The new millennium brought upon us many things.
And a movie called Blood Surf was sure one of them, though it sound more like a videogame title.
In hindsight, it’s perfect specimen for this month dual theme, as it answers a question nobody asked, as in “what if we made a shark movie, but with a croc/gator instead?”.
Continua a leggere “Blood Surf (2000) [REVIEW] #sharksncrocs”
That time again, time to put on your robe and attend the ceremony with expectations so far out to make worshippers of the Old Gods looks like wannabe zealots!
Especially since all fair criticism of the company is dropped by most people (and publications) when a Direct happens. But again, this is sadly “business as usual”, let’s move on.
Continua a leggere “Nintendo Direct 9/02/2022 | Rites Of N”
Let’s get this over with, even if it’s pointless to review, as it’s just a WB corporate flex.
I revisited the original Space Jam just before seeing this, it was a corporate vehicle emphasizing cross brand promotion, spectacle, and references over story, with the “hook” of real life celebrities acting a cliched “inspiring sports film” formula alongside animated characters.
But in retrospect it had some laughs and some self awareness NOT weaponized to just suck corporate cocks in a proud cynical fashion, all the time.
And yes, this is just a new one, a “stand-alone sequel”, make sense since it has been in development hell for 15 years.
It has the same basic premise, with a basketball game deciding the fate of a real life person and the cartoon characters he mets in a new world. Obviously this one swaps Michael Jordan for James LeBron, but also tries to up the ante and modernize it, setting it in a virtual WB-verse where an evil algorhythm-IA has trapped LeBron and his younger son Dom.
Problem is it also quadruples down on corporate bullshit, to the point it’s way longer than it needs just to have countless references using WB owned IPs. Not jokes, references. It also takes itself more seriously for no reason, and it’s often more embarassing and awkward than funny or fun.
This is an official feature length shitpost filled with memes and references (not so much jokes), and while the animation isn’t bad, it’s a stylistically spineless affair, even the older Space Jam had a consistent style to the mixing of live action and animation.
The original was a product of his time as much as this new one is, but even the 1996 movie it’s still better than this specimen of pure corporate public narcistic wanking.
Horrendous.
The final piece of rambles-recap-highlights i’m gonna write about this E3 edition… before the actual “final piece” of considerations and overall evalution.
First the long awaited Nintendo Direct, often topped only by the community basically setting themselves up to expect the moon and bitching about when they don’t get it…. or when they get it, because a certain set of people enjoy ranting and being miserable about the videogames they say to love so much, instead of actually playing said interactive entertaiment. You can’t please people that don’t even know what they want.
Continua a leggere “#E32021 Nintendo Direct & Bandai Namco [Highlights]”
Toho plans to release not one, not two, but THREE Godzilla mobile games this year worlwide, and the first one is the already available Run Godzilla, which isn’t an endless runner (despite the title kinda implying it), but more a simulator-raising game where you take care of your very own kaiju in order to… make it run like a horse.
I’ve seen people describe it as basically Uma Musume but with kaijus instead of horse girls… and it’s not that far off. And by that i mean it’s basically a stat building game where you increase the stats of the monster before taking on races, where you can just tap a button to encourage the monster to go faster, but that’s about it, you don’t control the kaiju directly.
Strenghtening the monster is done via a typical idle game setup, as you juggle resources to have enough people praying for the monster to grow, extend the time they will stay in the group, pick up apples and gems to recruit more people, and change weather to influence the growth of a some stats over others. The kaiju itself has an “expiration date” which can’t be extended, but the following generation/monster will inherit some experience points, and the loop repeats.
It’s more complex to look at than to actually play, just a thing you’re supposed to tinker with on a somewhat regular base, as timers keep running regardless, so you might come back to find the your digital “pet kaiju” (one you don’t have to feed or “poopscoop”) already dead/expired.
It’s a thing to thinker with more than play, and while it’s very honest about it, outside of the initial novelty it’s hard to care for long if you have at least another free-to-play game/app you keep coming back to regularly.
Remember Uma Musume? Yeah, ironically the anime version, which is usually used to prop up the main attraction of the media franchise… almost managed to have 2 entire seasons (and a chibiesque mini-anime) out before the game released just a few weeks ago (and today the PC version released via DMM, japan only of course), at least in Japan and i guess other asian countries.
I really should have covered the anime series (given i’ve already covered almost all Azur Lane anime iterations), but at the moment my schedule is full, so probably later this autumn. I would like to give the game itself a shot and make an EXPRESSO review eventually, but i can wait for an eventual western release of the app.
I wouldn’t expect an official western release anytime soon, considered the game was supposed to launch in 2018, but it’s Cygames and we did eventually get Princess Connect Re; Dive (which i didn’t like, but whatever), so it’s possible.
So that’s that, back to Giant Monster March!
Lippert can even direct anime girls from the grave, how amazing!
I usually wait for the first three episodes of an anime series to do a first impressions, but due to time costraints i won’t this time (by the time i wrote and edited this, the second episode is out already, but i can’t afford to delay the post), just talking about the first episode and how it presents the series.
Continua a leggere “Iwa Kakeru – Sports Climbing Girls [FIRST EPISODE IMPRESSIONS] | Rock Climbing, Joel”
Director: unknown
Writer: unknown
The third featurette, and so far the last to be a theathrical short, as it played before the One Piece movie The Cursed Holy Sword, and like the previous featurettes, has bugger all to do with the subject of the movie. I would argue the movie itself has almost no business being a One Piece movie and seem like a rejected script for a completely different franchise….but this is not the place. Continua a leggere “One Piece: Take Aim! The Pirate Baseball King! (2004) [REVIEW] | Babe Ruth No Mi”
Director: unknown
Writer: unknown
The second featurette, another theatrical short, was shown before (and on the japanese DVD release was bundled with) the third One Piece movie, Chopper’s Kingdom in the Strange Animal Island.
And again, it was never officialy released outside of Japan, which is true for pretty much all the featurettes and theathrical shorts. Continua a leggere “One Piece: Dream Soccer King (2002) [REVIEW] | King Of Table Soccer”
Director: unknown
Writer: unknown
Going back to the case of a One Piece movie having more than one prologue or preamble, since Film Gold also had a TV special that tie into it, Heart Of Gold, but – as a memory jog – we’re just covering featurettes and OVA this time.
And this actually takes place after that special but before the events of Film Gold itself, like Film Z’s Glorious Island OVA it was also released on smarthphones, and it really doesn’t tie into the movie it’s supposed to, it’s just so happens that the Straw Hats are on their way to the Gran Tesoro ship-city. Continua a leggere “One Piece: Film Gold (Episode 0) (2016) [REVIEW]”
Wise Cafe (International) 