[EXPRESSO] The Social Reckoning (2026) | Nothing Ever Changes

It feels like aeons ago when i saw The Social Network, which gets more impressive in retrospective as it tackled issues that would explode just some years later, while this sort of follow-up (also written by Aaron Sorkin) has the issue of being dated on arrival, being set between 2019 and 2021, tackling the changes made by Facebook that shaped it as an echo chamber designed to promote hate speech and harassment, leading to January 6th insurrection at the Capitol and a former Facebook employee helping move a federal case by a series of exposè via the Wall Street Journal.

So you already know that Facebook simply tanked the issue and nothing really changed (for the better), that there was no actual “reckoning”, and it’s convenient how the timeframe is very safe to make the point about the necessity to speak out, to fight for justice regardless, plus it’s utterly spineless that despite the January 6th insurrection being a pivotal event that the movie comes back to a lot, Donald Trump isn’t named once.

That aside, the other main issue is that the drama is just drab, not unwatchable, but it’s hard to care about the Facebook data analyst girl that acts as whistleblower and helps this “tech illiterate” political journalist unveil Zuckenberg’s plans, or anyone else, the very good cast really can’t work miracles with these flat characters, and both factions frankly do very little considered what is at stake.

even when the company learns of the leaks and the girl fears retaliation, it amounts to a lot of empyt posturing, so there’s so sense of menace or urgency to any of the drama.

You can tell Fincher didn’t direct this one, i’ll say that much.

Maybe Guadagnino’s Artificial (if it ever comes out in theathers) will be better?

[EXPRESSO] The Iron Claw (2023) | Dynasty Warriors

Wrestling films are nothing new, but sure as hell i’m more curious when we have A24 distribute a wrestling film, but aside from that initial marketing hook, there’s actually a fascinating tale here that i feel isn’t famous or overly familiar to most outside of the wrestling community, because i have a very passing interest in the thing and i didn’t know the story of this wrestling family at all.

The Iron Claw tells the story of the Von Eirich family, with the father Fritz gathering notoriety in Texas and adjacent wrestling leagues (his signature move being the titular “Iron Claw” head grab) in the early 80s, and him basically founding a wrestling dynasty, as he trains all his sons to be wrestlers themselves, subjecting them to a strict training all together, so one day the belt of world wrestling champion will fall in the hand of the family, and also to make them stronger, tougher, in the hope they don’t get hit by the so called “curse” that struck all the previous Von Eirich family members.

While it focuses mostly on the oldest surviving son, Kevin (Zac Efron), the movie tells of the family ascension through the ranks of the violently competitive business of professional wrestling, the behind the scenes side of the sport in its pre-corporate era, its victories and the human toll that the father’s quest for his wrestling dynasty demands, due to his constant pushing for supremacy at all costs that he allegedly did to avoid the very same tragedies that ultimately befall his children.

The cast (including a truly transformed Zac Efron) is nothing short of stellar, the performances amazing, and the emotional punch delivered by the emphasis on tragedy doesn’t preclude some positive light shining and breaking through the toxic deadlock of their “fate”.