[EXPRESSO] Babylon (2022) | The Jazz Orgies Of Caligula

Didn’t Square Enix and Platinum Games already did th- nope, this isn’t that kind of “Babylon” (which will die at the end of this February, btw, look forward for a review of that).

This is a spanking brand new – well, kinda, it came out at the very end of last year and we’re getting it here just now – movie from Damien Chazelle (La La Land, Whiplash), about the transitional period of cinema during the late ’20s, when the industry moved from silent to sounds films, and the movie depicts the rise and fall of actors, producers and cinematic figures during this time, gleefully showing – with a scope befitting the title – the grandeur and decadence that preceed the “fall” of the old ways cinema had been made, imagined and immortalized.

Excess is the keyword and Babylon revels in it, christen its offspring, before flinging it to the jester dwarf man jousting an inflatable cock as to entertain the coked up orgy attendees, like we’re watching 1920’s cinema-themed scenes from Tinto Brass’ Caligula, though regardless in the first 10 minutes you see golden showers and a bountiful anal evacuation from the costipated party elephant.

You are not gonna hear me complain about the obvious debauched exploitation style direction and contents Damien Chazelle went for, we had more clean or fantastical retellings of period pieces about cinema& its making-of, so we definitely can have a comedy-drama like this that – while also having a cornucopia of big name actors – embraces the medium and its many excesses in a unfiltered fashion, and is able to deliver a lot of laughs, excellent cinematography, incredibly entertaining over-the-top scenes, but also some hearfelt exchanges and touch upon heavy themes.

And never feel tiresome despite the mammoth sized 3 hours runtime.

Loved it!

[EXPRESSO] Studio 666 (2022) | Dave Grohl Made Me Do It

No, this is not a Jojo reference, nor its one of those weird hybrid music video-concert films (see for example Metallica’s Through The Never), this a full on fictionalized affair, and one i’ve been looking forward to since it was announced. Sure, rock and metal superstar bands aren’t new to cinematic experiences about their personas, but the pitch-premise of a comedy horror starring Dave Ghrol and his bandmates as themselves it’s so good it’s hard to ignore.

As the band Foo Fighters it’s struggling to come up with ideas for its tenth studio album, they get recommended a secluded house in Encino, California, where in the 70s a band called Dream Widow went to record an album, ending with the frontman massacring all the band members before killing himself. The band settles in despite the creepy vibes they pick up from the house, but things get progressively out of hand, leading to Dave Grohl being possessed by a demon. Among other things.

It’s a good dang premise, and thankfully the script and direction are up to snuff to make the most of the pitch, having a zany time with horror cliches and the expected “behind the music” stuff, with the band proving to be very good sports in this delightfully ridiculous comedy horror romp, especially Dave Grohl overacting like a champ as he grows progressively more obsessed once he manages to “magically” get over his artistic block.

Yeah, it’s pretty funny, there’s more to the story than expect, and Studio 666 isn’t afraid to be extra cheesy and honestly it’s kinda surprising that the effects are very good, but besides that, i’ve seen horror movies that try to take themselves seriously but ultimately wish they could pull off even half-successfully a random jumpscare this movie uses as a joke.

Recommended!