[EXPRESSO] Nuremberg (2025) | Nazi Turnabout

A historical court drama about the behind the scenes of the Nuremberg trails, where the surving architects of the Nazi regime are put on trial for crimes against humanity for the Holocaust.

An army psychiatrist, Douglas Kelley (Rami Malek), is tasked with looking after the mental well being of Hermann Goering (Russell Crowe), Hitler’s second in command, alongside the other surviving Nazi hierarchs, while the Allies investigates and discuss why this trial should be even done in the first place.

Kelley, also hoping to write a book about the vents (and in turn maybe understand the psychological proceeding that led the Nazis to previously unseen amount of efficient evil), forms a bond with Goering…

While one might argue this comes at the right time, when we’re seeing history on the verge of repeating again (for the worse), one might say it’s a bit too little and that maybe, given the current geopolitical state, we should have skipped the trial, but this just isn’t that kind of film.

This is an old fashion history drama that’s fairly unpretentious and uninterested in being artsy or provocative, as it mostly wants to educate people while entertaining them, and basically exists as a vehicle for actors to try and get an Oscar out of it.

Not necessarily “bad bait” when it gives us a really outstanding performance by Crowe as the charimastic yet subtly manipulative Goering, as he and Kelley have this “Hannibal-Lecter-Graham” style relationship going on, though Malek’s performance (while not necessarily bad) just isn’t as good as Crowe’s, and oddly the sequences at the stand are kinda brief, despite the build up to them.

That said, it also goes by swimmingly, despite it’s 2 hours and 40 minutes runtime, so it’s good, even if old fashioned, but not necessarily lesser for it.

Final Verdict: Expresso

[EXPRESSO] The Zone Of Interest (2023) | Heil Honey I’m Home

Jonathan Glazer’s film about the Holocaust won the Oscar for best screenplay, that much is true, but given El Conde received a similar nomination at last year’s Venice Film Festival, i wasn’t really sold on the movie because of that, but regardless i finally managed to catch a screening.

And this honestly surpassed my expectations.

Loosely based on the novel of the same name by Martin Amis (itself based partially on real events), The Zone Of Interest is about the life of Auschwitz SS commander Rudolf Hoss and his family, as they live in a home in the titular “zone of interest” that places them meters away from the concentration camp itself, so close that you can see prisoners go in and out the camp to do chores, and hear the many atrocities committed there.

The plot focuses on the Hoss family life and the drama that Rudolf having to move to another outpost causes them, while they fully believe the Nazi creed through and through, all to further enunciate the abhorrent reality of the concentration camps and the Nazi war machine while we never even move outside of their house, let alone enter Auschwitz.

And this slice of life apporeach it’s indeed perfect to fully expose the “banality of evil” at the heart of it, it’s a glacial remind there’s no need to shock people when its far worse to remind us the Holocaust wasn’t run by a small gaggle of evil demon warlords alone, but was also accepted by regular people, and reminded that it was also run by capitalism as everything else, with architects calmly discussing with Rudolf Hoss the plans of how to costruct the more efficient, cost-saving method of massacre, while his wife idly chats over tea with her friends in another room.

Noteworthy indeed.