[EXPRESSO] Ghost: Rite Here, Rite Now (2024) | Meliora Grande

I will admit i’m not a die hard Ghost fan, i like them (enough to go to a concert film of theirs playing subtitled only for a couple of days in theathers) a lot but never dwelved into the lore, as apparently this follows up the band meta-storyline from their webisodes, but as an educated guess would have correctly assumed, you really don’t need to be updated on what here amounts as a slightly meta (and kinda Metalocaypse-eque) narrative about the relationship between the singer, his mother and the ghost of his father appearing to him and giving advice about stage performance, etc.

Again, i lack the extra contest most fans would have, but this narrative playing in little bits between some of the songs is mostly soap opera style drama played for laughs, it’s goofy and because of that demonstrates the band’s willingness to be silly and fun, which actually fits the odd yet mesmerizing pastiche of metal aesthetics and 80s energetic hard rock inspired music of Ghost as a whole.

Bonus points for them having a 60s Hanna Barbera style animated segment at one point, even if it feels oddly handled and kinda random, let’s put it like that.

Even if you don’t care for it, even at worst the narrative it’s cute and delivers some laughs, it does not requires you to even know the band beforehand, and it’s actually a more than decent entry point if you were ever curious about Ghost, as the main bulk of the film it’s the live concert they did in 2023 at the Kia Forum in Erwille, California, delivering one hell of a concert with a pretty much perfect track list, amazing theathrics, just an amazing performance graced by excellent editing for the big screen, on top of everything else.

[EXPRESSO] Studio 666 (2022) | Dave Grohl Made Me Do It

No, this is not a Jojo reference, nor its one of those weird hybrid music video-concert films (see for example Metallica’s Through The Never), this a full on fictionalized affair, and one i’ve been looking forward to since it was announced. Sure, rock and metal superstar bands aren’t new to cinematic experiences about their personas, but the pitch-premise of a comedy horror starring Dave Ghrol and his bandmates as themselves it’s so good it’s hard to ignore.

As the band Foo Fighters it’s struggling to come up with ideas for its tenth studio album, they get recommended a secluded house in Encino, California, where in the 70s a band called Dream Widow went to record an album, ending with the frontman massacring all the band members before killing himself. The band settles in despite the creepy vibes they pick up from the house, but things get progressively out of hand, leading to Dave Grohl being possessed by a demon. Among other things.

It’s a good dang premise, and thankfully the script and direction are up to snuff to make the most of the pitch, having a zany time with horror cliches and the expected “behind the music” stuff, with the band proving to be very good sports in this delightfully ridiculous comedy horror romp, especially Dave Grohl overacting like a champ as he grows progressively more obsessed once he manages to “magically” get over his artistic block.

Yeah, it’s pretty funny, there’s more to the story than expect, and Studio 666 isn’t afraid to be extra cheesy and honestly it’s kinda surprising that the effects are very good, but besides that, i’ve seen horror movies that try to take themselves seriously but ultimately wish they could pull off even half-successfully a random jumpscare this movie uses as a joke.

Recommended!