[EXPRESSO] Sinners (2025) | From Blues Till Dawn

There are movies that are best enjoyed by going in “cold”, by i don’t know if Sinners is one of those, as i can imagine people being confused if they were not aware of From Dusk Until Dawn having been a thing for a couple of decades (alongside some sequels i keep forgetting exist).

Because it is that, but done less as a deliberately disjointed surprise jump in tone, direction and subject matter, as it made to feed into the themes of freedom, black heritage and racial tensions, with the first half being a thriller drama set in 30s America, where a couple of brothers in the crime business, Smoke and Stack, go back to their town in Mississippi, in order to try and make some cash by setting up a juke joint, and they involve their cousin, a budding bluesman dubbed “Preacher Boy”.

The second half is them being stalked and having to survive when vampires surround the juke joint at night, and yes, its indeed doing a “From Dusk Until Dawn”, turning things straight into horror territory, with pretty good effects too and some very nice musical bits, lots of carnage, really good acting as always, especially Michael B. Jordan as both “Smokestack” brothers.

I respect it’s ambition and willing to do some out there shit (like the “future and past” visions of blues music), but the editing at times is frustrating, it kinda keeps going even after what would have been a good time to end the movie… twice, which is partially due to close up some subplots.

At times it’s a bit too much and it’s a miracle it works so well instead of being the utter mess it sounds-could have been like, but it is still well done, bold and stylish, i do recommend it.

[EXPRESSO] The Batman (2022) | Nigma Notions

After fighting the dreaded villain known as COVID19-Man, Batman is back to the silver screen, now being played by Robert Pattinson in what it’s essentially another “reboot” of sorts, since the plot of The Batman goes back to basics, depicting the reasons why millionarie Bruce Wayne uses his wealth to moonlight as the masked vigilante of the “Batman”, his encounter with Selina Kyle (aka Catwoman), and has him face the villain known as The Riddler.

The main difference is that this time Bruce Wayne’s past (including e his legacy as a Wayne) plays a bigger role, as we were lead to think by the trailers and promo materials, but thankfully this re-establishes the character without being an origin story, and depicts Batman as a more tragic and frail force of justice, as now his family’s legacy comes into play into the corrupt nature of Gotham itself.

The good: Gotham’s depiction is amazing, the brooding and even more dark tone is perfect, the mood overall it’s great and matches the more grounded approach (which of course reminds one of Nolan’s work on the caped crusader), the cast is stellar and giving out great performances, with Pattinson making for a really convincing and more obsessive Batman.

Shame that the narrative ultimately suffers not being as strong as it could, thanks in part to the kinda messy script that falls victim to overstuffing, with ¾ climaxes and the movie being pretty much 3 hours long. It’s not boring, actually it’s fairly captivating, but it feels like they crammed almost 2 scripts into 1 because superhero movies are expected to be very long these days.

I still recommend it, despite the aforementioned flawas, because it’s refreshing to a superhero movie done with vision in mind more than a spreedsheet of pre-made and rounded-edged lego blocks.