[EXPRESSO] Cats (2019) | IDW DA NYA

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Yes, we didn’t get this till now, and i was honestly looking forward to see this, to witness how bad it was, for someone that never saw or cared about the play or Thomas Steams Elliot book upon which the musical was notoriously based on.

Maybe it’s because of this, but i was expecting a mountain of weird and baffling stuff, and i wasn’t disappointed, actually found myself quite enjoying it as a “so bad it’s good” experience.

What’s the plot? A group of cats calling themselves “Jellicle Cats” find an abandoned new cat in the streets, they present themselves to her in musical fashion (as you’d expect), tell of their annual dance communion, which culminates in a contest to determine which Jellicle Cat will be sent to the Heavyside Layer in order to be reborn. But an evil magical cat (that seems to have eaten the Sand Sand fruit) wants to sabotage the ritual in order to be chosen for the “cat rapture”.

Why the human-cats hybrids’ size and proportions are constantly changing and not quite matching the size of streets and interiors? Why are they both naked AND clothed at the same time? Why do they look so fuckin creepy and uncanny, being frankly unbelievable in every sense of the word, despite the CG being not cheap by any means? Why is Ian McKellen here to basically mutter and meow like he’s just minutes away from dying? Why Tom Hooper (definitely not the right choice) decided to direct it?

Why Judie Dench is so freaky as Old Deuteronomy, and becomes even more uncomfortable to watch when she lays in the cradle, splaying and spreading?
Really, she’s uncanny.

Not that you’re supposed to ask many (or preferably, any) of these questions.
It don’t matter anyway.

Some nice songs, though.

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[EXPRESSO] Depeche Mode: Spirits In The Forest (2019) | Private Live

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Cards on the table: i LOVE Depeche Mode, it’s one of my favorite bands of all time, and i’d argue one of the most influential overall, and i could go on, but it’s a review and i’m no proctologist.

Many bands had their work translated into a feature length movie, often in a more typical narrative fashion, with a plot crafted around the history of the band and it’s members, but also in more odd, ambitious fashions, like the hybrid of animated movie and music video of Interstella 5555, or Metallica: Through The Never, which went for live-action story mixed with live recordings.

Spirits In The Forest goes for a mix of live recordings from the 2017/2018 Global Spirit Tour, specifically the performance at Berlin’s Waldbühne (“Forest Stage”), and private cinema, with the intimate stories of six special Depeche Mode fans, filmed in their respective hometowns, talking about how the band’s music impacted their lives and connected with them, regardless of age, religion, language barriers, etc.

At it’s heart, Anton Corbjin’s (better know for Control, the biopic on Joy Division’s Ian Curtis) docu-film has the typical message about the power of music to unite people regardless of the many barriers and differences life inevitably confronts us with, but it does so in a smart way, not focusing on explaining pointless stuff like “what is Depeche Mode?”, or why the band is still so beloved today, but on the experiences of regular folks that are fans of the band AND do have interesting stories to tell, personal stories from different realities.

They are presented in a sincere fashion, never becoming indirect propaganda, with a good balance between these recollections and the live segments from the aforementioned Forest Stage performance in Berlin, and a concise runtime.

A bit envious i wasn’t there, gotta admit.

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[EXPRESSO] Yesterday (2019) | Beatles Beatles No Mi

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Preface: i never saw Across The Universe.

I don’t know how much (or if) it matters, but keep that in mind.

I’m not even a particularly big Beatles fan, but hey, Danny Boyle at the helm, i couldn’t refuse, especially with an original premise like this. Jack struggles to make it as a music star between shifts at the supermarket he works, and despite his best friend/crush egging him to persevere, he at last gives it up. But he’s hit by a bus (coincidentally timed with a worlwide lights out, not a truck, this isn’t an isekai), and when he gets out of the hospital he realizes everyone else in the world has forgotten the Beatles and their music, it’s not a joke of sorts from his pals.

So he decides to use this miracolous opportunity to relaunch his music career by singing Beatles’ songs as his own, which eventually leads him to stardom, fame, fortune, to the success he wished for, in an inescapable spiral that Jack find himself trapped in as time goes on, because for all the others know, the Beatles were never a thing, which is fortunate since Jack doesn’t even precisely know by memory the lyrics for every song.

And i’d argue it’s one of the best movie i’ve seen this year. A great balance of great comedy, romance and music that tackle to the importance (or lack there of) of the author, the meaning of legacy and respect in a business that eats you and spits you out in a snap, with an amazing cast of hilarious supporting characters (his weed enthusiast best friend, his absent minded and mildly dismissing parents, and Ed Sheeran as himself), a satisfying romance that never gets too mushy or depressing, amazing editing and radiant attitude.

It’s very good, indeed.

Recommended.

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