[EXPRESSO] House Of Gucci (2021) | This Is The Dynasty

House Of Gucci is not “accurate”, let’s make it abundantly clear.

It’s definitely an instance where it’s important to emphatize the “inspired by real events” disclaimer, because this isn’t “All The Money In The World” Ridley Scott, this is him going full soap/telenovelas on the real life Gucci family feud that started in the 70s and culminated in 1995, with Patrizia Reggiani ordering the assassination of Maurizio Gucci, her husband and also the entrepreneur & president of the Gucci fashion firm.

The story here is presented with the focus on Patrizia introducing herself to Maurizio as a way to get into the Gucci family business, then manipulating and orchestrating the Guccis to turn against each other in order to force the hand of Maurizio in taking rein of the company, despite him starting out as totally indifferent to his heritage and without any true ambition to get involved in it.

She basically turn what start out as fairly decent people into monsters for her own ambition and ruthless desire for dominance, and at one point a tarot card reader is involved, etc.

This is a 2 hour soap opera with a huge movie budget, make no mistake about it, that it’s the main tone of House Of Gucci, as a bombast story about the rise and fall of a dynasty (pun not intended but fitting nonetheless), with very little interest in realism, given the odd – and i feel deliberate – direction some of the cast was given, as some actors feel like they’re acting in a completely different movie, like an unrecognizable Jared Leto in overacting overdrive as “Gucci’s Fethry Duck”.

Despite the sometimes inconsistent tone and it being really trashy, there’s a magnetic kitsch charm to it all, great performances, and it’s massively entertaining all the way through.

[EXPRESSO] Last Night In Soho (2021) | Perfect Bleach

Eloise, grown up with her grandmother due to her mother’s suicide, arrives in London with the dream of becoming a stylist, with the myth of the Swinging London and 60s music she listens to on her old portable jukeboxs. After an unhappy experience while training at the school she was admitted to, she moves to an apartment in Soho rented to her by an old lady.

There, Elosie dreams of traveling to the past, to the romanticized London she worships, and there she meets Sandie, an aspiring singer living the glamour and the excitement of a colorful hip city.

Slowly Elosie keeps confusing her own personality with Sandie, learning about the squallor and misery of her real life, continously slipping between nightmare and reality, leading Elosie to “witness” a murder that happened in the past.

If this sounds like it could be described Edgar Wright’s Perfect Blue via Hitchcock and a not insignificant amount of supernatural horror elements… it’s not quite that, but it’s hard not to draw some comparisons and notice some of the inspirations (and i wanna avoid spoilers), even if at the end the result definitely feels like something Wright would direct, as -aside his use of music for stylish fair and editing’ sake- it pulls off something noteworthy and incredibly easy to fuck up, especially the horror elements would have been so easy to mishandle with disastrous effects.

But as one would expect of the director, nothing feels out of place in Last Night In Soho, the cast it’s great as expected, the atmosphere is consistently unsettling and the script plays some good tricks and delivers a pretty good twist, remaining enthralling all the way through his 2 hour runtime.

It’s pretty great, so good see it while it’s still in theathers.

Definitely a must watch.