[EXPRESSO] Moonage Daydream (2022) | Sovereign Supreme

There are many kinds of films based on and featuring music behemoths, but when we step outside of fully fictionalized retellings with a proper plot, we often see two specific kinds prevail, the docufilm, the mixture of live recordings with some talking heads providing hindsight and opinions on the importance of the band/artist at various points in time.

Sometimes it will be something else entirely, be it the full lenght silent anime film/music video of Interstella 5555, or the mix of a music video-style narrative wrapped around live recordings done in Metallica: Through The Never.

But usually, the promotional pieces will tut about this not being another docufilm based on a popular, world-beloved music legend, as if the word “docufilm” itself has become dirty.

Though, in the case of Moonage Daydream, the claim of this not being labeled as “just another music docufilm” is actually true, as this it’s a full on experience, a proper spaceborn roller coaster into the life of David Bowie, trying to understand the nature and intimate essence of the chameolonic rockstar, helped by the privileged access of director Brett Morgen (Crossfire Hurricane, Kurt Cobain: Montage Of Heck) to the complete catalogue of archive footage and with full blessings from Bowie’s estate.

It’s a tall order to make justice of the incredible, majestic and ever transforming figure of David Bowie, but Moonage Daydream actually manages to do it, marrying rare archive footage, previously unreleased live performances, stunning visuals (that i feel benefit from the IMAX treatment) and depth without being bond to a strict linear narrative or having things overexplained by other people telling what they think David Bowie was as a person and rockstar,

It’s also incredibly well edited, with a delightful smorgasboard of movie references that are just the cherry on top. Masterpiece? Masterpiece.

2021 World Wishlist

Yeah, i’m not asking Saint Nick (as i wouldn’t like to overburden the fella even further and its past-Christmas anyway) but the – JOJO MEME – itself what i would pleasantly welcome in this brave new year of real life, disgusting cyberpunk dystopia.

Continua a leggere “2021 World Wishlist”

[EXPRESSO] Kadaver (2020) | Dinner Theatre

The first norwegian horror film produced by Netflix, and available since October 22.

Directed and written by Jaran Herdal, Kadaver tells of a family living in a cold, barren, post-apocalyptic city, with a full-out nuclear war that might erupt at any moment. One day, a strange man shows up to sell tickets for an event held by Mathias, a local rich man, with promise of food and entertaiment at his mansion.

After dinner is served, Mathias tells the audience that the show is unique, as it takes place all through the mansion, and instructs them to wear masks while they follow the maskeless actors putting up various scenes. In time the spectators are whisked away in secret for true purpose of the party. Which i won’t give away, even if you can take an easy educated guess.

Sadly, it’s an uneven experience.

It has some stylish and morbid imagery, the idea of a trap “dinner theatre” is cool and quite original, but the narrative moves too damn fast even at the beginning, so you’re not really given any valuable time to feel invested in the fate of the family, or to second guess the nature of the odd performance. Doesn’t help that the plot relies on characters doing dumb mistakes most of the time.

On the upside, it’s fairly short and entertaining all the way, the ambiancè is great and there are some good moments, but also middle of the road character (decent acting, at least), and an ending that’s quite… clichè for such an intriguing promise.

It’s a shame, because it released at the perfect time for the themes to resonate with the audience, but it held back by its not small flaws. It’s still a decent horror movie, definitely worth checking out, even just for the original plot.

[EXPRESSO] Depeche Mode: Spirits In The Forest (2019) | Private Live

Depeche Mode Spirits In The Forest 2019 poster.jpg

Cards on the table: i LOVE Depeche Mode, it’s one of my favorite bands of all time, and i’d argue one of the most influential overall, and i could go on, but it’s a review and i’m no proctologist.

Many bands had their work translated into a feature length movie, often in a more typical narrative fashion, with a plot crafted around the history of the band and it’s members, but also in more odd, ambitious fashions, like the hybrid of animated movie and music video of Interstella 5555, or Metallica: Through The Never, which went for live-action story mixed with live recordings.

Spirits In The Forest goes for a mix of live recordings from the 2017/2018 Global Spirit Tour, specifically the performance at Berlin’s Waldbühne (“Forest Stage”), and private cinema, with the intimate stories of six special Depeche Mode fans, filmed in their respective hometowns, talking about how the band’s music impacted their lives and connected with them, regardless of age, religion, language barriers, etc.

At it’s heart, Anton Corbjin’s (better know for Control, the biopic on Joy Division’s Ian Curtis) docu-film has the typical message about the power of music to unite people regardless of the many barriers and differences life inevitably confronts us with, but it does so in a smart way, not focusing on explaining pointless stuff like “what is Depeche Mode?”, or why the band is still so beloved today, but on the experiences of regular folks that are fans of the band AND do have interesting stories to tell, personal stories from different realities.

They are presented in a sincere fashion, never becoming indirect propaganda, with a good balance between these recollections and the live segments from the aforementioned Forest Stage performance in Berlin, and a concise runtime.

A bit envious i wasn’t there, gotta admit.