[EXPRESSO] Hololive Dreams iOS | Gachikoi Gambah Galore

Hololive fans assemble, because with Hololive Dreams we’re going full smarthphone global release, F2P gacha obviously because how else will the talents try to roll themselves on stream, feeding the gambling addiction loop?

Chock full of talents both active and long graduated V-Tubers (yes, there’s Gawr “Gooba” Gura in it) doing admittely not particularly crazy things in terms of events or dialogues, but again, this is obviously targeted to already converted fans of the various talents/streamers/singers/entertainting, they ain’t trying to make new fans but “preach to the choir”

They are here to be cute, do things together, like prepare streams, chill in the communal house, decorate their rooms, enjoy the lush island and perform for the fans, which is done via a fairly typical but solid rhythh game fashion, more like a touch based DJ Max or Hatsune Miku: Colorful Stage than – for example – the Project Diva games or the Love Live mobile rhythm games…. actually, it plays and looks identical to Hatsune Miku: Colorful Stage.

Which isn’t necessarily a bad thing, even if you suck at rhythm games like meself, unless you expected something more original, but sure as hell it’s far more compelling than the RPG side of things, as the quests are really just fetch quests without the fetching, and it doesn’t help how sterile and clean the story and talents are made to be, especially since most of the vtubers are known for moments that escape the “idol culture” and the corporate mentality associated with it.

And you know, also marrying gacha economy with a fanbase more vulnerable to parasocial trappings is EXTRA predatory.

Then again, that was to be expected, so i’m not really shocked or offended, and to give due credit, the game does look good and is well produced, but beware.

[EXPRESSO] Ado Special Live “Shinzou” in Cinema (2024) | Much Ado

After liking her songs in One Piece Film Red, i was curious enough (and lucky enough) to go see the film/cinema version of her Shinzou show that took place at the National Japan Stadium in late April 2024, released here now as limited special event screening.

It was a shot in the dark for me as i’m not really familiar with her much… but holy fuckin shit.

If i was a fan prior this… i would likely have tried to go the concert in question, but reasonably couldn’t and had to “settle” for this, well, i would have been ecstatic.

First, the concert itself was pretty damn good (no fuckin wonder it sold out in a flash), just a great spectactle in general, with the pyrotecnics, background visualizers, lightshows and setpieces beinggreat, the tracklist (which as expected included some of hits heard in One Piece Film Red) was fairly big (being a 2 hours and 20 minutes long concert) and varied.

Second, this film-cinema version is actually pretty well directed, finding the right angles to show at different times (and take advantage of this being), the editing having a good rhythm to alternate between the performances, the setpieces, the pyrotecnics, the audience reactions, without distracting itself with some “behind the scenes” but just taking time to make quiet for Ado’s heartfelt speeches (in which she brings up some honestly heavy stuff).

Not that it was already impressively handled in terms of handling the lighting, since Ado is often on stage but you just see her figure, her silouhette, and you never see her face, which tracks since i’ve heard she was “V-tuber” levels shy/reserved.

Speaking of which, we also get (perfectly fitting Ado’s Vocaloid-utaite background) a song collab with the inventor of Minecraft herself, the leek enthusiast extraordinarie, Hatsune Miku.