[EXPRESSO] Elemental (2023) | Avatar reference here

I’ll be honest: since the teaser trailer i had very low expectations for Elemental, and frankly the marketing didn’t make it any better, as it either led you to believe that this is Zootropolis again, but with the themes of racial prejudice and coexistence made even more ouvert by just making the elements people. And it’s also a simplistic. gimmicky variation on Romeo and Juliet.

And while there is some truth to those assumptions…. to be honest, this is far from the worse or insipid we’ve seen from Pixar lately.

For example, it’s mostly a story about first generation immigrants (Korean immigrants, as it’s a personal story for the director himself), a couple of “fire people” moving to Element City, and her daughter, Ember, divided between inheriting the store of her parents, who worked themselves to the bone, and following her passion and potential career, with the disruptive force igniting all this being a water guy, Dave, a safety inspector whom accidentally enters the shop, finds and reports the many safety violations, but then wants to help Ember avoid the city shutting down the store, and eventually they fall in love as they get to know each other.

It’s fun, quite pleasing, the romance it’s not original but it’s cute enough, Elemental it’s a decent film overall, but it’s also indicative of the troubled state of Pixar, as they exhaust their formula to the point the criticisms stopped being hyperboles and became truths, the whole concept is overly simple to the point it hurts its own worldbuilding and almost completely undermines its own themes, the premise is Zootropolis but the racism allegory makes even less sense in context, and while the character are fun and the animation is impressive as expected… we have seen this done better countless times before.

[EXPRESSO] Lightyear (2022) | Space Mediocrity

Ok, let’s leave aside the whole “identity crisis debacle”, despite Pixar being outright silly in starting the movie with the premise that THIS is the movie that in 1995 spawned the Buzz Lightyear toy Andy from Toy Story got. Also ignoring the 90’s animated TV series that served as a backstory to the character, because it’s clear this is a different interpretation-canon.

WHATEVER, who cares, let’s move on from this non-sense.

Though i can understand it’s quite tempting to do so since the ludicrous meta footnote is ripe for lampooning, and the actual movie leaves very little to say for itself.

But first, the plot.

I has been described by many as a sort of rip-off of Interstellar for children, and i agree, as we see Buzz and company investigate a newly scanned planet that the ship flew by during their voyage.

This alien world immediatly reveals to be rife with hostile fauna and flora, and in attempt to escape, the ship gets damaged, forcing Buzz and all the other people on board to camp and live there, while they find a way to create the specific fuel need for lightspeed space travel in order to contact base and leave the planet. They do manage to create the special fuel, but things turn for the weird as Buzz keeps failing the lightspeed flight test and returns to learn that his minutes long voyages translate to years of time passing in his absence….

I’ll say that this ain’t bad. I didn’t expect much from the trailer, but sadly despite the plot having some potential to be better, it all comes off as a generic “origin story” through and through, from the action to the characters, everything it’s pretty mild, predictable and – again – generic.

Enjoyable, but sadly quite middling overall.

[EXPRESSO] Onward (2020) | Dad Quest

Onward 2020 poster.jpg

Yeah, due to the COVID-19 lockdown, this was delayed… until theathers reopened yesterday in Italy, pretty much. For U.S. moviegoers, this will old hat, as the movie debutted there in march, but eh, what you gonna do?

After the fun but kinda pointless rethread of Toy Story 4, Pixar here treats us to a story about two brothers in a quest for an artifact to make their deceased father exist – completely, that is – for one more day, all set in a fantasy suburbia world of elfs, cyclops, goblins, station wagons, smarthphones and convenience stores, as technology advanced and made magic basically obselete over the millennia. Yes, still a better modernized fantasy world than Bright, let’s just get that out right away.

And there’s a token minor LGBT character (a cyclops cop), so token it’s made so by a single line, not bad or offensive, the character isn’t completely pointless to the plot, to be fair, it’s just….yeah, nothing to really brag about, given it’s ancillary status, but Pixar needed some social media icons for Pride Month, so…

That aside, it’s good mix of family drama and road movie, with some fun characters design, likeable characters (even if it’s another tale of getting over feelings of inadequacies, this time exploring brothers and fathers relationship), funny spins on fantasy and GDR clichès leading to some pretty good visual jokes, pacing is perfect, the moral becomes obvious but still feels earned (and the lesson at the end actually gels together with the themes), there’s even some action with swords and dragons and stuff.

Definitely a step up from Toy Story 4, and better than one would reasonably expect from Dan Scanlon, who previously directed that Cars supernatural-ish spin-off short…. and Monster University (the only review i still regret writing). Good one.

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[EXPRESSO] Toy Story 4 (2019) | Stories Of Old

Toy Story 4 2019 cover poster.jpg

Let’s get the obvious out right away: Toy Story 4 didn’t need to exist, especially with the perfect closure given by the third one. And we didn’t expect “The Toys Room” quality, we didn’t.

The plot this time centers around Debbie, the little girl that Andy gifted his old toys to at the end Of Toy Story 3 (which was 10 years ago), anxious about going to the kindergarden, and on the first day (with the help of an apprehensive Woody) she makes a toy out of a plastic fork and craft materials, naming him Forky, and basically bestowing sentience and life unto it. Forky is confused by being alive, a toy, and he keeps trying to hurl himself in the bin, from which he literally came.

Woody, who is feeling pretty useless and forgotten, continuously undoes the endless “suicide” attemps of the newborn toy, and wants Forky to understand how important he is for Debbie, etc. But things get a bit hairy when the family goes on a road trip, and Woody encounters an old acquaintance, meeting new, weird toys….

You know what, this is quite good in itself, with funny new characters (including a canadian Evil Kenivel knock-off toy), some interesting resolutions for Woody, the animation is top notch as you’d expect…. but it feels like there is just so much you can do with this idea, the writers are trying to keep it interesting, but it retreads more old ground than expected (Woody’s character arc, in particular), some jokes are hammered in the viewer a bit too much, and the new songs… kinda meh.

It’s good, as you’d expect, but this fourth installment just feel unnecessary and doesn’t add much to the series. Still worth seeing, without a doubt, but i worry about the future of the franchise. Mh.

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