Spielberg is back after last year’s excellent remake of West Side Story with The Fablemans, a romanticized semi-biographic retelling of his upbringing, especially the Arizona period of his childhood, following Sammy Fabelman, a boy that grew in a post-WWII jewish family and developed a deep love for cinema thanks to his mother.

He then further seeks refuge in cinema and making it after learning a shocking family secret, finding in the seventh art a way to process the uncomfortable truth he stumbled upon, alongside the many challenges he faces growing up, also due to his specific religious upbringing.

To state the obvious and to corroborate what Spielberg already explained in a very small pre-movie introduction, it is and indeed feels like the director’s most personal film yet about family and cinema, this kind of insight could have been autogenerated more than written.

What’s more important is that you easily kinda forget this is a semi-fictional story about Spielberg’s own childhoood and how his love for cinema blossomed, because you quickly become invested in the troubles of the Fablemans as a whole, the characters are that good indeed, the cast (which also includes David Lynch in a fantastic small role) it’s amazing, the themes are dealt with maturity, realism, the drama and comedy perfectly balance out each other, etc

I could use some more trite expressions, but i prefer to just go straight to the point with this one: it’s really, really good, exactly what you’d expect (in the positive sense) from the celebrated director, just Spielberg knockin it out of the park again, proving – if proof was needed to begin with – that he has more than “still got it” and that 2021’s West Side Story wasn’t a fluke.

Just go see it, even in a law abiding fashion.