[EXPRESSO] The Invite (2026) | Indoor Games

A curious case, not in itself, even though American remakes of foreign film are (thankfully) becoming extinct, but because we already got a remake of Sentimental, a 2020 Spanish film, as the 2022 Italian Vicini Di Casa….which i basically ignored at the time due to the cast, no joke, and because sentimental comedy dramas in Italy are a crapshoot quality wise.

Yeah, The Invite is indeed that, but since i never saw the original nor the Italian remake, i guess it doesn’t matter for the purposes of this review, which wasn’t planned at all, i went to see this on a whim.

A couple whose relationship is (to put it kindly) on the ropes invite (much to the husband desire not to) their neughbours for dinner, a couple of really extroverted, mysterious and fascinating people, but after a rough start, the night takes an unexpected turn..

This is where you might think i’m not describing the plot any further to avoid the super Shyamalan twist of Seth Rogen revealing he has been Donkey Kong wearing a human skin suit all along, nor because it turns into Funny Games.

I’m still not describing the plot any further because otherwise i still would spoil it, and because it’s indeed pretty much a play, set in an apartment with very fow rooms and very few characters, hinging entirely on the performances, on the characters, as they discuss their issues, antagonize each other, undermine and discover more about themselves, opening up and letting the audience learn more than the initial facade implies, in a intelligent, witty but never too cerebral fashion that it loses that feeling of verysimilitude.

It’s a rare comedy-drama made for actual adults, with amazing performances and characters so compelling you won’t notice how its actually almost 2 hours long.

Recommended.

[EXPRESSO] Teenage Sex And Death At Camp Miasma (2026) | QueerAngela

Freshly released in theathers here, Teenage Sex And Death At Camp Miasma is a classic slasher for the ages… as in, this age, the modern age.

Kris is a queer horror director known for a Psycho remake from the prospective of the shower curtains, that has been tasked with directing the reboot of 80s cult slasher series Camp Miasma (a sort of Friday The 13th crossed with Sleepaway Camp entity), as she is a notorious superfan, but she struggles under the pressure of her own ambition to do something fresh with it, and especially because of the studio push-back to have actress that played thef inal girl in the original film, Billy Presley, come back.

Kris is adamant about it, and decides to meet up nonetheless with Billy, whom has been pretty much living as a recluse in the same place where the first Camp Miasma film was shot….

Yes, it’s indeed a meta-horror that works both as tribute and satire of the 80s slasher, it’s significance today, how the sexual themes reflected anxieties of the era and how this applies in an age where sexuality is very different, especially from a queer prospective, but while it delivers a lot of kills, gore and hilariously excessive geysers of bloods, and it’s more heavy on comedy that you’d expect.

And while it does have an unique “meta twist” that isn’t quite what you’d expect, it’s also fairly straighforward – and deliberately unsubtle- in tackling the genre as a way of sexual self-discovery and emancipation, sold thanks to the amazing performances of Gillian Anderson and Hannah Heinbinder.

Though at times the pacing could be better, and frankly i would have preferred if it ended a scene earlier than it does, but still, Teenage, Sex And Death At Camp Miasma is quite good.

I.K.U. (2000) [REVIEW] | LGBT Robosexual Runner

While i most likely won’t be reviewing the new Wuthering Heights film adaptation, to prove my platonical love for you, the audience, i will review this film i found on DVD in a flea market, and no, it wasn’t on the porn section.

I know i had to get it, it was like, 5 bucks at max, and with a title that screams “CINEMA” as IKU gets a IGN certified “10 out of 10” just for reference-pun combo that is the subtitle “I, Robosex” added in the Italian DVD release.

Sometimes i get to find import DVD copies of weird state sponsored video art when i go thrifting, sometimes i pick up fully localized and officially distributed “technically not porn” like this.

So, the hell is this?

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[EXPRESSO] Madame Web (2024) | Spider Vision

The new entry in Sony’s Spider Man Universe side of Marvel offerings, tackling the titural and lesser known – to mainstream audiences – figure of Madame Web, AKA Cassandra Web (Dakota Johnson), a woman working as a paramedic that awakens her powers of clairvoyance after a tragic incident, and will have to confront her mysterious past to help three young women unaware of being hunted down by a menacing “spider person”.

So, it’s not good, at all, i didn’t hate it or was let down, it’s at least inoffensive, as in, it’s hard to feel anything much from a movie that feels directed and acted in autopilot, the cast it’s good but the characters are shallow as hell and the movie’s overall light tone (fine in itself ) kinda backfires in making it hard to care about anything that happens.

Ignoring the fact its about a character intrisically linked to Spider Man, has “evil Spiderman” for its boring ass villain, yet it can’t/won’t even mention the Man-O’-Spiders, Madame Web is just a very unispired origin story that coasts on doing the bare minimum, one it could have been cut to 90 minutes, since it’s fairly repetitive, unengaging, looks cheap, and feels more like a set up for other films than anything, a movie set in 2003 that also perfectly feels like the kind of bad/subpar cinecomic that would have come out back then.

I was inclined on trying to “defend” it due to how harsh it’s being reviewed….. but sorry, this one IS pretty bad and lacks the trashy fun factor of the Venon movies or Morbius, with very little to like, feeling extremely throaway to boot, just “product” that makes futile even feeling angry about it.

Maybe the Kraven The Hunter movie coming out this summer will be better?

Killer Condom AKA Kondom Der Grauens (1996) [REVIEW] | Squeeze Me Mackaroni

We’ve been a little too classy on here, so to balance things out and offer a tribute to Aphrodite by tackling one hell of horror schlock from the “i can’t actually believe it’s real” department.

One that goes straight for the… crotchular, i guess, though the novelty factor might be less impressive to younger generations, used to a plethora of “joke films” that honestly were better off as jokes than the actual movies that were made in the end (a lot involving sharks, obviously), but still, for the decade it was made it was pretty much conceptually absurd to even conceive, and would actually at best amounted to a joke made in early internet boards, maybe with a fake synapsis if the shitposter was feeling frisky and wanted to sell the joke proper.

But then again the Germans were always something else, and unbelievably this is also based on a book…. okay, it’s based on a couple of comic book by Ralph Konig, whom also wrote the screenplay for this film adaptation, directed by Martin Walz and released in the States by Troma, obviously they were gonna carry it in the US, and promote it with a giant fanged condom.

Also, has the killer condom special effects done by good ol’ Jorg Buttgeireit of Nekromantik and Der Todesking fame, just thid tidbit would have been enough to get me curious, honestly.

That, and how many comedy horror b-movies have the actual H. R. Giger as a creative consultant?

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Pinocchi-O-Rama #11: Pinocchio AKA The Erotic Adventures Of Pinocchio (1971)

If you go to the Wikipedia page for the original Pinocchio book, you will notice many entries in the Films and Related sections.

As the time of writing, there’s a notable omission, as in, The Erotic Adventures Of Pinocchio, made in 1971, directed by Corey Allen, one that i swore was in the Wikipedia page before, and one i knew about long before Wikipedia was even a thing.

One that i knew will have to eventually be featured here, and as much i pushed it back down the list for Pinocchiorama… i don’t wanna talk about it around Christmas (and/or equivalent festivies), and i promised some variety to this retrospective, so time to get soft… core.

I mean, let’s get this clear right away: this is a soft-core porn parody of Pinocchio, one that was bound to eventually exist anyway due to the character phallicular nosejobbery.

On the flipside, i don’t have to worry about blackboxing any of the screenshots, so…

For various reasons, one would expect what’s basically a porno spoof to reinvent the original material in a comedic und sexual fashion, though “reinvent” implies a level of creativity that might be a little above crap like Gums, the bar isn’t much higher but we can get lower, down to the abyss of the Super Hornio Bros movies (yes plural) or stuff that the Cinema Snob has reviewed in bucket loads, gaining the unenviable nightmares of a female ET or the cardiatic arrest of a Strokemon.

Knowledge isn’t always benevolent, after all, hopefully the aforementioned paragraph does not trigger any ‘Nam flashback in you, or sparks some morbose tendency.

Who can really say….

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