12 Days Of Dino Dicember # 56: Gertie The Dinosaur (1914)

I hinted at this while reviewing Secret Of The Loch for last year’s “oldie” Dino Dicember entry, so we might as well go back even further in time.

Okay, maybe somewhere AFTER the zoatrope was the new fangled talk of the town.

I honestly can’t think of anything more ancient (in many ways) for dinosaur audio-visual media than Gertie The Dinosaur by Winsor Mc Cay, one of the earlier cartoonists and animators.

Contrary to popular belief, this is not the first animated film ever made, as McCay himself made an animated version of Little Nemo In Slumberland back in 1911, and in 1912 he also made another film, How A Mosquito Operates.

And if we want we CAN go back further into the proto-history of animation itself, with Reynaud’s Pauvre Pierrot from 1892, or Blackton’s Humourous Phases Of Funny Faces from 1906, this being the more accurate if we consider “proper” animation as in early hand drawn animation, and we discount stuff like Katsudo Shashin from 1907, which didn’t use photographies but had the drawings impressed via stencil on the film itself, via an instrument also used for magic lantern slides, so one could argue that had more in common with the ye old kamishibai shows (basically a magic lantern live action street theather done for kids).

But this is the first animated film to feature a dinosaur, ever, and we’ve come to pay our respect to “Granny Gertie” herself.

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[EXPRESSO] Now You See Me: Now You Don’t (2025) | Cross-Gen Capers

Aside from the title that would have befitted the second entry in this series instead of the third (as this is Now You See Me 3), the “Ocean Eleven-esque X Robin Hood” gang of illusionists (labeled The Horsemen due to the “Knights Of The Round Table” style secret society they belong to/work for) and with ready to foil villains with incredible “magic” based performances heists are back, with some next generation members entering their ranks to help steal a huge ass diamond from an arms dealer played by Rosamund Pike.

It’s an actually very old fashioned type of plot, something not too distant from Carmen Sandiego or Lupin The 3rd, but done in a glitzy modern way with an emphasis of illusionism, mentalism, parlor tricks taken to anime style levels of ability of deception for twists upon twists, snazzy setpieces and daring escapes. The usual crime caper stuff, basically.

There’s not much to say, it’s that kind of “let’s get the gang back” kind of sequel with the injection of new blooded “tricksters” for justice members, the third installment in the series, this one directed by Ruben Fleischer (Zombieland, Zombieland Double Tap, the first Venom movie, the Uncharted film), which does a decent job, i did enjoy this more than the second film, i will say that, and that is somehow mantains that plucky energy, despite the franchise being more than a decade old by now.

It’s still the kind of very light, shiny and glitzy popcorn entertaiment that the previous Now You See Me films were, not completely mindless, but also not deep or complicated by any definition, molsty predictable but not completely, the sort you do enjoy but also kinda throway, forgotten by the very next week at best.

But it does the job decently enough in theathers.