The Giant Gila Monster (1959) [REVIEW] | Knee Deep On The Box

In a way i really had to do this one, after tackling The Killer Shrews, it’s only fair i review The Giant Gila Monster, to complete the Ray Kellogg double-feature, and they do feel cut from the same cloth, down to the similar – but very typical of the genre – intros.

And if anything, this sounds less of a joke, compared to the concept of “killer shrews”, just your regular 50s B-movie drive-in fair with giant reptiles, small town sheriffs and white bread teens played by people in their 30s, with a touch of rock n roll… incredibly regional, white rock n roll, but still, that penchant for music that will carry over into the 60s is typical and they even advertised some tracks on the poster itself, without irony, as that was a genuine selling point at the time.

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The Killer Shrews (1959) [REVIEW] | Dogs & Rugs

Since i’ve more than mentioned this movie during the review of Deadly Eyes/Night Eyes, what the hell, let’s pay some respects to what it’s now a cult classic, especially for the more seasoned cinema buffs from the U.S. Side, as the movie was featured on Mistery Science Theather 3000 (alongside his double-feature debut companion, The Giant Gila Monster, also directed by Ray Kellogg), becoming one of the favorite episodes from the fans, and it can’t be denied this movie had some impact, as it was also featured or referenced in some way in other shows about bad movies.

It also managed to spawn a direct sequel in 2012 (63 years after the original came out), Return Of The Killer Shrews later with James Best reprising the role of Thorne Sherman, and a remake/parody in 2016, Attack Of The Killer Shrews. A lot for a movie made on a very low budget and serving as a perfect example of the decline of the “nuclear era” monster movies, because even for the time the idea sounded silly, and showcased how desperate you must have been to go with “shrew” as the scary mutant killer animal for your monster movie.

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