[EXPRESSO] Toy Story 5 (2026) | Adeptus Ludicrumicus

I’ll skip the spiel about the increasingly pointlessness of the series’ messages as just Toy Story 4 existing made clear there’s no “growing out” of Pixar’s most profitable long-time franchise, there’s no letting go while we make this much money.

Actually, no, since there’s this implied sense of resignation about the idea of growing up that permeates Toy Story , as Bonnie is basically the same age as she was in TS4 (released in 2019), the movie just acknowledges smart devices and social networks, but it also glosses over much of the ramifications of these with wanton, lazy optimism; “ the technological divide will work itself how somehow, whatevs”, the movie seems to say.

Also, the way which some characters like Woody return basically retroactively invalidate previous resolutions, they are back for nostalgia’s sake, and this isn’t clearly about keeping in touch with the child inside, but an implied capitulation to the nurturing of an “eternal manchild within” that can never stop (or wanna stop) buying the same old toys.

But most of you already knew that, and despite all of the above, i have to say this is at least better than Toy Story 4, it has bit more of a reason to exist since the plot is about the toys having to content with generations raised on smart devices, with Bonnie pressured to conform in order to make friends of her age, which results in the parent buying them a kids tablet, a “Lilypad”.

All things considered, it’s a decent movie in itself, the animation is great as always, and the highlight is indeed the army of Buzz Lightyears (alongside the “dream sequences”), but even that feels kinda random, like they had the idea and kinda crammed it because they already had the marketing lean heavily into that.

[EXPRESSO] Onward (2020) | Dad Quest

Onward 2020 poster.jpg

Yeah, due to the COVID-19 lockdown, this was delayed… until theathers reopened yesterday in Italy, pretty much. For U.S. moviegoers, this will old hat, as the movie debutted there in march, but eh, what you gonna do?

After the fun but kinda pointless rethread of Toy Story 4, Pixar here treats us to a story about two brothers in a quest for an artifact to make their deceased father exist – completely, that is – for one more day, all set in a fantasy suburbia world of elfs, cyclops, goblins, station wagons, smarthphones and convenience stores, as technology advanced and made magic basically obselete over the millennia. Yes, still a better modernized fantasy world than Bright, let’s just get that out right away.

And there’s a token minor LGBT character (a cyclops cop), so token it’s made so by a single line, not bad or offensive, the character isn’t completely pointless to the plot, to be fair, it’s just….yeah, nothing to really brag about, given it’s ancillary status, but Pixar needed some social media icons for Pride Month, so…

That aside, it’s good mix of family drama and road movie, with some fun characters design, likeable characters (even if it’s another tale of getting over feelings of inadequacies, this time exploring brothers and fathers relationship), funny spins on fantasy and GDR clichès leading to some pretty good visual jokes, pacing is perfect, the moral becomes obvious but still feels earned (and the lesson at the end actually gels together with the themes), there’s even some action with swords and dragons and stuff.

Definitely a step up from Toy Story 4, and better than one would reasonably expect from Dan Scanlon, who previously directed that Cars supernatural-ish spin-off short…. and Monster University (the only review i still regret writing). Good one.

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[EXPRESSO] Toy Story 4 (2019) | Stories Of Old

Toy Story 4 2019 cover poster.jpg

Let’s get the obvious out right away: Toy Story 4 didn’t need to exist, especially with the perfect closure given by the third one. And we didn’t expect “The Toys Room” quality, we didn’t.

The plot this time centers around Debbie, the little girl that Andy gifted his old toys to at the end Of Toy Story 3 (which was 10 years ago), anxious about going to the kindergarden, and on the first day (with the help of an apprehensive Woody) she makes a toy out of a plastic fork and craft materials, naming him Forky, and basically bestowing sentience and life unto it. Forky is confused by being alive, a toy, and he keeps trying to hurl himself in the bin, from which he literally came.

Woody, who is feeling pretty useless and forgotten, continuously undoes the endless “suicide” attemps of the newborn toy, and wants Forky to understand how important he is for Debbie, etc. But things get a bit hairy when the family goes on a road trip, and Woody encounters an old acquaintance, meeting new, weird toys….

You know what, this is quite good in itself, with funny new characters (including a canadian Evil Kenivel knock-off toy), some interesting resolutions for Woody, the animation is top notch as you’d expect…. but it feels like there is just so much you can do with this idea, the writers are trying to keep it interesting, but it retreads more old ground than expected (Woody’s character arc, in particular), some jokes are hammered in the viewer a bit too much, and the new songs… kinda meh.

It’s good, as you’d expect, but this fourth installment just feel unnecessary and doesn’t add much to the series. Still worth seeing, without a doubt, but i worry about the future of the franchise. Mh.

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