[EXPRESSO] The Fall Guy (2024) | Project S

Apparently based on a 80s TV series of the same name i’ve never heard before, The Fall Guy is another in what seems to be a recent trend of meta comedies about movie making or the business of fiction breaking out in reality, with a dash of romance, so it’s this more Tropic Thunder or another send-off to Romancing The Stone?

A bit of both, but ultimately neither, as the story follows Colt Seavers, a stuntman that, after nearly dying on the set of a movie years ago, basically removed himself from the business even more as he had a romantic story budding with Jody, the film’s director.

Years later he’s called upon by Jody’s producer to help out with the stunts on her new movie and also locate the film’s douchey star actor, Tom Ryder, as he has been missing for days.

As Colt tries to win Jody back while also secretly attempting to find out where Tom could possibly be, he ends up meeting some thugs and finds out this isn’t some drunken debauchery joke or some movie star bullshit, but that there’s a conspiracy at play behinds the scenes….

i was expecting a decent flick and not much else, plus i was worried about the runtime, but there’s actually more to the plot to warrant the 2 hours lenght, the romance is cute, the lead actors’ chemistry is great, the action is deliciously over the top and satisfying compliments the comedy instead of using it a cushion, the characters are likeable, and it lovingly showcases the work of stuntmen/women and all the people in the biz whose glory is often left unsung.

A surprisingly good mainstream/general audiences movie, and one of the rare ones today that actually manages to deliver on the fabled “something for everyone” promise.

[EXPRESSO] Black Panther: Wakanda Forever (2022) | Vibranium Wars

For the record: i did enjoy the first Black Panther movie quite a lot when i saw it in theathers.

But i also saw how flippant is the quality of the MCU theathrical offerings, so expectations are as low as they have been for years. Especially with the passing of Chadwick Boseman, which is also honored and diegetically considered, as the death of T’Challa leaves Wakanda open to other nations trying to rob them of the Vibranium, forcing the reigning queen, the princess Shuri ( sister of the late T’Challa) and the remaining warrior women to fight for their land as Namor (i guess a different one from the Aquaman lore, despite the identical name) the king of a secret underwater-dwelling meso-american tribe rises up to force Wakanda into war.

After they take their sweet time, let’s be blunt, this one it’s almost 3 hours long, and boy you’ll feel it. It’s not even correct to say the movie it’s unnecessarily long, but it does take its time to set up various subplots and elaborate on the themes of legacy, inheritance and will that connect the Phase 4 Marvel movies together, as the characters deal with the emotional baggage left to them, which it’s fine but it feels like them ruminating/depending on the first movie to make you care this time too.

It’s the same issue plenty of these new Marvel movie have, and Wakanda Forever it’s no exception, arguably a little worse, which is a shame since the plot has some promise but never feels properly coherent, the cast it’s great, the villain is quite decent, but i found myself not really that invested in the new characters, the new kingdom and the new struggles Wakanda and its warriors face.

It’s a decent but unimpressive (and kinda bloated) sequel.