[EXPRESSO] 28 Years Later (2025) | Mighty Morphin Jimmy Rangers

Almost 20 years of absence, this seminal zombie series is back in cinemas with 28 Years Later, actually the first of a new trilogy that brings back Danny Boyle in the directing chair and Alex Garland as screenwriter …. and indeed it immediatly feels like a continuation of 28 Days Later and what most feel 28 Weeks Later should have been, as it expands upon this perpetually quarantined UK, where the “rage virus” started spreading and turning people in feral fast running zombies.

This time we focus on a community that lives in a secluded island, but has the tradition of sending teens in a coming of age hunting trip inland (through a tiny strip of land that disappears with high tides), and its the turn of Spike, a 12yo boy reluctant and worried about his mother’s ailing health, for this rite of passage, with the help of his father, showing him “the ropes”.

This experience brings him new wonders and horrors, forcing him to confront his fears and eventually take drastic measures, exploring the zombie ridden inland territories and confront everevolving strains of Infected, maybe in the hope he can find answers and a cure for his mother’s illness and dementia….

It does expand upon the world, the zombies ecosystem, it does deliver on the gore and brutality all around, there are some good characters, but it has some questionable choices, like the second act development that feels a bit strange and almost random, but it leads to some great scenes and the movie it is quite good that i’m willing to overlook that (alongside a slightly redundant feeling due to the genre being milked dry in the last 2 decades of zombie media) and even a Power Ranger-esque final scene with dudes dressed like Tiger from Ninja Terminator.

[EXPRESSO] Halloween Ends (2022) | (Wake Me) Up Inside (When)

If nothing else, Halloween Ends lives up to the name, because it’s indeed the conclusion of this new Halloween trilogy and ideally the series.. for now. We did this dance before.

Burdened withh the unenviable task of basically salvaging the trilogy after Kills destroyed any goodwill Halloween 2018 built up.. Halloween Ends almost manages it.

4 years have passed since the events of Halloween Kills, with Michael Myers vanished and Haddonfield residents reacting in different ways, from blaming it all on Laurie Strode (now writing a book about her experiences) to exploiting the events, but all still trying to move on.

Though the focus isn’t on Laurie Strode so much, but on a new character, Corey, a babysitter that was involved in a fatal accident during on a Halloween night that branded him for life as a psycho.

This brings the narrative into an intriguing direction i won’t spoil, ultimately ties into the Laurie-Michael struggle, and continues to grow the theme of Haddonfield’s being a character in itself, so i can’t deny Halloween Ends does a lot of things that work.

…. for what it WANTS you to remember from the previous movies, hoping that you forgot a lot of the stuff that actually happened in Halloween Kills, and the whole communal aspect it’s undermined by how the script can’t resist making a lot of these people self righteous assholes or bullies in order to make their deaths satisfying. At least Kills didn’t try to have it both ways.

That and the layers of throwbacks to the original movie become kinda tiresome.

Overall, it’s not bad, it’s decent, the series has been a lot better and a lot worse, Halloween Ends it’s just another flawed but enjoyable entry with some good stuff in it as much as squandered ideas.