[EXPRESSO] Speak No Evil (2024) | Discord The Demon Not

Sadly i was not able to see the 2022 Danish original before this one arrived in theathres, figures we don’t get that but the Blumhouse produced american remake , and with a trailer that basically gave everything away. So due to my circumstances, i will have to judge the movie on its own, assuming the original was most likely better. At least i paid less than 4 bucks for the ticket.

(seriously, we still doing these fucking American remakes of foreign horror films?)

The premise see a London dwelling American family vacationing in Italy bond with a british one (also with a kid that has problems), later accepting the british family invitation at their house for a weekend in the English countryside.

Things… are what they seem, trailer aside, you can tell there’s something weird with these people, with red flags more and more blatant, as the movie deliberately stretches credibility hard, of how stupid can these people get in spite of so many “heavy hints”.

All obviously to comment on how we bend ourselves to avoid conflict, about the overimportance given to manners over values. which is ironic because when the mask falls off and the british family goes full blown psycho, it makes like all the charade before kinda pointless, because it led exactly to what you’d expect, to something like The Strangers, but without having any twist, not doing anything clever with it, nor doing anything graphic at all, and overexplaining itself too many times.

There’s basically no scares because of these, but thanks to some strong performances, especially James McAvoy’s that basically salvages the whole thing, and a competent direction by James Watkins (The Lady In Black, Eden Lake),.it’s somehow just mediocre, if it didn’t have those it would crumble in complete subpar, untintentionally hilarious farce.

[EXPRESSO] C’Mon C’Mon (2021) | Kids Know

I’m not familiar with Mike Mill as a film director, but it’s shot in black and white, it stars Joaquin Phoenix? Indeed, quite the easy prey we can be.

Though, “prey” it’s honestly unfair. It’s a movie with ambition and that wants to investigate upon important themes like parenthood, family dysfunctions and all those entangle, from the constant struggle it require to the its “failings” and how it affects the children in return.

The premise for this is set as Johnny, a radio journalist famous for his interviews and documentaries, goes on a tour of the United States asking kids from varying cities and background about themselves, their fears and hopes, their outlook on the future, etc etc.

One day he gets asked from his sister to take care of his nephew Jessie for a few days, as she has to help her husband to deal with his recent bout of mental illness, so Johnny takes Jessie with him on his work days, and the two form a very special bond.

There’s the familiar dynamic of “not that mature adults with way too mature kids”, and the themes aren’t exactly unimportant, but honestly the films feels way too ponderous on the fact that “kids are people too”, and the way this dynamic works in here feels kinda contradictory in terms of responsability and parenthood, as the adult has never enough pulse to practice some of its own teachings, as Jessie never shuts up or its reprimended, but he’s overindulged even over the smallest, tiniest misunderstanding regardless.Even if it’s arguably less educative. Ops.

I don’t think this is a bad movie, but it’s a bit too cerebral, too fictitious at heart for its own sake, and bit boring at times, but its held together – despite these issues – by Joaquin Phoenix’s performance.