[EXPRESSO] Ballerina (2025) | Eve Of Destruction

Ah, yes, Ballerina, the long delayed John Wick spin-off… as in the film one, and i guess the only one people cared about, since i’m not even sure many bothered to watch The Continental, the Peacock/Amazon series also a part of the John Wick world-lore-universe, and to my understanding not many that did saw the series liked it. I didn’t bother, honestly even forgot it existed.

Ballerina follows the revenge tale of a young girl, Eva Makarro, whom, after seeing her father being killed by assassins belonging to a sect of sorts, is taken in by the Ruska Roma assassin order, and over a decade is trained into being a perfect assassin (alongside spy and ballerina), especially one meant to act as bodyguards if need be, until she eventually is promoted as a full fledged operative.

One day, after completing a job, Eva is attacked by a man bearing the same scar mark she saw on the sect men that killed her father, so she starts investigating on them, despite being advised not to by every important figure, which puts Eva as a rogue agent that threatens the fragile “peace” between the various assassin orders and the sect, prompting eventually to call upon her the “Baba Yaga”, Joh Wick himself…

Not too original, as expected, but honestly i did enjoy this more than John Wick 4, as it strikes a better balance between the straightforward revenge plot beats, the over the top yet not 100 % detatched from reality style of violent action and the whole comic-book style worldbuilding.

Ballerina definitely understands the appeal and what works of the John Wick formula, manages to expand the lore a bit while also not overusing John Wick itself, even though it takes a bit for the movie to get fully into gear.

[EXPRESSO] The French Dispatch (2021) | Tales From Ennui-sur-Blasè

Yes, i was quite excited when this was announced, i love me some Wes Anderson, especially when he’s doing stopmotion animation, but the live action casts for his movies have everyone in them, so i’m willing to “overlook” the issue time, though i’m not entirely sure about William Dafoe not being made out of clay to some degree.

After his japanese themed envorimental tale of samurai dogs, this time we’re dealing with a story about the world of journalism, as an anthology of stories adapted from the fictional “The French Dispatch Magazine”, here presented as a “real” side column to the Kansas-based paper “The Evening Sun”, originally conceived for travel logs and such but eventually got big and based itself in the little french town of “ Ennui-sur-blasè”, attracting the best journalists from all over the globe.

All framed as the newspaper founder dies and by his will the French Dispatch itself will close, with the writers and staff selecting the best stories for the last issue of the magazine itself, ranging to a student protest to a romance between a psychotic prisoned artist and his warden.

As you can guess, expect and tell, this sound indeed like an ensemble cast for a huge “vignette variety hour” on the subject of journalism, promising all the zany quirks of Wes Anderson’s eccentric directing and writing style… and sure as hell you’re not gonna change opinion on his works with The French Dispatch, which plays to all the strenghts and flaws of Wes Anderson with even more vigor than before, for best or worst.

Personally i loved it, but i think it’s fair to say it could have been better.

Especially since we have reasons to expect a lot.

Even so, at the very worst it’s good, so i do recommend it.