A*P*E (1976) [REVIEW] | Flipping Kongs

Sure, Konga wasn’t great, and earlier this year we also spotlighted another King Kong rip-off, the italo-canadian Yeti: The Giant Of The 20th Centhury, which indeed is worthy of being called “craptacular”, as in it’s really bad but also frigging hilarious and with some odd innocence for italian exploitation cinema. Even if there’s a crime thriller subplot that almost kills off Lassie.

But we can go lower down the cinema alphabet, and for theatrically released feature lenght movies about giant apes, you can hardly go lower than the american-south korean A*P*E*, quickly put out to cash-in this wave of Kongsploitation, as it released the same year of the Dino DeLaurentis backed remake, with 3D effects because if we’re gonna do this, might as well make it gimmicky.

Yeah, i’m doing this one because i feel more people are at least aware of The Mighty Peaking Man, also made to cash-in the popularity of the 1976 DeLaurentis’ King Kong remake, but far better than most Kong rip-offs, definitely far better than A*P*E*.

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Yeti: The Giant Of The 20th Centhury (1977) [REVIEW] | Italo Disco King Of The Kong

It’s still january, it’s still cold as hell (proper Dante Alighieri hell), so it’s time to shovel up and unearth a yeti movie from the motherland, with the forgotten Yeti: Il Gigante Del 20° Secolo from director Gianfranco Parolini (credited as Frank Kramer), often called just “Yeti”, “Big Foot” (yeah, that helps a lot, thanks) or with a direct – and accurate – translation of the title in english, as Yeti: The Giant Of The 20th Centhury,

Italian-canadian kaiju yeti-xploitation, can’t go wrong with that!

Yeah, digging this gem out to also celebrate the new trailer for Godzilla VS King Kong !

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