Sssssss! AKA Kobra (1973) [REVIEW] #snakesofjunetoo

Often retitled as Kobra because of its deliciously stupid – and super campy – original title of Ssssss!, this is one of the many killer animals/nature gets revengeance of the early 70s… or is it?

Remember, despite it predating Jaws, killer animal movies did exist, i mean, look at the often brought up Frogs, released a year before, so it would be fairly logical to assume Ssssss is just another one of these that just happened to release before Spielberg’s shark opus made it trendy, profitable and popular, doing it before “it became cool to”.

And yet, Ssssss is not really that, but more of a 50s movie done in the 70s, and is about a college student, David, working as lab assistant to a mad doctor that is working on a serum that can turn people into snakes. David also begins to fall in love with the scientist’s daughter, but the good doctor plans to test the serum on the boy, stupid enough to work for someone that unironically, legitimately is called Dr. Stoner.

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[EXPRESSO] Hatching (2022) | My very own Birdperson

I said it before, many other fellow reviewers said it before, and indeed it’s a great year for horror films. This Finnish body horror thriller being no exception.

The trailer felt a little too honest and overly spoilerish, but it’s actually not, as it doesn’t revolve about a drawn out reveal of the creature, since it shows you fairly quick how it came to be and how it looks. It’s just the bait, so to speak.

The plot concerns a young girl that trains hard as a gymnast to make her monstruosly demanding mother happy, but one day feels bad for a bird that enter their house, made a mess, and was almost killed by her mother, as she later founds the bird isn’t dead yet, forcing her to tearfully finish it.

To placate her guilt she decides to take care of the egg the dying bird crawled back to, only to be surprised at the creature that eventually emerges and she seems to share a psychic bond with…

Aside from the creature being a stunning delight of horror with excellent effects, there’s plenty of outright disgusting moments, and a character that actually one ups the creature in the “monster” factor, the girl’s mother, what a gloriously despicable, narcissistic, commanding, guilt tripping abomination of a human being that you really want to see killed.

And the movie isn’t afraid to go to some heavy scenarios that reinforce the family (mostly the mother) as more than “typically disfunctional”, feeding into the manifest but effective and heavy themes explored, the fairly reinforced symbolic parallels, but the narrative actually develops in an interesting way, the characters are quite good and there’s plenty of that nordic horror stylical furnishings and love for pulling no punches.

Great feature-lenght debut for director Hanna Bergholm.

[EXPRESSO] Crimes Of The Future (2022) | Biomeat: Flesh Nectar

David Cronenberg is back on the big screen with a… remake of his early film Crimes Of The Future. “Remake” in name only, as it just shares the cyberpunk setting, his passion for the pleasures of mutated flesh, and the idea of a future where human bodies can create new organs (often without apparent function), alongside a new kind of sexual perversity steeped in medical science.

That aside, it’s pretty much its own thing, fully befitting the style of directing Cronenberg would master later, but instead of a pederast ring obsessed with perverse secretions and strange malodies, the plot here focuses on the aspect of the human body spontaneously producing new, strange and wonderful organs, to the point surgery has been repursosed as a method of performance art, encouraged by an unexplicable disappearing of pain and sicknesses for the human race as a whole…

The movie follows two world famed “body artists” Saul Tenser (Viggo Mortensen) and his assistant Caprice (Lea Seydoux) as they perform artistical surgery sessions by removing the new tumoral organs that keep growing in Saul’s body, but the duo it’s approached by a weird goverment wing that wants to establish a legal, official list of the new organs, and a father that’s willing to give the body of his dead son so the duo can perform a public autopsy on him..

While one might argue that Cronenberg here is revisiting an old cyberpunk concept two decades later…. i’d say the premise still feels intriguing and novel, and because cyberpunk itself has aged into almost irrilevancy and hasn’t moved forward… this doesn’t feel as dated as it could.

Despite that and suffering from some abrupt sequences, it’s still quality Cronenberg, not him as its best, but good stuff, overall, even if this future feels less so today.

[EXPRESSO] Dos (2021) | Flesh Sewn Shut

Browsing Netflix new releases and this caught my eyes, i mean, the simple title made me curious and i’m always in when it’s a spanish horror thriller about two complete strangers waking up to found themselves literally sewn together and placed into a room.

It’s not human-to-walrus surgery, but i will indulge regardless, it’s also fairly short, clocking just above 60 minutes (plus credits), quite surprising some other bloated films Netflix has as exclusives.

It has definitely an arthouse feel (the finale with the title reveal it’s really indicative of director Mar Taragona’s ambition), but the bold decision to compact it all in a shorter runtime pays off in spades, both for impact and in cutting out the fat from the narrative.

The main mystery keeping the story going is the identity of the culprit, and of course the purpose of joining together two people by literally sewning their flesh together, which is ultimately not the Saw-esque random ass gruesome torturer with a deviant penchant for justice and retribution you might think it’s gonna be revealed. It’s not that… exactly, and it’s a shame because the script never properly explore the themes it tackles, nor manages to fully utilize the isolated setting and premise, going for an arthouse ending, with some impact but ultimately not that satisfactory.

A shame since the movie is already intriguing before that, with plenty of questions and the grisly circumstances, while the two are trying to make sense of the really uncomfortable – even more since they’re butt naked – situation they’re in, leading to some good drama and time spent with this likeable and relatable “surprise duo”.

Shame it hasn’t much depth to it as it clearly wanted, (i’d guess it was originally meant to be a lot longer), but it’s a decent watch.