[EXPRESSO] Nosferatu (2024) | Orlok Spelled Forward

I have been waiting for this one a LOT, i made no mistery of it, and why should i?

Robert Eggers doing a remake/new version of horror silent classic Nosferatu, i shouldn’t even need to add more than that. And i won’t.

But yes, it might sound strange to younger horror fans, it’s a new version of an early unauthorized Dracula adaptation that was considered lost for decades, only to resurface and become a silent horror film classic on its own, so i guess there’s little point discussing the plot too much, it’s literally Dracula.

I mean, there’s no denying around that, but Eggers version actually manages the near impossible, as it captures the original film dreamlike quality while also giving it a new spin to the material (while also featuring most of the classic scenes of Dracula adaptations), going for a psychosexual horror thriller that on the surface might remind some of Coppola’s Dracula adaptation, while there’s no baroque romanticism, over the top hairdos or extra fancy costumes.

This count Orlok is a fuckin disgusting, feral beast with a sexual appetite stronger than death, an obsessive lust that never betrays any empathy behind the desire itself of this cursed cadaver and whoever is unfortunate enought to be in its path to obtain it.

I mean, it sounds like an obvious perfect match of a movie to (re)do for a renowed director that specializes in bleak gothic horror thrillers, and i’m just gonna cut the shit, Nosferatu lives up to the high expectations it reasonably fostered since it was announced, in pretty much every regard, and yes, the amazing cast features yet again William Dafoe (and a great Nicholas Hoult) after The Lighthouse.

Intense, repulsive and beautifully bleak, an amazing film and a great remake as well.

Highly recommended.

Final Verdict: Java

[EXPRESSO] Voyagers (2021) | In observation, I analyze

It’s the future, and a group of young men and women, raised to be intelligent and obedient, are sent into space on a mission to colonize a distant planet. But they discover some of the expedition’ secrets, and then rebel to the mission in order to explore their less intelligent, more primitive and irrational side of themselves, resulting in a chaotic struggle with their own fears and lusts.

I want to clarify right away that Voyagers (written and directed by Neil Burger) isn’t a bad movie, it isn’t, but it’s also one of those movies that might come across as incredibly frustrating, the kind of frustrating born not of lazyness or lack of energy and vision, but of ambition too vast for the script own’s good, and – more to the point – its quality.

The premise is intriguing and ripe with potential, the themes are there, there’s clearly a vision, but the execution is incredibly predictable, underwhelming, and some of the more original details of the plot that make it stand out end up unadvertly working against it’s own overall message, coming off as dumb mistakes on part of the program, or contrived excuses to create more conflict.

Like, why the teens are asked to maintain the ship for a mission they themselves simply won’t live enough to carry out ? Why not cryogenically put them to sleep, instead? And yes, they’re teens, so they can be fuck up or be swayed regardless of their IQ or education, sometimes they come off as both incredibly intelligent AND dumb as a bag of bricks (or incredibly naive), somehow, and it never feels natural, just arbitrary bullshit.

There is definitely something to like here, like the good cast and performances, but the overall result it’s an overly ambitious mixed bag. Pity.