[EXPRESSO] Abigail (2024) | A particular set of vampire skills

Abigail poses an intriguing premise, asking what if a kidnapping went south because the gang did not known they were abducting a child vampire, heck, even worse, the daughter of Dracula, before they retired to an unknown villa as they wait for the ransom money?

The result it’s actually quite interesting as the strong premise is taken to some unique degrees since there’s a Tarantino-esque (or Tatantino-adjacent) approach to relationship these criminals have with each other while waiting for the ransom to be paid, and the already strong vibes of Dusk Until Dawn are empowered by the very splattery and over the top amounts of high budget, exploitation levels of gore on display, and the playful element is further strengthened by how it feels almost like a reverse Home Alone, as the child vampire literally plays with them before going for a brutal, sadistic kill, after making the kidnappers feel like they’re in control.

Also, it plays around with the old vampire lore weaknesses for some laughs but also to depict vampires not so much refined monsters but as more cunning feral abominations always hungry for blood, yet somehow manages to have some emotional moments, some strange empathy, it’s a surprisingly strong pastiche that is able to draw nicely from its obvious inspirations but also work on its own and being a fun horror comedy romp that delivers fully on the idea and be hugely entertaining from beginning to end, with a really good cast that includes Kevin Durand and also Giancarlo Esposito (of Far Cry 6 fame) in a minor but still welcome role.

It’s a shame people might sleep on it, because it’s still worth watching even if the trailers are not taking any chance with subtlety and sorta spoiling it….which i kinda understand but kinda not.

[EXPRESSO] Freaky (2020) | Stop ‘n’ Swop

It’s my pleasure to say that with Freaky we’re back to Christopher Langdon’s brand of energetic and delightful modern slashers movie “with a twist”.

This time it’s NOT a Groundhound Day time-loop applied to a slasher movie, but another popular twist, as in “body swapping” between the heroine/final girl and the killer (via a mystical sacrifical dagger), an indirect “reversal”, as our troubled teen girl has to go back in her body and do it fast as the spell will be irreversable after 24 hours, with the killer using the advantages of his new body to continue the murder spree at the school prom.

While the main twist is indeed fresh for the slasher subgenre, and Langdon’s script fully utilizes for dramatic and comedic effect (while also obviously giving a spin to the chasing killer trope), Freaky is both style AND substance, able to hit many of the satisfying slasher elements, like the satisfaction of the killer tearing up detestable characters, the fairly graphic and unapologetic gore of the more elaborate kills, keeping most of the traditional elements.

It’s not just a cynically conceived gimmicky twist hurriedly scribbled to akwardly “spice up” an otherwise uncaring crap slasher, it’s clearly crafted and written with a clear understanding of the genre/subgenre, and while it’s very funny, with the same whimsical tone seen in previous Langdon’s film, it’s not a satire or parody, but a proper slasher movie in itself, one with great actors like Vincent Vaughn and Kathryin Newton, giving off great performances.

Even if you weren’t crazy for the director previous films (wasn’t too fond of the second Happy Death Day, myself), it can’t be denied it’s a very confidently written, acted and directed blend of horror and comedy that successfully lays an old fan favourite twist on the slasher formula.