[EXPRESSO] Wild Horse Nine (2026) | Party In The RA.PA.NUI.

Martin McDonagh (Seven Psychopaths, Three Manifests Outside Ebbing, Missouri, The Banshee Of Inesherin) is back with a black comedy spy thriller, Wild Horse Nine, which takes back to the not-so-funky ’70s, just before the 1973 Chilean coup-de-etat, with the CIA bureau chief, MJ (Steve Buscemi) dispatching two officers, Chris (John Malkovich) and Lee (Sam Rockwell), to Rapa Nui, as in, Easter Island.

The trip from Santiago there already proves hardous, as Chris seemingly suffers from some sort of alzeihmer, while also being overly candid about their motives and intentions, but among the peaceful tourist life and the gazing at the moai, many conspiracies are actually being acted on, putting Chris and Lee longtime friendship and loyalties to the test, especially as Chris befriending a local rebellious girl might sent the whole “operation” (whatever that is) to go belly up…

While the plot actually thickens and progressively reveals the real stakes at play here (or more correctly the machinations), the main crux of the film is how this affects the relationship between Chris and Lee, not only as colleagues but as genuine friends, as both events from the past and future treathen this too, especially due to dangerous cocktail of Chris’s deteriorating memory, its involvement in many secret operations and its questioning of those in his old age…

It’s honestly an amazing film, starts off a bit slow but the pay off is immense, as it manages to be incredibly funny, the comedy fairly brutal, not pulling any punch on the sensitive themes (and political period of yore) it tackles, but also able to deliver devasting emotional blows as well as many quotable lines, and everyone is on top of their game (even if Tom Waits is being progressively “Nick Nolte’d” the more he continues to appear in movies).

Highly recommended.

[EXPRESSO] Licorice Pizza (2021) | Arcadia Of Our Youth

About damn time.

I wondered if it was even worth making this review, as i’m not here to be contrarian for the sake of it, i love P.T. Anderson works, and this one it’s no exception.

What are you reading now it’s essentially just to tally up the word count, not that you can give a well deserved anylisis of a movie like Licorice Pizza in 300 word or less.

The short version: absolutely recommended, without a doubt in my heart, excellent work, might even be a new masterpiece. GO SEE IT NOW.

Soldiering on with the “facade”, it’s very typical in many ways for the director: the San Fernando Valley circa mid-1970s’ scenario, the ensemble cast, etc.

And compared to his previous movie, The Phantom Thread, Licorice Pizza goes for a much simpler set up, as in a coming of age love story, girls meets boy, but aside from the shared trait of the notable age gap between the two, this stands as a complete opposite, as love it’s not sweet poison laced prison of the desire, but it’s the youthful, energic love of life itself.

Of course there is more to the plot than “girl meets boy, they fall in love”, as the high school aged boy, Gary Valentine, it’s actually a very young actor meet this far older girl, Alana Kane, with the two forming a strong friendship, to the point she becomes involved with Gary’s new water bed selling business, among other odd adventures.

It also confirms P.T. Anderson ability to craft a very different movie than its usual output, going for a very energetic, loving, positive tale of youth and love that packs a lot of laughs, incredible writing, excellent performances, while also not compromising on the director’s vision, style or substance for that matter.