[EXPRESSO] Digger (2026) | Rock And (Petrol) Stone

I haven’t seen Bardo, to be honest i wasn’t even aware of it before… now, but whatever, i was gonna see Inarritu’s Digger anyway, especially with the premise of Cruise acting against type.

Here he plays Digger Rockwell, a petrol mogul from Texas that lives in its opulent mansion, tending to his absurdly old and withered cat while ignoring the disaster brewing on some of its rigs… until he can’t anymore, as the situation on an Artic rig of his has exploded, resulting in a gigantic glacier breaking away and headed to Europe, where it would cause constant tsunamis.

The US President is called in, alongside many experts and politicians to find out any sort of solution in how to deal with the glacier, so it’s up to Digger to save the world he almost destroyed…. or is it?

There’s no way to discuss properly the film even further because that would give away the movie entirely and spoil the “twist”… actually the entire premise.

But that isn’t even the issues, as the “twist” happens early on, you can actually kinda assume it if you’re familiar mwith Inarritu’s body of work, and there’s actually more to it.

The problem is that, the attempt at satirizing modern satires about the climate crisis in how…. kinda feels hollow because ultimately it adds nothing to the conversation either, and it becomes enamored with its own deliberate farce (and playing around with its incredible cast) to the point it becomes the very thing it supposedly satirizes, so much that ultimately any potential of the “twist” serving as a way to actually say something becomes nill.

Disappointing.

And yet, there’s still some fun to be had with/in Digger, in spite and because of its empty excesses, of how it sadly crumples under its own ambition.

[EXPRESSO] The Phoenician Scheme (2025) | Con Nun

I’m a huge fan of Wes Anderson since forever, but i’m starting to understand why one would not like them, aside from his style being overly consistent over time, as he perfected his own aesthetic, style of editing and photography to a tee. To the point that i feel he has gotten too good at it, and now basically sticks to that people expect of him, for better or worse.

Following the retro meta scifi extravaganza of Asteroid City, The Phoenician Scheme, while also set in 1950, is more of a black comedy/crime caper where we follow conman extraordinarie-arms dealer-ubercrook Anatole “Tza Tza” Korda (Benicio Del Toro), surviving yet again another assassination attempt via plane crash, and feeling this time it was a very narrow dodge (to the point he has near death visions), he decides to call his estranged daughter Liesl, a novice nun, and agree to carry on the family business, especially in carrying out the titular scheme, which is a super-risky, very long term and elaborated conjob, which requires getting on board a series of business partners… some of which he tried to swindle before, plus every big business has it in for him since he does his shady schemes and machinations in such a way that just happens to piss off or indirectly negatively impact every big business kahuna representing a nation or coalition.

For my money (as they say in Eagle Country) it’s at least better than Asteroid City, i’d say it’s definitely better than The French Dispatch, which did disappoint me, but if you liked his previous movies, it’s as obvious as correct to say you will enjoy this one too, and viceversa.

Honestly i wish Wes Anderson would do more animated films or try do remakes of Svankmajer films, or something else entirely.