[EXPRESSO] Primavera (2025) | Stabat Mater

Based on the novel Stabat Mater by Tiziano Scarpa, Primavera (lit. Spring) brings up back to early 18th centhury Venice, where the protagonist, Cecilia, is raised as an orphan taken into the convent-orphanage-music school istititution Pio Ospedale Della Pietà, alongside many other young girls given in custody of the orphanage or simply abandoned there.

Cecilia, now 20 yo, has been living there since infancy, writes letters for her unknown mother, and performs alongside the other girls, trained as orchestra ensembles for the pleasure of wealthy benefactors, but Cecilia love for music is doomed since she’s already been given into marriage to a general, in exchange for generous donations to the convent-orphanage.

Then an aging and ill Antonio Vivaldi comes back to teach at the Ospedale Della Pietà, and he notices Cecilia’s talent, wants to nurture it, in spite of her knowing her musical “career” will end once the Venetian-Ottoman Wars conclude and her promised groom comes back to marry her.

An Italian-French co-production, Primavera is a stark period piece tale of female liberation in a place where religious values come optional to currying favor with the elites in exchange for money, be it in providing brides to nobilmen, compete in audience with other religious-philantrophic, the girls are nothing more than bargaining chips, trained prisoners bound to be sold off one way or another, a film willing to confront the facts that “art” itself can’t magically save, redeem or bend reality’s injustices, yet because of that is also a necessity.

All sustained by terrific acting, and while some might be let down by the fact Vivaldi isn’t the protagonist…. this isn’t his story, is Cecilia’s, and after all, the film doesn’t sugarcoat how Vivaldi himself was treated like shit in life and became famous only a centhury after his death.

Recommended.

[EXPRESSO] Immaculate (2024) | Mary on a cross

I’ll be honest, i kinda forgot this was even gonna be released here, i guess that counts as a “surprise” summer horror release, something to watch before M. Night’s Trap comes out in August, it’s another religious themed horror film, as in it’s about nuns without guns and catholicism and such.

This one is about a young religious woman that moves from Detroit to a rural convent Italy in order to take the votes and become a nun, Cecilia, and is welcomed quite warmly. A bit too warmly, she sees some weird stuff, then she becomes miracolously pregnant (it’s called “immaculate”, it’s not really a spoiler), and then things becomes even weirder and more suspicious, as dark secrets arise and all the hubba you can honestly predict from a movie like this.

So, the short version is that this is – by accident or not, i’ll let you pick because it doesn’t actually matter too much in the end – a lesser version of the Omen prequel that released last year, The First Omen, but this actually amounts to a decent flick, in spite of the aforementioned “similarities” and overall predictable ensemble of situations, events, reveals and twists, even when they’re not pulled straight from the Omen series. Characters fair about as much, with the doe eyed soon-to-be-nun, the strange mother superiors, the crazy old nuns that reside there as the place there is kind of a hospice..

By and large, the concoction here should be just mediocre, professionally shot and produced, but all already been done (and then done again some more) and better, yet the reveal is kinda interesting in the variation/spin it does, there are some decent-to-good practical gore effects, and overall the execution elevates it to being decent, with some extra points for the ballsy ending.