[EXPRESSO] Eternals (2021) | Creators – The Past USA

I’m tired. The fatigue is back, and we have barely started with “Phase 4”.

Maybe it was inevitable, but we’re without a doubt at the point where the benefits of having this MCU thing in place don’t properly outweight the drawbacks, more a creative cage than anything.

And i will say this: at least Shang-Chi had a story with a conclusion, this one leans too much into being more of a set up to a sequel than its own thing.

This time we have the titular Eternals, basically immortal alien gods that came to Earth 7000 years ago but conveniently were told not to interfere with any conflicts that didn’t involve the “Deviants”, the Eternals’ evil – and of course – monstrous looking ancenstral counterparts.

And through social media we learned of a certain spoiler, one that sounded like a fake pre-emptive shitpost to create buzz for a Marvel license most people didn’t really knew well. It wasn’t.

Chloe Zhao of Nomadland fame directs and writes, the cast its great, the usual Marvel tiny concessions to appear diverse and inclusive more than they actually are… there as usual, same for the various issues stemming from the assembly line formula that this one tries a bit to shake off.

The big problem is the characters, as they don’t have any chemistry, despite being built as a “family” ensemble that have known each other for literally thousands of years… they seem to have just met on the set, with some top billed actors sleepwalking it big time, not helped by the unfocused narration, huge exposition loads, and the script just kinda assuming i know and already care about these characters that are kinda obscure for most viewers. Me included.

Overall, Eternals it’s alright, at least better and more interesting than Shang Chi.

[EXPRESSO] 1917 (2019) | Trench-A-Live

1917 2019 poster.jpg

The director of American Beauty and Revolutionary Road (also behind the last two Bond films, which i simply didn’t see) is back to the war epic 25 years after it’s own Jarhead, so yeah, it’s quite understandable all the buzz and expectations surrounding it, but i gotta be honest, i wasn’t exactly hyped, since the self-explanatory title tells you right away it’s set in WWI, but still, a more interesting proposal than going back to WWII (or Vietnam) again.

Set at the zenith of WWI, the film centers on two british soldiers stationed in northern France, Schofield and Blake, tasked to deliver an order from HQ, which tells of an upcoming surprise attack planned by the retreating German army. With thousands of lives on the line, the two must race through the hostile Western Front to call off the attack, and for Blake is personal, as his brother is in the squadron they’re trying to save.

Like you’ve probably heard by now, the movie is shot in a faux one-take, as to create a seamless single and constant feed over the lonesome journey through the Western Front, to emphasizes the urgency and stakes for everyone involved, capture the atmosphere of the desolated wastelands of the trenches as the character themselves wade through the dismal sceneries and confront the realities of the conflict, despite their task being oblique and minor in the grand scheme of things.

And yes, it works beautifully, making for an intense and captivating experience that doesn’t just rely on a “trick”, as the events and characters are intriguing themselves, making for good drama that is enhanced by the amazing camerawork and directorion, as is the terrific cinematography, the movie is worth seeing on the big screen just for that. Not for Cumberbatch, as he’s barely in the movie.

 

 

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