[EXPRESSO] One Night Only (2026) | The Premarital Gex Purge

I was able to see a preview screening for this one, i was curious, as One Night Only has the unique hook of “What if The Purge was about fucking and framed as a quirky rom com?”.

It’s a ni– it’s an elevator pitch that gets you attention, but immediatly you wonder why is this not a dystopian thriller (or horror thriller), as it takes place in an America where they passed a ban on premarital sex, so single people now can copulate only 1 night of the year, with biochips on their arms to enforce compliance.

One guesses it doesn’t apply to non-hetero people, i do guess because we just have the lesbian roommate of the lead girl saying how this is “a thing for the straights”, not that there’s any thought about the terrifying implications of this (or how masturbation factors in), or any of its themes, as the focus is about Allie and Owen, one in search of romanticism during “Fuck Night”, the other having practically broke with her long time girlfriend hours before.

Even if you could ignore ALL OF THAT (and you won’t), the two leads really have little chemistry and you’ll wonder why in this context they didn’t immediatly fuck, not that you’ll care about these two milquetoast characters.

It’s both too heady and nowhere enough, as it wants to be just a casual meet-cute thing, but ultimately is an incredibly regressive, self-righteous, disgusting little film that’s sex-negative, yet wants to be a raunchy sex comedy…. without actually showing any nudity, that you’ll pine for the days of frigging Porky’s.

The movie itself literally says “being an incel is a badge of honor now”, just in case it didn’t already come off as fascist government propaganda selling “The Sex Purge” as a positive thing.

[EXPRESSO] Savage House (2026) | Duke It Out in YKS

18th Centhury England, the country is swept by smallpox and Jacobin revolts, not that matters much to Chauncey Savage and Lady Savage, as they get their chance to rehabilitate the fallen house of Savage and its luster when they get news the Duke and Duchess will visit their house, rushing to host a perfect dinner night no matter what it takes.

I do find Savage House a delectable decadent period piece indeed, i think it’s a pretty solid film, yet i feel it does come off a bit short of what it sets out to be.

Aside from the narration that could have been cut almost entirely as it just explains the obvious, it’s kinda funny how the movie presents itself and starts off as a period black comedy ready to depict the decadence of the period in sordid detail…. yet it kinda forgets halfway through and it becomes a fairly typical Victorian era-set period drama about these horrible people being entertaining horrible people with their own schemes and goals.

Yes, occasionally we’ll get people interrupted mid-coitus or performing a rim-job, we’ll see the shit und piss, but – and i can’t believe i’m saying this – i feel the movie could-should have been way more nasty, the acting is good but it kinda goes into more typical period drama machinations and backstabbing with an occasional surreal flair that also isn’t strong or emphasized, like they wanted an arthouse-ish vibe but couldn’t actually committ to that or being peculiary weird or out-there.

It still remain grotesque enough to be interesting, but i feel it kinda loses itself at one point and could have been even better, or less “tame”.

It’s not quite The Favourite, but its a decent, solid effort that i do recommend seeing if you have the chance.

Final Verdict: Decaf

Christmas Bloody Christmas (2022) [REVIEW] | Mecha Santa MK-II

Okay, just ONE christmas themed slasher to review under the tenenbaum.

It is Christmas’ Eve, after all.

Also, not one of the more obvious one, yet not an oldie, so that brings us to 2022’s Christmas Bloody Christmas, which is an apt if generic title, unrelated to the Silent Night, Deadly Night series (even though it started as a remake of that one, which did get a remake-reboot released earlier this month) or Black Christmas, the 2020 reboot which i was denied seeing by local distributors saying it was coming to theathers here too…. it never did in any widespread way.

We’ll do that next year, i’m really not feeling it this time around, nor dumpster diving for another shitty Krampus film that might or not be about the Krampus.

No thanks, i’ll stick to something more recent and normal, like this film about a defective robot santa malfunctioning on Christmas’ Eve and starting a killing spree.

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The Spooktacular Eight #12: Microwave Massacre (1979)

There are many types of massacres.

You can opt for the classics of axe, chainsaw and proper sharp instruments that while not built for slaying the fellow man are indeed excellent for severing, cutting and shit like that.

Why not think outside the box… or inside the box, as in go for a power drill, a woodchipper, a nailgun or even just use all the things inside a toolbox?

Go cannibal while you’re at it.

I mean, this movie decided to do so but also title its massacre after a microwave… which isn’t the actual weapon of killing, while being pivotal to the protagonist’s agenda, after he uses a salt grinder to kill his nagging wife May, obsessed with haute cuisine, during a drunken rage one night.

He sober ups the next day, completely unaware of what he did the night before… until he finds the corpse stuffed into their new huge ass microwave, decides to quickly dispose of his wife remains by dismembering and hiding it in the fridge, only to later accidentally take a bite out of May’s tinfoiled hand, liking the taste, things lead to things, and to Donald cooking the body parts in the microwave, finding the “blood feast” quite delish. So much that he starts killing hookers so he keep his cannibalistic cuisine going, sharing it with his unsospecting coworkers, even.

Continua a leggere “The Spooktacular Eight #12: Microwave Massacre (1979)”