes off as hypocritical, poking fun at the movie industry when it was written in a rush in early 2021 in order to make itself relatable to the viewer, goes for a lot of comedy low-hanging fruits, and hopes the excellent cast of comedy actors would suffice.

The other problem is that it feels incredibly dated already and worse, it’s not really that funny, to be blunt.

It has its moments where it works, undeniably, so it’s not a completely laugh-free Netflix affair, and it’s not grating, but the straightforward approach and scattershot nature of the movie as a glorified series of improv sketches doesn’t help, and makes one wonder why the fuck it’s 2 hours long.

The self-awareness about content for content’s sake might have worked if it didn’t feel so depressingly leaning into the audience having compassion for it more than being entertained by, which gets extra depressing and ironic due to how incredibly ancient it feels out of the box.

It’s a shame because there could have been something to it, there’s an effort in making the premise work, but instead it comes off a depressing and kinda desperate comedy that even at peak freshness feel like it was imprisoned in a space capsule alongside Rita Repulsa.

[EXPRESSO] Morbius (2022) | Dr. Acula, MD

The “Sony” side of the Marvel movies now moves from fairly popular and well know Venom to a lot more obscure one, Morbius. General audiences sure aren’t familiar with him, myself i barely know of him as a saw a high quality collectable statue as an upcoming item years ago.

Which is good, makes sense to make movie about lesser known characters from the huge roster of Marvel’s back catalogue (with beloved popular actor Jared Leto in the lead to also ensure huge turn-out) and this one if nothing else follows the trail of the two Venom movies, as in it’s an anti-hero, the doctor Michael Morbius, plagued by a rare blood disease and wanting to save everyone with his illness, Morbius takes a desperate gamble in a remote cave with bats.

What seems to be the long awaited cure turns out to be also a curse, as he start developing a craving for human blood and powers akin to a vampire bat.

If Venom was a reminder that superheroes movies could be sketchy but still entertain despite having a lot of problems, Morbius it’s a throwback to the early to mid-2000s era of the genre, as in, despite a lot of money in effects and a fun premise, they often turned out irremediably boring as shit, lifeless despite the fantastical elements, and a pile of hot garbage overall.

Formulaic, tiresome, boring everything, from plot to characters to themes, even the shitty fights way too overreliant on FXs (complete with an underwhelming final confrontation), Morbius has it all, takes itself seriously, and sequelbaits hard to boot.

You don’t always need to be good or perfect, but when everything it’s so shoddy, trite and not very interesting, at least you could be entertaining.

This is sadly just boring garbage. Pity. 😦

The Snufkin Agenda

Speaking of trolls, there’s actually a Moomin game listed on Steam, called Snufkin: Melody On Moominvalley, it’s pretty much a lot of “TBA” in most regards but it’s a point n click adventure game, there are some screenshots, a trailer and a description, and it’s listed for a 2023 release.

Looks very cute, official, so if you have any kind of affection for the Moomins at all, wishlist it on Steam, won’t you? This is the link.

(and no, this isn’t a paid marketing post, just stumbled into the project’s existence 3 days ago while search for Snufkin’s gifs)

Really not feeling like seeing the actual “Troll 3” movie, even for the occasion. And yes, there’s a proper one of these, after years of misleading alternative titles for unrelated kinds of Joe D’Amato crap.