What To Do With The Dead Kaiju? (2022) [REVIEW] #giantmonstermarch

In what i assume it’s attempt at doing a “post-kaiju” type of treatment to the kaiju formula, while also echoing somewhat the old austerity-driven Daigoro VS Goliath, the movie by director-writer Satoshi Miki makes it clear from the title this isn’t a tale about how humanity pushed back against the monster, but instead about its aftermath, and it’s a fitting concept that makes sense as an evolutionary attempt for the genre in question, after Shin Godzilla basically laid the groundwork.

The plot starts with the big bad kaiju dying, with the people cheering, and the carcass of the creature is nicknamed “hope” for the many potential uses it could have.

But as you’d imagine, it soon begins to rot away and (stink aside) fears of explosions begin to arise, so it’s up to a selected crackpot team of weirdos, dubbed the Tokumutai, to dispose of the kaiju’s carcass with the future of Japanese’s economy at stake….

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David And Goliath (2016) [REVIEW] | He said Jehova!

Figured we’d take this occasion of very few time on my hands and wanting to see some crap on Amazon Prime Video in order to complete Wallace Brothers’ filmography, after covering his Jurassic/Alien Expedition movie during 12 Days Of Dino Dicember not too long ago.

As in, that movie its the second and so far the last one he ever did, with only this David And Goliath movie listed in his IMDB directing credits… and roles overall, he apparently just directed this two direct-to-video cheapo movies and nothing.

Again, going from the IMDB page, and as we learnt by going through the various Godfrey Ho and Joseph Lai ninja flick, IMDB it’s not that definitive a database, but checking on other sites like Letterboxd doesn’t make any new info surface, so…

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Gappa The Triphibian Monsters (1967) [REVIEW] | ♫ It’s The True Mystery of The Universe ♫

Yes, with a “G”.

One of the minor, less known giant monster, and the only kaiju eiga ever made by Nikkatsu (which almost went bankrupt after releasing it), also known under the mystifing title “Monster From Another Planet” in the US, and directed by Hiroshi Noguchi, better known for the Cat Girls Gambler yakuza series and the Ginza Mighty Guy/Ginza Whirlwind series.

Oddly, the plot is virtually identical to the one seen in Gorgo (hi again), with a grouple of people (in this case a group of reporters and scientists instead of a salvage crew) capturing and bringing a monster from its island (here a place called Obelisk Island) to “civilization” in order to become a media attraction. But this also angers the natives of the island and – more importantly – the parents of the infant Gappa monster, who head to Japan and cause huge havoc in their wake.

If japanese monster movies taught me anything, it’s to never steal children, especially those of literal giant monsters. Just don’t. Or stop.

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