[EXPRESSO] Dampyr (2022) | Bonelli: The Masquerade

While i made clear i was very familiar with Dylan Dog’s source material in the review of Dylan Dog Dead Of Night, i can say quite the opposite for this new adaptation of an italian comic book series distribuited by Bonelli Editore, Dampyr, debutting at this year’s Lucca Comics & Games with renewed aspirations of a Bonelli MCU-thing.

So if you were looking for an in-depth review from a fan of the series, i’m not the guy this time, even if the situation it’s convenient for the sake of a more unbiased piece.

Set in the war torn Balkans during the early 1990s, Dampyr it’s about Harlan, a guy that manages to survive by posing as a dhampir (a half-human half-vampire hybrid in slavic folklore) for superstitious small villages, but it ends up dragged into the war as a unit of soldiers is attacked by vampires and Halan is brought there to help as a last resort. Little does he know he IS an actual dhampir, and the horrible dreams he constantly has are hints to his actual origins…

The vampire lore isn’t anything amazing but ain’t totally copy and pasted either, it has some inventions of its own (you can tell this was based on a comic book, regardless), acting by the international cast it’s fairly decent, the war-torn Balkans are a nicely bleak setting, production values aren’t shabby at all, the movie it’s definitely more than just “presentable”.

Overall, Dampyr it’s a fun, quite decent film, fairly entertaining but not much more, especially with some very cliched turns the story takes and the ouvert sequelbaiting. And the slightly confusing fact that two important characters basically look almost identical, like gothic vampire armored Alan Rickmans (or italian singer Renato Zero, for the “homies”) despite being played by different actors.

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