Lake Placid (1999) [REVIEW] | Feeding The Crocs

Given the overabundance of killer animals film in the horror as genre (or subgenre), it’s hard to say you’ve seen them all, as you most likely completely glossed dozens of the things, often entire series of movies about killer creatures. Lake Placid is one i personally didn’t bother with, more due to the timing of my proper interest in horror and related cinematic material blooming, i was aware of the series growing up but i didn’t care about killer croc films, and by the time i did it was basically already sequelized hard, so i turned to weirder, newer killer sharks movies and such.

Today we’re “correcting” this by starting a retrospective on the entire Lake Placid series, from the 1999 original to the most recent installment, 2018’s Lake Placid Legacy.

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Alligator II – The Mutation (1991) [REVIEW] | Back To The Sewers

Another chapter in the accidental saga of Jaws rip-offs and their often interesting tales of genre producers basically kicking a young James Cameron out of the director’s chair, of people making movies about barracudas that actually just used them to trojan horse a completely different thriller plot, of alligators becoming giant in Chicago’s sewer system due to pharmaceutical experiments on dogs, and producers pestering poor Joe Dante into directing rip-offs of his own movies…

Once again we wander in the territory of “we wanna make another one and trick people into thinking it’s a sequel by slapping a number 2 and a subtitle on the title”, but i struggle to even justify this one’s existence. Sure, the first one ended with another baby gator being flushed down the same sewer, but usually you’d want to cash-in into a movie like this right away…. not 11 years later.

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Alligator (1980) [REVIEW] | Don’t flush the reaper

Ah yes, Wally Gator’s origin story. Or maybe not.

This one actually has sort of faded into obscurity, but it shouldn’t because it’s arguably one of the better “killer animals” film of the 70/80s, and also is a “Jaws rip-off” of sorts, in the same way as the original Piranha, to be precise, since the script is also written by John Sayles, and it’s a good combination of straight killer animal flick and light-hearted, affectionate satire of the B-movie clichès. It definitely has a sense of humour, not just by downright having P.O.V. shots of the gator with the soundtrack playing almost the Jaws theme, by having people selling merchandise of the “monster”, but also by basing an entire movie about that urban legend. 🙂

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