[EXPRESSO] Never Let Go (2024) | Always sometimes monsters

After the flood crocodile horror bout of Crawl, Alexandre Aja returns with a new horror thriller, Never Let Go, a supernatural tale with a folkish horror bent that feels a little Bird Box and a bit of The Watchers, as it tells the tale of a family of three living deep in the woods, with the mother and children leaving the safe haven of their blessed home only with a rope tying them to the house, so that “the evil can’t get them”, as the mother -often seeing monstruous creatures lurking upon them – tells her sons.

As we learn more of the daily rituals and customs the family performs in order to survive deep in the woods, we start to wonder if this is just the extreme result of the mother being mentally ill or hallucinating after a trauma, alongside the younger brother, whom once stayed outside the house ropeless and never felt or saw the “evil”.

And it would have benefitted the movie if continued the mystery or opted for a different resolution, because the drama is intriguing, you wanna see where exactly this situation can lead as it becomes clearer this is most certainly the horrible and unwanted outcome borne out of motherly love and schizophrenic degrade.. but then in the final act the script retires to the obvious and expected “countertwist” we have seen coming and wished it didn’t do, kinda writing itself into a corner where it either that or feeling like the movie is “throwing away” its entire set up.

It’s a shame because the final act basically makes Never Let Go slide from “quite good” to “quite decent”, the performances and direction are great but the final nosediving into cliched territory, with a banal ending too… it’s quite frustrating.

Still worth checking out.

[EXPRESSO] Moonfall (2022) | Moon Machine Tentacles

Roland Emmerich is back again to deliver the kind of movie he’s definitely good at: the popcorn munching big dumb ass disaster flick. And i kinda mean that as a compliment, as he specializes in this type of cinema cheese, definitely its wheelhouse, and this is pristine Roland Emmerich all the way through.

It’s that special type of dumb and insane that i find hard to dislike, i mean, this is a movie that opens with astronauts debating the lyrics of Africa by Toto, that really sets the tone perfectly for the rest of the plot, which is fairly insane, as it concerns the moon…. randomly getting out of its orbit, then moving faster towards Earth.

Not to give away the rest of the plot (and there plenty of insane shit that happens in the last act), but basically the Moon it’s not the satellite we always though it was, but a kind of mega-structure of sorts built for some purpose by someone. We know that because there’s a conspiracy theorist dude (of course there is one, it’s an Emmerich movie) that figures out the orbital displacement will happen before the NASA does, and he ends up helping an astronaut that was defamed a decade ago for an “incident” that happened near the Moon’s orbit.

And i mean it when i say it’s definitely more insane than you think it would be, Emmerich really outdid himself, while also delivering a lovable kind of so bad it’s good type of writing, it’s nonsensincal and not good but honestly i was hugely entertained all the way through, the plot wasn’t really predictable as you would think, and the disaster spectacle was on point and abundant.

A lot of stupid, lovable, sincere insane fun that undeniably accomplishes all it sets out to do/be.