[EXPRESSO] Caught Stealing (2025) | Idles Hands

There some irony in a title like that for a filmmaker that already borrowed heavily from other, better directors, but i can’t deny i do like Arofonosky movies (The Whale was great), and i was surprised to see this new one, Caught Stealing, kinda sneak by into theathers.

So instead of taking “cues” from Satoshi Kon this time it goes for a more popular type of cinema, a crime caper set in New York, a 90s NY of people that can barely make rent but will proclaim their love for the San Francisco Giants, as it’s all framed with the titular baseball slang term i had to look up, as the protagonist, Hank, is a generally decent normal guy that could have been a baseball star if a car crash didn’t nip that in the bud.

Hanks calls his mother daily, has a semi-relationship with a nurse, and wants nothing to do with crime, but after accepting to take care of his punk neighbor’s cat while he’s away, he ends up unadvertly dragged into the seedy criminal underbelly due to some very bad luck and a series of absurd circumstances.

This time it feels like Arofonosky wanted to do a Cohen Brothers style crime caper (thought it’s based on a novel of the same name by Charlie Huston) while also retaining his usual style…. and it doesn’t really work until the last act, trying to be unpredictable and marrying very gritty violence with almost slapstick style comedy, coming off as kind of confused than anything, with its various ideas and tones having spent most of the movie fighting each other they do click the end, a little too late.

Terrific performances (especially by the supporting cast) help one wanting to see it through, and it’s not bad…. just kinda baffling.

[EXPRESSO] Dune Part 2 (2024) | …The Punishment Due

After being delayed, the second part of Denis Villeneuve’s adaptation of Dune is finally in theathers, and again, i’m putting out there i didn’t read the novel, and oddly didn’t even saw the Lynch take on Herbert’s book, so take that into account, if you want.

After the fall of the Atreides castle and slaughtering of most of his family and friends by the rival house of the Harkonnen, Paul Atreides survives by escaping and entering the ranks of the Fremens, the sand-dwelling bluey eyed natives of the planet Arakkis, learning their ways, while waiting for a chance at revenge, and tormented by horrendous visions of a future holy war and a prophecy that points to him as the likely messiah the Fremens had been waiting for, while the Emperor and the mystical order of priestesses plot more political upheaval and prepare for conflict….

Like the first part, it’s a lot of stylish and inspired visuals (to the point i’d kinda wish i went for an IMAX screening, instead of a regular one), great characters, amazing spectacle, enthralling narrative.. let’s cut the crap, it’s amazing stuff, maybe even better than part 1, and a great pay-off that will make the almost 3 hours runtime go by swimmingly, as it’s packed but not just “dense”.

While the ending teases as this just being the beginning (fitting as the original Dune book series counted six books by his creator-writer Frank Herbert,) and i do want to see more, it actually does provide an incredible conclusion to this story, so you get closure but also one hell of a scenario to close on that will make you want to see how things will continue forwards after such a powerful, really epic finale.

Terrific stuff, some of the best sci-fi cinema in a while.