Space Monster Wangmagwi (1967) [REVIEW] | #giantmonstermarch

Digging deep into the kaiju fishin’ hole of mid ’70s to late ’80s with this one, which i’m quite sure none of you has even heard of, Space Monster Wangmagwi.

And i can’t blame you because it was basically unheard of outside of South Korea until its 2022 international screening at the Fantasia Film Festival in Montreal, and released on home video in 2023… for US home video, but it’s something.

Ailing from South Korea and actually being the earliest surviving South Korean giant monster movie (as the original 1962 Pulgasari is considered lost, just its script surviving as part of the Korean Film Archive), being made during the later child-friendly phase of Godzilla’s Showa era, actually the same year of the second Toho produced King Kong film, King Kong Escapes.

It’s also kinda surprisingly cheap, right away it gives off that aura as it’s a late ’60s films… in black and white and with production values that make me think Prince Of Space didn’t look that bad, though the laughable “tin can suits” the aliens (which show very human eyes through the eyehole-visor part of their suits) wear doesn’t help, as does the very cheap look of the ships dials and obvious old school phones and shower caps covered in kitchen tinfoil.

Still better than the “airplane cockpit cum shover privacy curtain” of Plan 9, but with that opening scene setting the bar for the special effects pretty low, i was expecting the scubagorilla from Robot Monster to be the kaiju the aliens would unleash…. you’d wish.

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Colossal (2016) [REVIEW] | Attack Of The Giant Anne Hathaway

While this is one of the more recent movies as far as giant monster movie goes, it also already slipped into semi-obscurity. Quite odd for a giant monster movie with Anne Hathaway, you’d think that would have turned more heads and be talked about, if nothing else as a curiosity, how many Korean-American monster movies are pitched as “Godzilla meets Lost In Translation”?

The plot follows an unemployed writer (Anna Hathaway), struggling with alcolism and an abusive colleague that want to control her, and how one day she unwittingly manifests a giant monster in Seoul. As it turns out, the monster directly replicates her movements and gestures, and when she realizes it, things get more complicated as her abusive colleague also becomes able to conjure a giant entity out of thin air…

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