[EXPRESSO] Sinners (2025) | From Blues Till Dawn

There are movies that are best enjoyed by going in “cold”, by i don’t know if Sinners is one of those, as i can imagine people being confused if they were not aware of From Dusk Until Dawn having been a thing for a couple of decades (alongside some sequels i keep forgetting exist).

Because it is that, but done less as a deliberately disjointed surprise jump in tone, direction and subject matter, as it made to feed into the themes of freedom, black heritage and racial tensions, with the first half being a thriller drama set in 30s America, where a couple of brothers in the crime business, Smoke and Stack, go back to their town in Mississippi, in order to try and make some cash by setting up a juke joint, and they involve their cousin, a budding bluesman dubbed “Preacher Boy”.

The second half is them being stalked and having to survive when vampires surround the juke joint at night, and yes, its indeed doing a “From Dusk Until Dawn”, turning things straight into horror territory, with pretty good effects too and some very nice musical bits, lots of carnage, really good acting as always, especially Michael B. Jordan as both “Smokestack” brothers.

I respect it’s ambition and willing to do some out there shit (like the “future and past” visions of blues music), but the editing at times is frustrating, it kinda keeps going even after what would have been a good time to end the movie… twice, which is partially due to close up some subplots.

At times it’s a bit too much and it’s a miracle it works so well instead of being the utter mess it sounds-could have been like, but it is still well done, bold and stylish, i do recommend it.

[EXPRESSO] Abigail (2024) | A particular set of vampire skills

Abigail poses an intriguing premise, asking what if a kidnapping went south because the gang did not known they were abducting a child vampire, heck, even worse, the daughter of Dracula, before they retired to an unknown villa as they wait for the ransom money?

The result it’s actually quite interesting as the strong premise is taken to some unique degrees since there’s a Tarantino-esque (or Tatantino-adjacent) approach to relationship these criminals have with each other while waiting for the ransom to be paid, and the already strong vibes of Dusk Until Dawn are empowered by the very splattery and over the top amounts of high budget, exploitation levels of gore on display, and the playful element is further strengthened by how it feels almost like a reverse Home Alone, as the child vampire literally plays with them before going for a brutal, sadistic kill, after making the kidnappers feel like they’re in control.

Also, it plays around with the old vampire lore weaknesses for some laughs but also to depict vampires not so much refined monsters but as more cunning feral abominations always hungry for blood, yet somehow manages to have some emotional moments, some strange empathy, it’s a surprisingly strong pastiche that is able to draw nicely from its obvious inspirations but also work on its own and being a fun horror comedy romp that delivers fully on the idea and be hugely entertaining from beginning to end, with a really good cast that includes Kevin Durand and also Giancarlo Esposito (of Far Cry 6 fame) in a minor but still welcome role.

It’s a shame people might sleep on it, because it’s still worth watching even if the trailers are not taking any chance with subtlety and sorta spoiling it….which i kinda understand but kinda not.