Tag: ethics

[EXPRESSO] A New Dawn (2026) | Deidara Docet

Directed and written by Yoshitoshi Shinomiya, A New Dawn is an anime film about the creeping effect of gentrification, and how it effected an historical fireworks factory held by the Kaitewaki family for centuries, and in turn Keitaro and Sentaro, the two young sons, and their childhood friend Kaoru, which drifted apart after Keitaro’s father disappeared, leaving the property to rot, while government officials have waited to prey on it for “renovation”.

Sentaro and Kaoru left for the city, but some years after Sentaro drags Kaoru into talking Keitaro out of his reclusive stay on the old family home and factory, as the city is gonna tear it down in a matter of days, which brings the trio close as they once were, and provides them with an occasion to pull off the complex firework display concocted by the father (called “Shuhari”) but never put into action, something that involves a special pigment and pattern, as something of a farewell…

While there is a romantic subplot, A New Dawn is mostly a drama about confronting with the past, coming to terms with modernity but without giving up on craft, tradition and art just because it falls out of fashion, is outright rejected or simply becomes more and more obsolete by the new norms, and it’s a pretty dang good one, with great realistic teen characters, amazing melanchonic vibe, a really good artistic painting-inspired style, and while animation is already damn good, it’s commendable how it’s willing to experiment with stop motion animation sequences too.

Also, A New Dawn fittingly also feels like a light of hope for the anime industry maybe still able to have new talents (this is the directorial debut for Yoshitoshi Shinomiya, whom previously worked on Makoto Shinkai projects) emerge in spite of… well, of itself.

Recommended.

[EXPRESSO] After The Hunt (2025) | Woke Chungus Season

Luca Guadagnino’s new movie is out here as well, After The Hunt.

The plot sees a philosophy professor at Yale finding herself in a thorny situation when, close to receiving a professorship in the teaching subject, a student of hers confesses that the professor’s assistant raped her, but him denies the accusation and rebukes of the student also blatantly plagiarizing her thesis.

It’s a battle of optics-vs-ethics, academy drama and also a bout of pretending that the movie its actually trying to present the characters so you won’t be able to label anyone as “right” or “wrong”, as the script so obviously takes sides it’s almost funny in how paper thinly disguises what it actually thinks, like if we have high profile actors discussing philosophy it will have make movie and dialogue smart.

Even more intellectually insulting are the weak attempts to backpedal towards the end, with the rushed as hell epilogue set 4/5 years laters that feels like it realized last second this is all old hat, and not really worth rediscussing when the current situation is so much worse … not that the epilogue itself helps in anything but making the whole thing even more of a farce.

Also, it’s confusingly toothless for a Guadagnino directed film, that should be provocative and uncomfortable but feels comforting as in, this is reheating the #metoo talking points in a meandering, meaningless and way too late to the party fashion it’s almost “cute”.

If it wasn’t so goddamn boring and shallow, heck, i had my issues with Eddington but even that was more entertaining and aware of the themes and events of the recent past and how they factored in the current sociopolitical scenarios.

Some great performances mean little when the film feels engineered for fishing nominations more than anythin else.