[EXPRESSO] Eddington (2025) | Divide Schmivide

Ari Aster doing a COVID-19 crime western comedy thing?

Sign me in!

Set during the 2020 pandemic, we see the local sheriff (played by Joaquin Phoenix) of the small town of of Eddington, New Mexico, get spiffy against the local mayor (played by Pedro Pascal) for the mask mandate, and it escalates to the sheriff deciding to run for mayor himself, sabotage his rival on social media, while the climate gets worse due to events such as the George Floyd’s murder, etc.

I will respect that Aster doesn’t give a shit about making movies that unearth a recent, hugely divisive period of reality people would rather move on from, and yes, this is a cornucopia of deliberately unlikeable characters, from Q-anon pilled conspiracy theorists in-laws, hypocritical liberal youths into activism as long as there’s some pussy to gain from it, cult leaders, grifters, etc.

Problem is, it’s an unfocused mess which satirizes everything but does so in such a shallow and frankly unsatisfying manner, regurgitating stuff we already know and are still living through, with barely a plot to hold onto, something to actually build to, or characters that actually have any depth, feeling even more cartoonishly stupid than they’re meant to, and somehow able to make actors like Pascal and Phoenix come off as bad, which is sadly impressive.

It’s more frustrating than anything else, as the actual jokes that work are too few and far between for an almost 3 hours long movie, and while it picks up a little midway through, it borders on being an completely boring, unfunny movie.

It all feels like an uncomfortable but also flavourless remasticated portrait of 2020 and today’s America; plus, while i did suggest it might take some time to revaluate Beau Is Afraid…. i’m not so sure about Eddington.

[EXPRESSO] Beau Is Afraid (2023) | Rightfully So

The new movie from Hereditary and Midsommar director Ari Aster, and what do you know, it’s indeed quite the intriguing piece of cinema.

Heck, i’d go further and say this one is quite the experience, and definitely something you’ve never seen before, not this way or with this imagery or themes, as Aster goes fuckin insane by delivering a surreal kafkian odyssey out of a very simple and – on its face – thin premise: a man named Beau (Joaquin Phoenix) with a troubled relationship with his mother is set to do his yearly visit home for the anniversary of his father’s death.

Then he learns of her dying in a horrible accident too and scrambles, shame he lives in what could be classified as “Kafkian suburban slums”, with naked murderers, tattooed man with black reptilian eyes, and crazied hobos.

Not that the world outside it’s better, as Beau is trapped in an eternal super short-circuit of grotesque weirdos accusing, manipulating or threatening him in ways meant to fuel the Kafkian uroborous, as Beau it’s guilt tripped into everything by everyone, while he stews in the “damned if i do, damned if i don’t” miserable state of existence, getting involved in weirder and increasingly surreal scenarios as his adventure unfolds from just him wanting to come back home.

It’s all so absurdly grotesque, preposterous and outlandish in the peak of weirds the movie reaches, definitely making you wanna see what the hell could ever happen next, but even with Joaquin Phoenix being incredible as usual, the deliberate slow pace and excess of…. well, everything, those take a toll on the movie, which ends up feeling too long and repetitive.

But still, even flawed as it is, Beau Is Afraid remains a movie that has to be seen to be believed.