[EXPRESSO] The Card Counter (2021) | Hold ‘Em Close

Saw this was running as a candidate film in this Year’s Venice Film Festival, produced by Martin Scorsese, and was already in theathers here, so yeah, sounded quite like a good deal.

The short answer is yes, it was good, but also not great, here’s the longer one with context and stuff.

The Card Counter is the story of William Tell, an ex military with a gruesome, abhorrent past that after doing his time in prison, lives as a professional gambler, enjoying a very a regular, routine-led life by using his ability as a so called “card counter” to accumulate a very small fortune, without a definitive goal or dream, just repeating the circle, having learned the rules of that scene (and how to use them in his favour) as he did in prison.

One day his cherished routine is broken up by a mysterious woman that notices his talent and wants him to work with various financeers, and a young man in search of revenge, Kirk, that happens to share a common foe with William, all inevitably leading him to confront his past once again.

The premise is familiar enough but not cliched, the execution is nuanced and intense, the cinematography is amazing, the cast is relatively small but packed with familiar faces that do a great job, the characters are fairly complex and the drama is pretty good.

Aside from some choices in the final act that might be argued about, there’s no big flaw or flaws in The Card Counter, it’s not even overly long or feels slow until a certain point.

It just happens to be good….just that, nothing great, extraordinary, breathtaking, revolutionary or any other similar adjective useful for a single line review quote in a poster. Still, it is pretty good, go see it.

[EXPRESSO] Voyagers (2021) | In observation, I analyze

It’s the future, and a group of young men and women, raised to be intelligent and obedient, are sent into space on a mission to colonize a distant planet. But they discover some of the expedition’ secrets, and then rebel to the mission in order to explore their less intelligent, more primitive and irrational side of themselves, resulting in a chaotic struggle with their own fears and lusts.

I want to clarify right away that Voyagers (written and directed by Neil Burger) isn’t a bad movie, it isn’t, but it’s also one of those movies that might come across as incredibly frustrating, the kind of frustrating born not of lazyness or lack of energy and vision, but of ambition too vast for the script own’s good, and – more to the point – its quality.

The premise is intriguing and ripe with potential, the themes are there, there’s clearly a vision, but the execution is incredibly predictable, underwhelming, and some of the more original details of the plot that make it stand out end up unadvertly working against it’s own overall message, coming off as dumb mistakes on part of the program, or contrived excuses to create more conflict.

Like, why the teens are asked to maintain the ship for a mission they themselves simply won’t live enough to carry out ? Why not cryogenically put them to sleep, instead? And yes, they’re teens, so they can be fuck up or be swayed regardless of their IQ or education, sometimes they come off as both incredibly intelligent AND dumb as a bag of bricks (or incredibly naive), somehow, and it never feels natural, just arbitrary bullshit.

There is definitely something to like here, like the good cast and performances, but the overall result it’s an overly ambitious mixed bag. Pity.